|











..Gary
Dretzka
..Noah
Forrest
..Leonard
Klady
..David
Poland
..Douglas
Pratt
..Ray
Pride
..Kim
Voynar
..Michael
Wilmington
| October
11, 2009 |
| October
4, 2009 |
| September
27, 2009 |
| September
20, 2009 |
| September
13, 2009 |
| September
6, 2009 |
| August
30, 2009 |
| August
23, 2009 |
| August
16, 2009 |
| August
9, 2009 |
| August
2, 2009 |
| July
26, 2009 |
| July
19, 2009 |
| July
12, 2009 |
| July
5, 2009 |
| June
28, 2009 |
| June
21, 2009 |
| June
14 , 2009 |
| June
7, 2009 |
| May
31, 2009 |
| May
24, 2009 |
| May
17, 2009 |
| May
10, 2009 |
| May
3, 2009 |
| April
26, 2009 |
| April
19, 2009 |
| April
12 , 2009 |
| April
5 , 2009 |
| March
29, 2009 |
| March
22, 2009 |
| March
15, 2009 |
| March
8, 2009 |
| March
1, 2009 |
| February
22, 2009 |
| February
15, 2009 |
| February
8, 2009 |
| February
1, 2009 |
| January
25, 2009 |
| January
18, 2009 |
| January
11, 2009 |
| January
4, 2009 |
| December
29, 2008 |
| December
21, 2008 |
| December
14, 2008 |
| December
7, 2008 |
| November
30, 2008 |
| November
23, 2008 |
| November
16, 2008 |
| November
9, 2008 |
| November
2, 2008 |
| October
26, 2008 |
| October
19, 2008 |
| October
12, 2008 |
| October
5 , 2008 |
| September
28, 2008 |
| September
20, 2008 |
| September
11, 2008 |
| September
7, 2008 |
| September
1, 2008 |
| August
24, 2008 |
| August
17, 2008 |
| August
10, 2008 |
| August
3, 2008 |
| July
27, 2008 |
| July
20, 2008 |
| July
13, 2008 |
| July
6, 2008 |
| June
29, 2008 |
| June
22, 2008 |
| June
15, 2008 |
| June
8, 2008 |
| June
1, 2008 |
| May
26, 2008 |
| May
18, 2008 |
| May
11, 2008 |
| May
4, 2008 |
| April
27, 2008 |
| April
20, 2008 |
| April
13, 2008 |
| April
6, 2008 |
| March
30, 2008 |
| March
23, 2008 |
| March
16, 2008 |
| March
9, 2008 |
| March
2, 2008 |
| Feb
24, 2008 |
| Feb
18, 2008 |
| Feb
10, 2008 |
| Feb
3, 2008 |
| Jan
27, 2008 |
| Jan
21, 2008 |
|
|
|
|

|
|
November
15, 2009
Weekend Estimates
Domestic Market Share
Not
with a Whimper ... but a Bang!
Critics
were derisive of 2012 but the new
age apocalyptic disaster saga was warmly embraced by the public
to an estimated debut of $63.7 million. The competition largely
steered clear of the cinematic tsunami though the oft-delayed
rock valentine Pirate Radio went
limited wide to OK returns of $2.9 million.
The frame
also saw a near capacity response to the stop-motion romp The
Fantastic Mr. Fox of $253,000 from four venues
and continuing potency for Precious as
it expanded from 18 to 174 theaters. A couple of American independents
dramas bowed to encouraging box office in exclusive release.
The critically lauded war-related The Messenger posted
an $11,350 average in four situations while Uncertainty grossed
$14,100 from a Manhattan solo. Also good in a
single exposure was the non-fiction An End to Poverty? With
$10,600 while a pair of new Bollywood entries turned in dull
response.
Overall
the session experienced a nice bump from last weekend but saw
another decline from the 2008 playbook.
Reviewers
likened the combination of special effects and melodrama in 2012 to
the work of bygone genre specialist Irwin Allen.
Pundits were cautiously optimistic about the picture’s
commercial prospects with a few expecting the worst …
commercially. But the slightly retro tilt proved to be
an audience magnet with opening day sweeping in with roughly
$23.5 million.
However,
if domestic was boffo, international was multi bene with
initial estimates of $160 million from 105 countries (Japan was
the only major territory not in the first vanguard). The film
ranked among the biggest international debuts of all time with
such heady grosses as $17.5 million in France, $15.3 in Russia and
$12.3 million in Mainland China.
Pirate
Radio (aka The Boat That Rocked) -- inspired
by the likes of illegal off-shore floating broadcaster
Radio Caroline from the 1960s -- has been treated
like a hot potato since its debut in Europe in May.
It’s Brit-centricness saw it bounce from Universal to
Focus and its opening was incrementally delayed from an initial
August launch. Some expected a more potent opener but insider
expectations were pretty much on target.
The frame
generated revenues just shy of $140 million for an upturn of
14% from seven days earlier. However, it was 6% off the 2008
pace when Quantum of Solace debuted
to $67.5 million and the second weekend of Madagascar 2 added
$35 million.
The second
weekend of A Christmas Carol held
up well with a 25% erosion while the rest of the national holdovers
saw slippage generally ranging from one-third to one-half.
The
Fantastic Mr. Fox put its paw in the water and
found the temperate quite soothing. Its $63,350 average from
four screens bodes well for its expansion in 10-days cued to
the Thanksgiving holiday. Though it’s hardly been
an uninterrupted strong of hits for recent platform releases,
the success of everything from Paranormal Activity to Precious is
likely to see more such strategies; especially during what have
become non-traditional periods in the release calendar. Everything
old is definitely new again.
by
Leonard Klady
Weekend
Estimates: November 13-15, 2009
|
Title
|
Distributor
|
Gross
(avg)
|
%
change *
|
Theaters
|
Cume
|
|
2012
|
Sony
|
63.7 (18,720)
|
New
|
3404
|
63.7
|
|
A Christmas Carol
|
BV
|
22.2 (6,040)
|
-26%
|
3683
|
63.2
|
|
Precious
|
Lionsgate
|
6.1 (35,170)
|
222%
|
174
|
8.9
|
|
The Men Who Stare at Goats
|
Overture
|
6.0 (2,460)
|
-52%
|
2453
|
23.2
|
|
This is It
|
Sony
|
5.0 (1,640)
|
-62%
|
3037
|
67.1
|
|
The Fouth Kind
|
Uni
|
4.7 (1,850)
|
-62%
|
2530
|
20.5
|
|
Couples Retreat
|
Uni
|
4.2 (1,680)
|
-31%
|
2509
|
102.1
|
|
Paranormal Activity
|
Par
|
4.1 (1,520)
|
-50%
|
2712
|
103.8
|
|
Law Abiding Citizen
|
Overture
|
3.9 (1,870)
|
-36%
|
2071
|
67.2
|
|
The Box
|
WB
|
3.2 (1,200)
|
-58%
|
2635
|
13.2
|
|
Pirate Radio
|
Focus
|
2.9 (3,250)
|
|
882
|
2.9
|
|
Where the Wild Things Are
|
WB
|
2.3 (1,110)
|
-44%
|
2090
|
73.3
|
|
Astro Boy
|
Summit
|
1.6 (1,200)
|
-38%
|
1354
|
17.9
|
|
The Boondock Saints II
|
Apparition
|
1.1 (4,520)
|
152%
|
239
|
2.5
|
|
Amelia
|
Fox Searchlight
|
.91 (1,100)
|
-50%
|
830
|
13.1
|
|
The Stepfather
|
Sony
|
.89 (1,040)
|
-51%
|
858
|
28.8
|
|
An Education
|
Sony Classics
|
.68 (5,190)
|
15%
|
131
|
3.2
|
|
A Serious Man
|
Focus
|
.62 (2,580)
|
-28%
|
240
|
6.8
|
|
Zombieland
|
Sony
|
.47 (980)
|
-64%
|
482
|
74.5
|
|
Saw VI
|
Lionsgate
|
.45 (580)
|
-78%
|
777
|
27.4
|
|
Coco Before Chanel
|
Alliance/Sony Class
|
.37 (1,530)
|
-32%
|
242
|
4.8
|
|
Weekend
Total ($500,000+ Films)
|
-
|
$134.10
|
-
|
-
|
-
|
|
%
Change (Last Year)
|
-
|
-6%
|
-
|
-
|
-
|
|
%
Change (Last Week)
|
-
|
14%
|
-
|
-
|
-
|
|
Also debuting/expanding
|
|
The Fantastic Mr. Fox
|
Fox
|
.25 (63,350)
|
New
|
4
|
0.25
|
|
Heer Ranjha
|
Eros
|
72,300 (3,620)
|
New
|
20
|
0.07
|
|
AntiChrist
|
IFC
|
49,200 (2,340)
|
29%
|
21
|
0.31
|
|
The Messenger
|
Oscilloscope
|
45,400 (11,350)
|
|
4
|
0.05
|
|
(Untitled)
|
IDP
|
36,300 (1,730)
|
-38%
|
21
|
0.17
|
|
Love & Savagery
|
Mongrel
|
18,500 (4,620)
|
New
|
4
|
0.02
|
|
Tum Mile
|
Viva
|
14,300 (890)
|
New
|
16
|
0.01
|
|
Uncertainty
|
IFC
|
14,100 (14,100)
|
New
|
1
|
0.01
|
|
Women in Trouble
|
Screen Media
|
13,400 (4,470)
|
|
3
|
0.01
|
|
Dare
|
Image Ent.
|
12,600 (6,300)
|
|
2
|
0.01
|
|
The End of Poverty?
|
Cinema Libre
|
10,600 (10,600)
|
|
1
|
0.01
|
|
Four Seasons Lodge
|
First Run
|
8,700 (8,700)
|
|
1
|
0.01
|
|
Disturbing the Universe
|
Arthouse
|
6,800 (3,400)
|
|
2
|
0.01
|
|
Love Hurts
|
Lantern Lane
|
4,600 (2,300)
|
|
2
|
0.01
|
Domestic
Market Share: To November 12, 2009
|
Distributor
(releases)
|
Gross
|
Mrkt
Share
|
|
Warner
Bros. (30)
|
1723.1
|
19.50%
|
|
Paramount
(14)
|
1435.7
|
16.20%
|
|
Sony
(20)
|
1209.7
|
13.70%
|
|
Buena
Vista (20)
|
1013.3
|
11.50%
|
|
Fox
(15)
|
964.7
|
10.90%
|
|
Universal
(20)
|
830.3
|
9.40%
|
|
Lionsgate
(13)
|
340.7
|
3.90%
|
|
Fox
Searchlight (12)
|
260.7
|
3.00%
|
|
Summit
(10)
|
194.3
|
2.20%
|
|
Weinstein
Co. (8)
|
187.8
|
2.10%
|
|
Focus
(9)
|
150.6
|
1.70%
|
|
Overture (8)
|
133.4
|
1.50%
|
|
Paramount
Vantage (4)
|
67.6
|
0.80%
|
|
MGM
(4)
|
64.7
|
0.70%
|
|
Miramax
(7)
|
53.1
|
0.60%
|
|
Other
* (290)
|
205.3
|
2.30%
|
|
*
none greater than 0.4%
|
8835
|
100.00%
|
|
|
|
|
Top
Domestic Grossers - January 1 - November 12, 2009
|
Title
|
Distributor
(releases)
|
Gross
(millions)
|
|
Transformers: Revenge of the Fallen
|
Par
|
402,195,608
|
|
Harry Potter and the Half-Blood Prince
|
WB
|
301,747,148
|
|
Up
|
BV
|
293,107,040
|
|
The Hangover
|
WB
|
276,989,482
|
|
Star Trek
|
Par
|
257,807,784
|
|
Monsters vs. Aliens
|
Par
|
198,377,900
|
|
Ice Age: Dawn of the Dinosaurs
|
Fox
|
196,472,300
|
|
X-Men Origins: Wolverine
|
Fox
|
179,883,157
|
|
Night at the Museum 2
|
Fox
|
177,245,443
|
|
The Proposal
|
BV
|
163,958,031
|
|
Fast & Furious
|
Uni
|
155,239,768
|
|
G.I. Joe: The Rise of Cobra
|
Par
|
150,290,230
|
|
Paul Blart: Mall Cop
|
Sony
|
146,777,505
|
|
Taken
|
Fox
|
145,000,989
|
|
Gran Torino *
|
WB
|
142,251,852
|
|
Angels & Demons
|
Sony
|
133,859,408
|
|
Terminator Salvation
|
WB
|
125,322,459
|
|
Cloudy with a Chance of Meatballs
|
Sony
|
121,729,787
|
|
Inglourious Basterds
|
Weinstein Co.
|
120,002,132
|
|
Slumdog Millionaire *
|
Fox Searchlight
|
119,092,566
|
|
|
|
|
|
*
does not include 2008 box office
|
|
|
|
|