MCN Columnists

Pride

Picturing Sundance 14: Awards Night

Middle of the week, familiar faces aren’t recurring so often, Sundance theaters are mostly full, but not completely. But the traffic. The traffic never stops. Sundance 2014 was the first festival I’ve been to where what would once have been a workable schedule of screenings went to hell repeatedly because of traffic standstills all around Park City. The good thing about that is three or four films I would never have seen, but saw because they were the next option, half an hour forward, an hour forward, and they were good. I Pollyanna’ed that idea day and night long. Sundance: wherever you are, you’re where you were meant to be.

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Picturing Sundance 2014: 7 Looks

Seven first-looks along the streets of sunny Sundance.

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Sundance 2014 Review: Locke

“I’m just driving, that’s it,” he says in one way, another, and another. It’s a journey to the end of his soul. “I’m driving,” he says, and the BMW is his cranium, and the voices the voices rocketing within, the car less infernal cage than fevered skull. But it’s not a stunt, no, no, no: all the confinement, the inspired technical legerdemain, it’s all a means to an end, and that end is Locke.

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Quote Unquotesee all »

A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2

“I wanted to make you love a murderer. There’s no way of redeeming him. He’s a drunk and a killer. He killed at least seven people (that we know of). But there were reasons he was a bad guy. He was surrounded by evil in those days. A lot of people were killed building modern Florida—modern everywhere. Watson had plenty of opportunities to see how rough those guys were playing and he thought he could do it too. At least he rationalized it that way. He had the devil beaten out of him and became a very dangerous guy. And he couldn’t handle his liquor, which is one of the worst aspects of him. And he went crazy. Understanding how that happened is useful, I think. There’s no reason any one of us couldn’t be Edgar Watson.”
~ Peter Mathiessen On Writing “Killing Mister Watson”