35
Weeks To Go
Run
Silent, Run Depp
"For
what's the sound of the world out there?
Those crunching noises pervading the air!
It's man devouring man, my dear!
Then who are we to deny it in here?"
That's a lyric from
Sweeney Todd, but actually another movie has been more quotable
so far. In Oscar pre-season 2007, no one can hear you scream.
You'll notice no
one is pressing their Oscar luck as of the end of June ... not even
DreamWorks Oscar powerhouse Terry Press. It's no country
for bold talk at 42 West, where Miramax and others get consultation.
Charlie Wilson may be going to war, but Tony Angellotti is keeping
it in dry dock while QE2 & Ridley's Boys go at it. Karen
Fried has 3 or 4 films to Focus on, but she'll let Ang Lee
translate himself before she starts doing it for us. And Paramount
Vantage isn't babbling in at all, even with four high profile films
aiming at the gold ring.
Last year was the
year of early hype Front Runner doing everything it was expected to
do... except get nominated. So this year's trend will be Silence Is
Golden... until that fails some film that seemed inevitable, so next
year there will be some other trend.
Make no mistake,
Oscar's elves are already well into their cobbling plans. Those
named above will be cranky about being named and those not named will
be quietly cranky about not being named, as the game is already afoot.
I have 39 films
on my list right now. At least a couple will not make release
in 2007. Another 20 really have no realistic shot at Best Picture
... though keep in mind that the list that came out five weeks earlier
last year only had three of the five eventual nominees listed (Little
Miss Sunshine and The Queen were not on the summer list).
Only ten of the films on the list have been seen by eyes outside of
their production team.
Phil
Hoffman is in three possible contenders. Javier Bardem
is in two, as are Streep, Tommy Lee Jones, Vanessa Redgrave, and
potentially, Benecio del Toro. On the flip side, Paramount
Vantage will chase a nom for The Kite Runner with no known American
actors to push, not unlike a Pitt-less Babel.
We already have
a boatload of stunt performances, including Julie Christie (Alzheimer's),
Marion Cotillard (old, stooped, crazy, and odd looking), John
Travolta (drag), Samuel L. Jackson (old & nutty), John
Cusack (nerdy), Halle Berry (acting), Javier Bardem (hairstyle),
and Johnny Depp (singing).
What we don't have
is more than a couple of big movies. Charlie Wilson's War
is the senior title by way of its over-any-title talent roster, including
its director. Johnny Depp, the first Sondheim movie in
decades, and Tim Burton make Sweeney Todd a big feeling
film. And the first film from the Cruise/Wagner United Artists,
Lions For Lambs, has traditional Hollywood Oscar bait talent
and exotic locations.
There are no guarantees,
including that trio. But after them, you're looking at a parade
of films with big ideas, big talent, and tiny scope. Every expectation
is based on directors and intentions. Ang Lee, Terry George,
Neil Jordan, Paul Haggis, David Cronenberg, Robert Benton, Noah Baumbach,
Ridley Scott, Marc Forster, Woody Allen, Paul Thomas Anderson, Wes Anderson,
the Coen Bros, Francis Ford Coppola, Joe Wright, and potentially
Steven Soderbergh will all be in play this fall. And who
the hell knows?
Interestingly, aside
from animation, majors Disney and Fox really don't even have films in
the Oscar game this year (though Miramax and Searchlight do), while
Paramount sans DreamWorks has only the would-be-surprising potential
of Beowulf in the Oscar race. And God Save The King... Harvey
Weinstein appears to have nothing up his sleeve, unless I'm Not There
or Control turn into something magical.
The acting races
are still pretty wide open, though nominations seem inevitable for Marion
Cotillard, Julie Christie, Cate Blanchett, Javier Bardem (supporting,
for No Country for Old Men), and the one guy who I still think
will win, even from this far out ... Johnny Depp: Aesthete Superstar.
And then there are
the big freak movies. Will Beowulf be the adult version
of the 300 phenomenon and will Bob Zemeckis get rewarded
for that? Will Charlie Kaufman turn out to be as
brilliant a director as he is a screenwriter with Synecdoche, New
York ... and, if he is, can Sidney Kimmel do anything about
it? Is The Darjeeling Limited Fox Searchlight's secret
weapon of 2007 or just a happy Wes Anderson comedy? Will
New Line find its new Lord of the Rings in His Dark
Materials? Can the French La Vie En Rose and/or Ang
Lee's Mandarin-language Lust, Caution overcome the language
barrier in the Best Picture race? Will American Gangster be
an Oscar movie or a commercial film with a Departed kick?
As you'll see on
my Oscar chart, there's little point to trying to make much of the giant
muck at this point. Unlike years past, there is only one film
that seems to be a lock ... and just a couple of years ago, the
same fine director and the same Oscar winning actress didn't make the
cut. So ...
See you again just
before Toronto.
The
Chart
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Email David Poland