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MCN Columnists

Movie City Indie

Peter Greenaway talks “Pillow Book” (from the 20th century)

“A writer, or a painter, working on a private basis, the conditions would be even more deplorable. The responsibilities of time and collaborators creates a series of strictures that push you on. Unless those didn’t exist, to push it further there would be no reason to get out of bed in the morning! I would simply sit in bed and write scripts.”

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Pride

Sundance Seen Part 2: The Cooled Take

Sundance 2015, I told myself, would be a festival of no quick takes, some tweets, lots of movies, interviews, conversations, unforeseen run-ins and path-crossings, hundreds of photographs, and a few more movies. A noble experiment. Time to consider, reflect. Of course, afterwards, I was quickly reminded that there’s good reason for buckling down in the midst of all the sensory input of a film festival and churning copy and burning digital files. What happens once you’re back on the ground? Sure, plant your ass in the chair and type-type-type until all is tidy and done. But not so fast.

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Sundance Seen Part 1

The whispering of powder from a dull quiet sky. Snowflakes fall between the screenings. Then the sun is bright and powder dusts off the slopes.

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Best of 2014: A Top 40

Against the odds, good and great movies are made. And shown. And seen. And listed numerically, if not wholly ranked. Here’s one critic’s enhanced top forty for 2014.

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Quote Unquotesee all »

“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

“At one point in the comedy dead zone known as Seth MacFarlane’s Ted 2, the title character—a stuffed toy bear voiced by Mr. MacFarlane—and his dimwitted best friend, John (Mark Wahlberg), visit a comedy club to engage in a favorite pastime: throwing bleak improv ideas at the comics onstage. So, seated in the back of the auditorium while cloaked in darkness, the friends start shouting out suggestions like 9/11, Robin Williams and Charlie Hebdo to the unnerved comics. The topics don’t mean anything to Ted and John, who, like Mr. MacFarlane, take great pleasure in making others squirm. They could have just as easily yelled gang rape, the Holocaust and dead puppies.”
Manohla Dargis on Ted 2

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