MCN Columnists

Pride

FIFTY-PLUS FILMS FOR 2016

In 2016, I saw as many movies as most years (even if when I couldn’t review them all on first release), and I took an additional month to catch up and make room for some second and third look-sees. May the coming year reveal distribution and exhibition creativity to match the grand diversity of movies in 2016.

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Pride, Unprejudiced: Sunset Song, Weiner, The Invitation

A high point among so many, flawed only by a small, smoothing cut, is in the Weiner-Abedin kitchen one morning, when Abedin is asked how she’s doing. She pauses, there’s a cut, she says flatly, “It’s like living in a nightmare.” She smiles, all poise and resolve and red lipstick and white teeth and hightails it out of the frame. Second only to that is Weiner turning to his interrogators in the back of his car, “Isn’t the fly on the wall technique, doesn’t that have a little to do with the notion of not being seen or heard, you just kind of pick up what goes on around you?”

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Pride, Unprejudiced: LOUDER THAN BOMBS With Joachim Trier

“Gabriel Byrne gave him credit by saying that he had never worked with a cinematographer that was so involved, which means he’s there, he knows the blocking, he’s emoting, Jacob Ihre, I’ve seen in our collaboration both start laughing and start crying during scenes we shot, because he’s very engaged with what’s going on. Which I think he doesn’t laugh too loud or weep too loud But that matters. There is a tradition, you know, this tradition, this kind of close-up esthetic in Scandinavian cinema, from Dreyer through Bergman. On some level, I love being serious about that.”

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Quote Unquotesee all »

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham