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A
History
of Violence
David Cronenberg's most
normal movie ever, A History of Violence, is being released by New Line
Home Entertainment as a Platinum Series title (N10095, $29). The gore is heavy,
the sex is fantastic and for once, Cronenberg delivers such pleasures without
getting weird on the viewer. Viggo Mortensen stars as a family man living
in the Midwest who is pestered by gangsters that believe he is someone else. Ed
Harris and William Hurt play the gangsters, and Hurt enlivens the pace
of the film's final act in a manner that no script could possibly anticipate.
For the rest of the film, Maria Bello, as the hero's wife, provides an
ideal energy to counteract the stoicism of Mortensen's character. The sequences
involving the hero's children don't always ring true (the school bully is played
by an actor who is clearly in his twenties), and there is that nagging feeling
that the Canadian locations aren't Indiana, but otherwise the film is an outstanding
accomplishment. It delivers the entertainment of a well-made thriller, but reaches
for and achieves more, primarily through the editing, using the film as a reflection
upon the violent undercurrent of American society, and human nature, without spoiling
the rhythm of the suspense.
The
picture is presented in letterboxed format only, with an aspect ratio of about
1.85:1 and an accommodation for enhanced 16:9 playback. The color transfer is
excellent, and the sharpness and depth of the image adds to the resonance of each
lingering shot. The 5.1-channel Dolby Digital sound is effectively invisible,
sustaining the movie's atmosphere without calling attention to itself. There are
optional English and Spanish subtitles, a 3-minute deleted dream sequence where
Cronenberg was reverting back to his normal self, a nice 7-minute segment about
shooting that sequence, a minute-long piece on a couple of gore shots that were
left out of the American theatrical release, a good 66-minute production documentary,
and an interesting 9-minute segment about taking the movie to Cannes. Cronenberg
also supplies a commentary track, mostly talking the viewer through his understanding
of the story, which is sufficiently insightful to hold one's interest. Take, for
example, what he has to say about a baseball game the hero's son is participating
in: "Initially, there was a little problem with the color of the shirts.
[The bully's] team was in yellow. I felt that the blue was more aggressive and
much more suited to the bully and his team. So, there was a moment of panic, where
all the kids were swapping shirts, just before we started to shoot. But I really
felt there was that color symbolism. You know, the yellow shirt is weaker, somehow,
and is imbedded in our language. When you say someone is yellow, you mean he's
cowardly."
March 24,
2006DVD
Roundup: This Week's DVD Releases
The
Review Vault
- by
Douglas Pratt
Douglas Pratt's DVD-Laser Disc Newsletter
is published monthly.
For a free sample, call (516)594-9304 or go to his
website at www.DVDLaser.com