MCN Columnists
Douglas Pratt

Douglas Pratt Pratt@moviecitynews.com

The Ultimate DVD Geek

DVD Geek: Hail, Caesar!; House Of Cards; It Came From Outer Space; Independence Day: Resurgence

With Hail, Caesar!, Joel and Ethan Coen again prove that the Bros. do not make normal movies.

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DVD Geek: Valley of the Dolls, Beyond The Valley Of The Dolls, Vamp

There is bad, and then there is really bad. Valley of the Dolls is a bad movie. The histrionics of the characters pass for drama, while simplified progressions of successes and failures, both in careers and in romance, pass for narrative. But the plot is coherent, and the acting, although pushing the edges of sensibility, is valid. Dolls is appealing as high camp, with its most indulgent performances and importune dialog being accepted after the fact as a comical alternative to the real world, especially because of its show business milieu.

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DVD Geek: Medium Cool

In 1968, it was clear that something would happen on the streets of Chicago during the Democratic National Convention. With Medium Cool, Haskell Wexler and his collaborators assembled a viable romantic story, a Cinderella Liberty tale where a news cameraman (Robert Forster), chases after a kid who steals his bag then winds up falling for the kid’s hardworking but struggling mother (Verna Bloom). But, along with sending his character to pre-Convention events, Wexler also got Forster press credentials and into Chicago’s International Amphitheatre as rules votes and other events were unfolding at the Convention. Although it makes me wince, Wexler also put Bloom onto the streets as cops were attacking protesters.

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Quote Unquotesee all »

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner