MCN Columnists

Movie City Indie

Oscars-Netflix: Sean Baker

2/3 This would help keep theater owners and audience members who appreciate the theatrical experience satisfied. — sean baker (@Lilfilm) March 3, 2019 3/3 Just an idea with no details ironed out. But we need to find solutions like this in which everybody bends a bit in order to keep the film community (which includes…

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“i program an art house cinema in a small, midwestern town…”

my issue w/@netflix as a distro is that as a matter of biz philosophy, it doesn’t allow most of its original movies to be booked by theaters who reach out & specifically request to screen them. we essentially had to beg to screen MUDBOUND and ROMA in our cinema. 2/17 pic.twitter.com/MBJj5pSDeW — brit freeze (@midwesttisbest)…

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Oscars-Netflix: Paul Schrader

Via Facebook: “THE NETFLIX DEBATE. I have no animus against Netflix. Ted Sarandos is as smart about film as any studio exec I’ve ever met. Distribution models evolve. The notion of squeezing 200+ people into a dark unventilated space to see a flickering image was created by exhibition economics not any notion of the “theatrical…

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Pride

BOOM FOR REAL: Sara Driver On A Moment Whose Moment Has Come

“Everybody was going to see bands, going to see peoples’ shows. We were all in the same area… I think Luc [Sante in the film] describes him as “impish,” and, yeah, sort of everywhere.”

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Premiere: “Raising Bertie” On POV

One of my favorite docs of the year, Margaret Byrne’s long-in-the-works Raising Bertie, is a behaviorally rich and visually ravishing six-year immersion into the largely African-American North Carolina farming community of Bertie County.

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FIFTY-PLUS FILMS FOR 2016

In 2016, I saw as many movies as most years (even if when I couldn’t review them all on first release), and I took an additional month to catch up and make room for some second and third look-sees. May the coming year reveal distribution and exhibition creativity to match the grand diversity of movies in 2016.

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Quote Unquotesee all »

“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento