|









..Gary
Dretzka
..Noah
Forrest
..Leonard
Klady
..R.J.
Matson
..David
Poland
..Douglas
Pratt
..Ray
Pride
..Kim
Voynar
..Michael
Wilmington
| June
29, 2008 | | June
22, 2008 | | June
15, 2008 | | June
8, 2008 | | June
1, 2008 | | May
26, 2008 | | May
18, 2008 | | May
11, 2008 | | May
4, 2008 | | April
27, 2008 | | April
20, 2008 | | April
13, 2008 | | April
6, 2008 | | March
30, 2008 | | March
23, 2008 | | March
16, 2008 | | March
9, 2008 | | March
2, 2008 | | Feb
24, 2008 | | Feb
18, 2008 | | Feb
10, 2008 | | Feb
3, 2008 | | Jan
27, 2008 | | Jan
21, 2008 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

|
|
July
20, 2008
Weekend Estimates
Domestic Market Share
Top Grossers Canada
Good
Knight and Good Luck
Movie going
went batty as The Dark Knight exploded on the scene with
an estimated $153.7 million in a record-breaking session. The
frenzy almost obscured the feisty and impressive debut of Mamma
Mia! that ranked second with $27.6 million while the monkey
shines of Space Monkeys were largely ignored with a $7.3
million bow.
Specialized
and limited openers included a good Bollywood circuit launch of
Kismat Konnection of $260,000 and an encouraging $34,200 start
on two for Transsiberian. Other exclusives ranged from
good to poor with the best of the bunch repped by the French import
Before I Forget that soloed to $8,600.
The enormity
of The Dark Knight tracking was largely disbelieved within
the industry with some initial estimates predicting slightly less
than a $100 million opening weekend gross. However, as showtime
loomed, the ante steadily climbed to a more representative range
of between $140 million - $160 million. Advance ticket sales were
moving at close to an all-time record with the picture representing
a tad more than 80% of all pre-sales while the film itself corralled
roughly 61% of the weekend box office tally.
Warner Bros.
was projecting a marginally stronger 1% domestic start but regardless
of what Monday actuals reveal, the margin should be sufficient
to give the superhero sequel the best gross for both opening day
and the biggest individual weekend debut. It also set an opening
weekend high for Imax engagement of $6.2 million with those 94
engagements posting averages twice as potent as those at conventional
sites. The studio is also anticipating that it will out-perform
the previous Batman Returns in its first six days in domestic
release.
Internationally
The Dark Knight stepped out selectively in 20 Latin American
and Austral-Asia nations to an estimated $40 million. Highlights
included grosses of $13.5 in Australia, $5.7 million in Mexico
and $3.5 million in Brazil. It also debuted in Hong Kong and Taiwan.
The potential
potency of Mamma Mia! was signaled by international debuts
in 12 countries last weekend that generated close to $25 million.
Critics were grudgingly appreciative if derisive of the musical
melodrama propelled by the sappy emotional beat of the bygone
Abba repertoire. Regardless it proved to be effective counter-programming;
drawing heavily on an older female crowd that failed to see the
charm of Batman or The Joker.
Weekend box
office ballooned to a record non-holiday tally of about $253 million.
It was a 70% improvement from seven days earlier; 68% better than
this frame last year; and 16% more than the prior peak set during
the 2007 launch of The Pirates of the Caribbean finale.
One year back the debut of I Now Pronounce You Chuck and Larry
led all titles with $34.2 million while the debut of Hairspray
ranked third with a Mamma Mia!-like bow of $27.5 million.
Space Chimps
was also courting traction as a counter-programmer targeted
at pre-teens and families. However, despite some positive critical
response the result generated chump change.
The Dark
Knight/Mamma Mia! wave only left hold over titles with 25%
of the marketplace and that translated into most continuing titles
experiencing more than 50% box office declines. Last weekend's
leader Hellboy II dipped a steeper 71% with niche titles
such as Tell No One and The Wackness bucking the
trend as they effectively orchestrated slow roll out strategies.
-
Leonard Klady
Weekend
Finals - July 18-20, 2008
|
|
|
Title |
Distrib
|
Weekend
|
%
Change*
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
The
Dark Knight |
WB
|
158,411,483 |
- |
4366 |
158,411,483 |
1
|
|
2
|
New
|
Mamma
Mia! |
Uni
|
27,751,240 |
- |
2976 |
27,751,240 |
1
|
|
3
|
2
|
Hancock |
Sony
|
14,040,178 |
-56% |
3776 |
191,543,979 |
3
|
|
4
|
3
|
Journey
to the Center of the Earth |
WB
|
12,340,435 |
-41% |
2830 |
43,504,712 |
2
|
|
5
|
1
|
Hellboy
II: The Golden Army |
Uni
|
10,117,815 |
-71% |
3212 |
56,526,885 |
2
|
|
6
|
4
|
Wall-E |
BV
|
10,070,396 |
-46% |
3310 |
182,732,709 |
4
|
|
7
|
New
|
Space
Chimps |
Fox
|
7,181,374 |
- |
2511 |
7,181,374 |
1
|
|
8
|
5
|
Wanted |
Uni
|
5,072,805 |
-57% |
2433 |
123,322,635 |
4
|
|
9
|
6
|
Get
Smart |
WB
|
4,125,021 |
-43% |
2135 |
119,608,695 |
5
|
|
10
|
8
|
Kung
Fu Panda |
Par
|
1,860,854 |
-58% |
1505 |
206,616,381 |
7
|
|
11
|
7
|
Meet
Dave |
Fox
|
1,659,424 |
-68% |
3011 |
9,398,409 |
2
|
|
12
|
11
|
Indiana
Jones & Kingdom of Crystal Skull |
Par
|
955,846 |
-58% |
757 |
312,569,461 |
9
|
|
13
|
10
|
Kit
Kittredge: An American Girl |
Picturehouse
|
951,358 |
-59% |
769 |
13,769,304 |
5
|
|
14
|
12
|
Sex
and the City |
WB
|
721,152 |
-55% |
515 |
149,870,455 |
8
|
|
15
|
9
|
The
Incredible Hulk |
Uni
|
626,515 |
-73% |
656 |
131,767,165 |
6
|
|
16
|
14
|
Iron
Man |
Par
|
451,838 |
-52% |
375 |
314,376,968 |
12
|
|
17
|
22
|
Tell
No One |
Music
Box
|
400,947 |
61% |
55 |
1,057,050 |
3
|
|
18
|
13
|
You
Don't Mess with the Zohan |
Sony
|
365,667 |
-66% |
261 |
97,736,720 |
7
|
|
19
|
New
|
Kismat
Konnection |
UTV
|
282,122 |
- |
62 |
282,122 |
1
|
|
20
|
16
|
Mongel |
Picturehouse
|
257,411 |
-52% |
195 |
4,867,490 |
7
|
|
21
|
18
|
Cruising
Bar 2 |
Alliance
|
170,554 |
-39% |
78 |
2,563,784 |
4
|
|
22
|
26
|
Sea
Monsters: A Prehistoric Adventure |
nWave
|
168,658 |
-6% |
46 |
16,011,239 |
42
|
|
23
|
20
|
What
Happens in Vegas |
Fox
|
167,027 |
-37% |
252 |
79,516,406 |
11
|
|
24
|
17
|
The
Happening |
Fox
|
165,770 |
-63% |
242 |
63,736,525 |
6
|
|
25
|
19
|
The
Visitor |
Overture
|
160,251 |
-40% |
133 |
8,817,732 |
15
|
|
26
|
23
|
The
Wackness |
Sony
Classics
|
150,676 |
-31% |
34 |
742,785 |
3
|
|
27
|
21
|
Chronicles
of Narnia: Prince Caspian |
BV
|
140,139 |
-46% |
167 |
139,640,838 |
10
|
|
28
|
28
|
Gonzo:
Life & Work of Hunter Thompson |
Magnolia
|
121,748 |
-24% |
57 |
679,262 |
3
|
|
29
|
24
|
Asterix
aux jeux Olympiques |
Alliance
|
119,914 |
-44% |
63 |
627,711 |
2
|
|
30
|
29
|
Speed
Racer |
WB
|
112,698 |
-30% |
200 |
43,740,375 |
11
|
|
31
|
25
|
The
Strangers |
Uni/Alliance
|
103,670 |
-42% |
192 |
52,534,295 |
8
|
|
32
|
33
|
Dolphins
and Whales 3-D |
3D
Entertainment
|
87,278 |
-11% |
13 |
3,261,094 |
23
|
|
33
|
15
|
The
Love Guru |
Par
|
86,466 |
-84% |
183 |
31,805,527 |
5
|
|
34
|
32
|
Brick
Lane |
Sony
Classics
|
83,330 |
-25% |
48 |
547,649 |
5
|
|
35
|
30
|
Baby
Mama |
Uni
|
77,240 |
-32% |
150 |
60,269,340 |
13
|
|
36
|
34
|
Nim's
Island |
Fox
|
74,945 |
-18% |
127 |
47,825,500 |
16
|
|
37
|
31
|
Made
of Honor |
Sony
|
67,111 |
-41% |
191 |
46,676,555 |
12
|
|
38
|
38
|
The
Last Mistress |
IFC
|
66,579 |
-8% |
26 |
392,896 |
4
|
|
39
|
35
|
Encounter
at the End of the World |
Thinkfilm
|
65,900 |
-17% |
39 |
479,501 |
6
|
|
40
|
27
|
Jaane
Tu Ya Jaane Na |
UTV
|
57,122 |
-65% |
29 |
539,857 |
3
|
|
41
|
39
|
Horton
Hears a Who |
Fox
|
54,939 |
-22% |
122 |
154,300,828 |
19
|
|
42
|
36
|
Forbidden
Kingdom |
Lions
Gate
|
54,715 |
-25% |
145 |
52,896,830 |
14
|
|
43
|
50
|
U2
3D |
nWave
|
52,690 |
20% |
8 |
8,880,139 |
26
|
|
44
|
47
|
Magnificent
Desolation |
Imax
|
47,802 |
-3% |
3 |
24,648,845 |
148
|
|
45
|
45
|
College
Road Trip |
BV
|
47,665 |
-15% |
72 |
45,527,847 |
20
|
|
46
|
43
|
Edge
of Heaven |
Metropole
|
46,063 |
-21% |
17 |
693,119 |
12
|
|
47
|
42
|
Roman
de Gare |
IDP
|
45,564 |
-22% |
30 |
1,448,734 |
| | |