MCN Columnists

Wilmington

Wilmington On Movies: Paterson

A confession. I love Jarmusch’s movies — or most of them anyway, because, like Jerry Seinfeld‘s TV show, they’re so resolutely and unblushingly about nothing or nothing much, or, to be succinct, about the poetry of nothing.

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Wilmington On Movies: DOCTOR STRANGE

I might prefer something adapted not from a classic comic but, say, a great novel, or a profound drama or a truly witty comedy, but we don’t call the shots.

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Wilmington On Movies: Inferno, The Girl On The Train

Inferno, the third in Ron Howard and Tom Hanks’ series of Dan Brown-derived high-end action movies, aspires to classy trash. At least it tries — mashing references to the works of the great classical Italian poet Dante Alighieri (“The Divine Comedy”) with the not-so-great works of the financially astute airport bestsellermeister Brown (The Da Vinci Code), amid imagery that suggests a nightmare attraction on the National Geographic Channel.

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Quote Unquotesee all »

What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris