Week
Thirteen - 45 Days to Go
Everything Old
Is New Again
What's really left
to say with less than 72 hours left before the last Oscar ballot is
postmarked?
If there is anything
interesting about the season so far it is that as split as the critics
seem to be, the Guilds and Critics groups with shows have fallen into
a remarkably narrow range of selections. There are a few more to announce,
including WGA this morning, but PGA, DGA, HFPA, and BFCA have nominated
the same five films and SAG has embraced four of those five, the outlier
being The Queen, the only foreign made film in the group.
Even before this
week's guild nominations, what did the Guru o' Gold have as their Top
Five? Dreamgirls, The Departed, The Queen, Babel, Little Miss Sunshine
Want to rage against
how uninventive the Hollywood establishment is? Well our MCN Top Ten
chart of critics TopTens ranks The Five at 2, 3 7, 8, 11
so even
the critics are pretty much on board (as it amazingly turns out they
are every year).
We have seen The
Year of The BioPic, The Year of The Indie, and The Year of the Upset,
2006/07 has proven to be The Year Of The Inevitable.
Of course, there
are the anomalies.
United 93
has won more critics groups awards than any other film, but none of
the awards groups seem prepared to embrace the film.
The Queen,
featuring dominant actress award getter Helen Mirren, is expected
to get more than 5 nominations. But the movie starring the male equivalent
of this season, Forrest Whittaker, The Last King of Scotland,
will be fortunate to rack up 2 noms.
Just scant days
after Letters From Iwo Jima won LAFCA, Clint Eastwood
got two Golden Globes nominations and nods for both Best Picture and
Best Director at the Critics Choice Awards, the absence of the film
from PGA, SAG, and DGA has suddenly flipped him right back into the
persona non grata file.
But the most astonishing
thing about this group of five films, if they remain The Five on January
23, is that only one of the films will have been released later than
October 27.
The last time that
happened was 1995, when Apollo 13 (6/30), Braveheart (5/24),
Babe (8/04) and Il Postino (6/16) joined December 15 release
Sense and Sensibility as the Best Picture nominees.
In the process of
looking at the situation, I went back and looked at the potential Oscar
movies that were released that year in November and December and it's
pretty amazing, really. Remember, we were at the height of the Miramax
machine years.
There were a bunch
of hopefuls that simply came up short on quality: Grumpier Old Men,
Sabrina, White Man's Burden, and Wild Bill.
Then there were
the small quality movies that just never got any traction: Restoration,
Othello, Cry, the Beloved Country, Georgia, and The Journey of
August King.
There were the arthouse
films that got a lot of attention, but still no BP nom: Richard III,
The Crossing Guard, and Carrington
There were the films
that were "just too commercial" or never found an awards rhythm:
Waiting to Exhale, The American President, Home for the Holidays.
And finally, there
are seven titles that a lot of people really thought were in the running
(whether delusional or not): 12 Monkeys, Casino, Dead Man Walking,
Heat, Mr. Holland's Opus, Nixon, and Toy Story.
Are you feeling
the déjà vu I'm feeling? A futuristic thriller about a
world with a troubling future and a man trying to get his balance in
it all, a Scorsese, a Mann, and a Stone. There is also a powerful piece
on morality that got narrowed into being "about the performances,"
a feel-good drama that just couldn't get Oscar traction, and a cartoon
that people absolutely adored.
The funny thing
about looking at that season is that of the five nominees, the only
one that sticks out as an oddity is Il Postino. And really, the
only other film that scrapes against my personal preferences is Apollo
13
yet that nomination seemed inevitable and utterly appropriate.
Still, for me, 12
Monkeys, Casino, Dead Man Walking, and especially Heat are
as good, if not better, than anything else on that list.
But more to the
original point of this column, it is always amazing to notice how many
things in awards season are consistent trends and how many - the majority
- are not. The next year, 1996, only one major studio had a nominee.
In 1997, there were three, the n in 98, 2 and in 99, 4. In 2000, there
were three December releases and two spring releases in the running..
You never really
know.
The last straight
out comedy that won Best Picture was Annie Hall, 29 years ago.
But that doesn't make Little Miss Sunshine an impossibility.
The violence of Lord of the Rings: The Return of the King, Gladiator,
Braveheart, and Silence of the Lambs seems to disprove the
violence issue for The Departed
though none of those involved
ironic, snarky violence. Just last year, a drama with multiple storylines
won the Oscar
could Babel make that two in a row? The last
Queen to win was Judi Dench in Shakespeare in Love, though
a Brit-a-Thon, like The Queen, won just two years before that.
And since Gigi, West Side Story, My Fair Lady, and The Sound
of Music, and Oliver, it was 34 years before another musical,
like Dreamgirls, won
But someone is going
to win.
And everyone else
is gonna lose.
So maybe, as the
turmoil quiets and the nominations bore, we can sit, and breathe, and
actually discuss the movies.
Ah, the movies.
Being a know-it-all
or a know-nothing doesn't matter. Either way, you get an opinion.
January 23 can't
get here soon enough because February 25 can't get here soon enough
either. And awaaaaay we go
The
Charts
Best Picture
Best Actor
Best Actress
Best Screenplay
Best Director
Week
Thirteen: Outside Looking In
Week
Eleven The Great Settling
Week
Ten: The Search For Meaning
Week Nine: Inside Out
Week Eight: The Season That Couldn't Shoot Straight
Week Six: Dreamgirls Wake
Week
Five: Isn't It Romantic?
Week
Four: The Rules - Episode One
Week
Three: Channel #2
Week
Two: Hope Floats
Week One: Ready, Steady ... Gold, Cat, Gold!
The
August 11 Preview