MCN Columnists

Movie City Indie

Friday Movies: ONCE UPON A TIME …, Fassbinder Trilogy on Blu; Why FLORIDA PROJECT on 35mm?

Quentin Tarantino’s melancholy pop-rocket picaresque is the truest of true “hang-out” movies: key characters spend the greater part of their screen time getting from one place to another, wandering blissfully, even wantonly to an incessant song score, across a delirious period landscape, a wholly realized world. It’s also a Western, a war movie, and a snow globe, shaken now and again, of Tarantino’s fascination with the filmmaking process.

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Friday Movies: LAST BLACK MAN IN SAN FRANCISCO; DO THE RIGHT THING; ROLLING THUNDER REVUE; DEAD DON’T DIE; GARRY WINOGRAND; IN THE AISLES

Some movies you walk into knowing nothing and upon leaving, you feel in at least some way you know everything. Joe Talbot’s luminous, mesmeric The Last Black Man In San Francisco is a temporal-topographical dreamspace of sweet hallucination.

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Pride

BOOM FOR REAL: Sara Driver On A Moment Whose Moment Has Come

“Everybody was going to see bands, going to see peoples’ shows. We were all in the same area… I think Luc [Sante in the film] describes him as “impish,” and, yeah, sort of everywhere.”

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Premiere: “Raising Bertie” On POV

One of my favorite docs of the year, Margaret Byrne’s long-in-the-works Raising Bertie, is a behaviorally rich and visually ravishing six-year immersion into the largely African-American North Carolina farming community of Bertie County.

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FIFTY-PLUS FILMS FOR 2016

In 2016, I saw as many movies as most years (even if when I couldn’t review them all on first release), and I took an additional month to catch up and make room for some second and third look-sees. May the coming year reveal distribution and exhibition creativity to match the grand diversity of movies in 2016.

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Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump