..Gary Dretzka
..Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

..Wilmington on DVD ..MCN Weekend

Dear Readers

For the first time in my life, writing new movie reviews this week proved impossible.

Instead, I would like to invite those of you who can, to come to my mother Edna's funeral, a sad event that I hope will also be a celebration of her wonderful, magical, good, and brilliant life. She was an astonishly gifted painter, sculptor, charcoal portraitist, art teacher, industrial draughtsman, theatrical scenic painter, poster designer, craftsman, a terrific cook, amateur scientist, witty newspaper columnist, and poet. She died Wednesday, Sept. 30, at the age of 94. It was too soon. I will miss her for the rest of my life.

The speakers at the funeral will include Chaz Ebert, Michael Kutza, Dann Gire, and me. There will be films of Edna and pictures of some of her works. The funeral will be held at 11 a.m., Saturday, Oct. 10 at Drake Funeral Home, 5303 N. Western Ave., Chicago, Il. (Info: 773-561-6874.) Visitation is on Friday at Drake & Son, from 4-9 and the internment will be at Graceland Cemetery. I can be reached at mike.wilmington@moviecitynews.com. Please join me to say goodbye to a loving mother and a great lady.

best,
Michael Wilmington

________________________________________________________________

Edna Wilmington (1915-2009)
    
Last Wednesday night, September 30, my mother, Edna Wilmington, died at the age of 94, several hours after being discharged from Northwestern Memorial Hospital, after repeated hospital stays there, and at St. Joseph’s, for a variety of health problems. She had requested me never to send her to a nursing home, but instead let her remain at home, and I honored that request. I wish now I hadn't. I desperately want her still alive. If a nursing home could have given her even a few weeks or months more, it would have done us all a great service.
    
Me most of all.   
     
My mother, whom I've written about several times recently, was a small town girl from Williams Bay, Wisconsin, who married a German-Jewish fugitive from Hitler. She raised me alone, despite great hardship, with no help, alimony or child support at all from my father, Professor Martin Wilmington of New York City (a close friend of longtime Teachers Union president Albert Shanker), until shortly before Martin died of leukemia in 1964.
       
She was a brilliant all around artist and amateur scientist, so good at so many things that I had to marvel all my life at her genius and versatility -- a wonderful oil painter, a fine water-colorist, sharp caricaturist, peerless charcoal portraitist, wizardly theatrical backdrop painter, deep delver into physics and magnetism, an inspiring teacher and the best letter writer I've ever known.
       
She was also an incredibly brave, generous and fine human being. She was the daughter of a Swedish immigrant carpenter, my grampa, Axel Tulane, who designed and built several houses in and around the Bay, and did it all my himself -- into his 70s. She put herself through art school at the University of Wisconsin-Madison (while helping her parents with their mortgage), and graduated with a masters degree in art, magna cum laude. While there, she was part of a now legendary little artistic/intellectual circle that included later-famous artists like John Wilde, Robert Grilley, Marshall Glasier, and Dudley Huppler -- who wanted to marry her. (Martin beat him out.)
      
Though, unlike her Madison friends and suitor, she never became famous, she was a prodigy. And, all her life, no matter what the difficulty (and there were many), she packed and carried her beautifully made sculptures, portraits and paintings from city to city, place to place, tiny room to tiny room. Some of them now sit on the floor of the room where she died.  
      
Much of her life, she suffered career-wise from the sexist prejudices of the time, and that other prejudice of would-be chic critics and the art and art education establishment toward abstract expressionism and against realism. In her fifties, she tried to re-enroll for her doctorate in art at Madison, partly to save our belongings, which were back in storage at the Bay, and she was refused -- in what seems to me a case of both sexism and ageism. Later, the UW art faculty member and well-known painter Robert Grilley, told her she had been turned down because "we were afraid you would be contemptuous of us." Grilley was wrong, she wasn't unkind. She wouldn’t have hurt anybody, despite her occasionally sharp tongue. And she herself could work superbly in more painterly or abstract styles. But it broke her heart.
     
She was certainly a realist. Everything she painted, made, wrote or drew breathed with life and vibrated with humanity. I remember her wonderful sense of humor, her happy laugh, her sometimes scathing wisecracks. She wrote wonderfully too, Here is a poem she composed on a Madison bus, an impromptu response to another poem given her by her friend, fellow Madison student and later artist and professor Dudley Huppler. Dudley had whipped up some doggerel, in which he called her by a pet name, “Loon” and defended "selling out" in art, because "to a peacock, spraying feathers unobserved would he absurd."
     
She responded:
 
I am appalled.
      
But pen your patter if you must.
Know you this, eclipse will bring
Silent, mongrel poet's dust.
      
Spray your feathers!
Shoot your quills!
Gather peanuts while you may.
Who can taste their five cent flavor,
When his jowls are in decay?
      
Abdicate the throne, climb down.
Jig a while, and strut.
Stoop with eager, fumbling hands
To scoop the scattered silver up.
       
I am a loon.
Strum the thin, contemporary tune.
 
What a writer! (And that was only her secondary gift.)
      
She was also a parent, guide and teacher-nurturer who was (as Duke Ellington would say) beyond category. It is thanks to her that, in one crucial evening in Hyde Park, Chicago, I learned to read in a single night after the first weeks of first grade, and after the prevalent "look and say" anti-phonics method I was taught, had sort of failed me. It is thanks to her that I knew all kinds of literature (from Shakespeare to Agatha Christie) so early, before I was ten. And all kinds of music. Every night when she came back from her daily work, she would sit at the piano in our Williams Bay garage apartment (which Grampa Axel had built) and play Beethoven's "Moonlight Sonata."
          
Despite her lack of funds, she rarely refused to buy me a comic or book when I was growing up. Once, when I was about five, she finally succumbed to my repeated pleas to buy a Rice Krispies “Snap, Crackle and Pop” toy before we left the grocery store -- and I discovered only years later that she had bought it with her last quarter.
     
She also taught me painting and art, of course. And theatre. And comics. (Her favorite was Carl Barks' "Uncle Scrooge.") And history. And sports. (She was the fastest touch football player in the neighborhood when she was in grade school.) And everything else, including movies.
        
And she took us to a movie every weekend at the little theaters in Lake Geneva, Walworth, Elkhorn or Delavan. Her two all-time favorite shows were Singin' in the Rain and Lola Montes, and she was also fond of the western sweep of Stagecoach, the swashbuckling of Douglas Fairbanks, the Swedish gloom of Ingmar Bergman, the scorching fury of Mean Streets, the Gothic terrors of Night of the Hunter, the Scottish  whimsy of Local Hero, the comic cowboy fireworks of Rio Bravo, the wry tension of Hitchcock and, another taste she bequeathed to me, the magic of Orson Welles.
        
When Edna was in high school, her class was taken to one of Welles' very youthful stage productions, Trilby  And often afterwards, she would describe how supremely, joyously theatrical Welles was, coming out, tall and magniloquent, to deliver the cast its notes in front of the mesmerized audience.
    
She never stopped loving movies. For the past year, she’s seen most of the DVDs or home screeners I’ve reviewed for Movie City News, critiquing and often lashing at them with her favorite putdown, “pokey.“  The last movie she saw in a theatre (at Facets in Chicago) was, once again,  Citizen Kane. The last DVD she saw, on her hospital food table, on my laptop computer, was The Wizard of Oz.
         
She was a wonderful, wonderful mother, beyond category or comparison. Thanks to my father, who ignored his family while he hobnobbed with Shanker (a famous New York figure who later became a joke in Woody Allen’s Bananas), she had almost nothing. But she gave me everything anyway. Books, records, basketballs. When I was in college at the UW, because she had been unable to find work as artist, draughtsman or teacher for years, she helped put me through most of it by working in a factory, driving to work every day despite the fact that her license had been (unfairly she said) revoked, sending me most of her money. Despite all her efforts, I never finished. But I could never, never repay her -- for that or a million other things.
       
Some of my friends never understood why I would always bring my mother to new cities with me when I got new jobs, why I would take her to so many movies and screenings. Some of my not-friends ridiculed me for it. But how could I not try to repay, however inadequately, someone who gave me so much and who asked so little? How could I not find apartments for her near me or sometimes share with her (as I did in Chicago) my own messy domiciles, digs unworthy of her, but in which she held a place of honor?
        
Lately two film directors, Michael Reano and Bud Young, have been shooting a documentary about me and the changes in film criticism (not my idea) called 24 Frames a Second, 24 Hours a Day. They shot some precious hours of my mother too, as recently as last weekend. I wanted them to do more. She easily steals the movie away from me and others; she's a magnetic camera subject in her 90s. And though she thought lightly of her looks, telling me once, "I wasn't pretty; I was smart," I think, this time, she was wrong. She was beautiful.   
   
One scene that Mike and Bud didn't get -- and I wish they had -- was an incident that greatly moved election poll workers and firemen at the local firehouse last November, including one ambulance driver who later came for her, too late, after she died. I brought her on election day by cab to the firehouse polling place, where, though a lifelong Republican, she cast her vote for Barack Obama for President.
     
I think the reason she may have stayed a Republican (like almost everyone in Williams Bay) was because my father Martin, a liberal Democrat (like after college, me) had treated her so badly. But in fact, her last three presidential or primary ballots were cast once for John Kerry and twice for Obama. And she spent much of her hours the last few years watching the liberal cable news network MSNBC. She disliked Fox.    
      
My mother was not a total saint. She could be cranky and stubborn and she could scream out her frustrations, and she messed up my love life, or tried to, a few times. I loved her anyway.
    
To me, she seemed invulnerable. But nobody is. She was amazingly healthy for almost all her life, despite never going to doctors. Then, last year, she took a fall in our Chicago apartment while I was away -- and was brought to Northwestern, characteristically demanding that the drivers leave her alone and that the doctors immediately send her home.       
      
She seemed all right for a year. Then, suddenly, came a flood of troubles and pain, urinary tract infection and dehydration. The last three months were a Hell for her and for me, from the moment I walked into her bedroom one Thursday, and saw her lying, wide-eyed but speechless, on her bed, unable to answer my frantic calls of "Mother! Mother!" as she lay there -- and then for the next months as she kept being rushed to the hospitals by ambulance, and kept being brought back from the brink. The doctors kept saving her, but it was sometimes a nightmare worthy of Stephen King. One night I went into her hospital room and found her alone, and with her sheet and blankets drenched with blood, because, I was told, a doctor had done something wrong with her IV.
     
But those months were, in a way, a treasure as well, because, as she lay in her hospital bed or at home, often quietly, her eyes still shining, I got the chance to read to her (Selma Lagerlof’s The Wonderful Adventures of Nils”\) as she had once read Winnie the Pooh to her young son -- and to tell her, over and over, how much I loved her and admired her. "Best mother in the world! Best artist in the world! Best scientist in the world!" I told her, over and over. And I meant it -- and though it was the kind of hyperbole that would usually make smart Edna snort derisively, it was a joy to unabashedly compliment her, as she would always compliment and encourage me.
     
It was a joy also when I asked her to forgive me for all the pain I had caused her, and she said, sweetly and simply, "I forgive you."
     
Finally, she succumbed Wednesday to what she called a "great pain" - only hours after being discharged again from Northwestern, and, ironically, at the very moment I was discussing her care in the living room with two strangely unpleasant hospice workers -- who wasted precious time and whom I tend to partly blame for her death. As we talked, they suggested that she might belong instead in a nursing home, and ironically again, I now mostly agree. But to me, you see, my mother was invulnerable. I believed that her repeated desire to die at home was sacred, and that she would always bounce back, as she already recently had.   
     
Instead, it was another nightmare. I had asked that the hospice nurse come early when Mother started talking of pain and I started giving her aspirin. But the shifts were changing, the nurse couldn't be reached at first, and then she had to come a long way. It took hours. After the nurse arrived, she somehow neglected to check Edna’s vital signs (which might have pinpointed her distress and given us time to save her), waiting until later, when we went to her bedroom and discovered my mother had died. I screamed in pain, and told the more obnoxious of her last visitors, "Get out of here."
      
Later, before the funeral home workers came to take her away, I cradled Mother Edna's sweet, tired head in my arms, talked to her, crooned to her, sang to her one of her favorite songs (Harry Belafonte's Mary's Boy Child), and died inside myself, as gradually the capillaries burst in my mother’s beautiful, shining blue eyes and turned them purple and black.
   
It was the saddest sight I have ever seen, or will see. And, before that, the most horrible words I have ever heard were the nurse's nervous "She's not breathing. "
     
Ah, but she is, she does, she always will. She is alive and she breathes in my heart and soul, and in the heaven in which she believed so strongly -- and I hope now that she lives in some of yours as well. Though the last words I ever heard my mother say were "Help me! help me!" she was instead the person who, all her life, always helped others, helped me. In the hospital room, when I would rest my hand on hers, to comfort her, she would often pull it out and place it on top of mine, to comfort me.
     
That was Edna Marie Tulane Wilmington, a woman whose formidable talent and great heart the world mistakenly ignored.
      
When I was a little boy in Chicago, and my mother, whom I then called "Mommy," would drop me off with a sitter or at Hyde Park Nursery School, before she went to work, we had a little ritual goodbye we would say every morning to each other. Mommy would say "Be a good boy, have a nice time..." And I would answer enthusiastically, "I will, goodbye and come early!”
      
In our last months together, those sometimes happy and mostly terrible days, we had another ritual goodbye, which I would say to my mother at her bedside -- and she would answer me "Good night, dear son" -- something which I said again and again, as I sat beside her after the end. I say it here now, to the woman who gave me everything, for the last time.
     
Good night, dear mother, Good night, beautiful artist. See you in the morning.

- Michael Wilmington
September 30, 2009

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