MCN Columnists

Movie City Indie

A Compendium Of Conversations With Laura Poitras And Edward Snowden About CITIZENFOUR

Edward Snowden introduces CITIZENFOUR at Leipzig Doc. Laura Poitras: “I began documenting something in an observational way and then got pulled into the history that I was documenting. That certainly happened when I was put on a watch list by the U.S. government and began to be detained at borders. But it wasn’t just because…

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Pride

A Story Of Deep Delight: Talking BOYHOOD With Richard Linklater

A conversation about time, duration, contracts, some parallels between Boyhood and poetry, making a period film in the present tense, and why film “improvisation” doesn’t exist.

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Interview: Jonathan Glazer On The Birth Of UNDER THE SKIN

In a rangy interview, we talk to Jonathan Glazer about themes in Under The Skin, sight, the eye, Mica Levi’s inventive score and artistic productivity. (He admires Fassbinder’s output.) There are spoilers.

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Interview: Talking JOE And The South With David Gordon Green

The world of David Gordon Green’s Joe is all I ever knew and feared of my upbringing. Not my family, no, but some of my extended-extended family, cousins second- and third-removed, and certainly in the lanes and miles that radiated outward from this small blot on the countryside. I did not come from those people in Kentucky but they lived down the road only a piece.

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Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel