Mar 18, 2007
Mar 11, 2007
Mar 4, 2007
Feb 25, 2007
Feb 19, 2007
Feb 11, 2007
Feb 4, 2007
January 28, 2007
January 22, 2007
January 15, 2007
January 7, 2007
January 1, 2007
Dec 17, 2006
Dec 10, 2006
Dec 3, 2006
Nov 27, 2006
Nov 19, 2006
Nov 12, 2006
Nov 5, 2006


..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..R.J. Matson
..David Poland
..Douglas Pratt
..Ray Pride
..Michael Wilmington






March 25, 2007
Weekend Finals
Domestic Market Share

Target: Cowabunga ...

TNMT - aka Teenage Mutant Ninja Turtles - led weekend movie going with an estimated $25.6 million. In a session dominated by openings of six national releases box office grew but there was no getting around the fact that the preems weren't quite at peak box office potential.

Shooter, the Mark Wahlberg political thriller ranked third with $14.4 million while the kid lit fave The Last Mimzy was two rungs down at roughly $10 million. Less boffo were the horror retread The Hills Have Eyes II with $9.8 million, the off-the-groove Adam Sandler vehicle Reign Over Me grossing $7.8 million and the African American sport sage Pride treading water at $3.7 million.

Activity in the niches was equally fierce with good returns for the Bollywood entry Namestey London of $250,000 as well as a $140,000 bite for the shark documentary Sharkwater and a $17,000 plus screen average for Journey from the Fall, the saga of Vietnamese refugees in 1975. Casualties included John Malkovich's star turn in the black comic Color Me Kubrick and the talky ensembler What Love Is.

Overall box office revenues approached $140 million for a tidy 19% boost from seven days earlier. It was even more buoyant with the comparative 2006 frame with a 29% uptick. However, a year ago there were just three freshmen offerings with Inside Man and Stay Alive ranked first and third with respective grosses of $29 million and $10.7 million. The glut of new product has the year to date 12% improved from the prior year's pace.

Fourteen years after the last cinematic excursion of the Turtles, the resurrected TNMT debuted to roughly the same box office as the second outing in 1991. That film topped out just shy of $80 million and a similar path for the current incarnation would be not unwelcome with foreign and ancillary revenues in the pot. The film bowed day and date in the U.K. and Australia but largely got shellacked by the competition.

300 slipped to second spot with an impressive $20.2 million for the session. The film is also dominating international screens with top rankings in its weekend bows in France, Mexico, Spain and Great Britain.

Fueled by strong reviews and a young male audience, Shooter edged ahead of Wild Hogs in its opening weekend. While it posted better than average potency, one can't help but feel its full force was blunted by the volume of new product. That wasn't quite the case with the horror sequel The Hills Have Eyes II but its burn out quotient is expected to be relatively extreme.

The frame's two biggest marketing challenges also proved to be its biggest disappointments. The more serious inclined Adam Sandler-Don Cheadle Reign Over Me wasn't drawing in Sandler's core crowd and potential new converts could in no way makeup up for the defections. Pride, starring Terrence Howard as an inspirational coach, was perhaps too familiar a template despite the unusual milieu of aquatic sports.

Competition in the alternative arena was equally demanding, particularly for films bowing in a handful or fewer locations. Foreign-language entries included Offside from Iran and the French entry The Page Turner had respectable respective per theater averages of $3,600 and $8,900 but neither reached the heights to escape the confines of the art house circuit.

Similar assessments apply to the counter culture doc Air Guitar Nation, the gay themed Boy Culture and the American indie First Snow that had initial engagements in two or three theaters. However, the apotheosis of the current cutthroat environment for alternative fare is best exemplified by Color Me Kubrick. The idiosyncratic comedy-drama based on the true story of a man who posed as the famous filmmaker received generally strong critical support and had a recognizable lead performer to promote. However, the combined noise level of new movies both in the mainstream and niches pretty much drowned those assets out and the film failed to generate even $2,000 from 19 venues.

- Leonard Klady


Weekend Finals - March 23 - 25, 2007

Title
Distrib
Weekend
% Change
Theaters
Cume
Wks
1
New
TNMT
WB
24,255,205
-
3110
24,255,205
1
2
1
300
WB
19,862,491
-40%
3280
161,706,146
3
3
New
Shooter
Par
14,523,571
-
2806
14,523,571
1
4
2
Wild Hogs
BV
13,850,542
-27%
3401
123,303,817
4
5
New
The Last Mimzy
New Line
10,024,819
-
3017
10,024,819
1
6
New
The Hills Have Eyes II
Fox
9,686,362
-
2447
9,686,362
1
7
3
Premonition
Sony
9,562,739
-45%
2831
31,653,484
2
8
New
Reign Over Me
Sony
7,460,690
-
1671
7,460,690
1
9
New
Pride
Lions Gate
3,533,300
-
1518
3,533,300
1
10
4
Dead Silence
Uni
3,440,415
-56%
1806
13,216,140
2
11
5
I Think I Love My Wife
Fox Searchlight
2,769,349
-51%
1794
10,048,530
2
12
6
Bridge to Terabithia
BV
2,323,868
-55%
2010
78,873,979
6
13
7
Ghost Rider
Sony
1,678,864
-60%
1560
113,216,624
6
14
12
Amazing Grace
IDP
1,476,109
-30%
932
16,790,093
5
15
17
The Namesake
Fox Searchlight
1,306,819
83%
117
2,640,299
3
16
8
Zodiac
Par
1,168,965
-64%
872
31,639,642
4
17
9
Norbit
Par
965,543
-65%
1006
94,053,460
7
18
10
Music and Lyrics
WB
875,423
-61%
875
49,163,340
6
19
15
The Lives of Others
Sony Classics
742,648
-7%
232
5,672,720
7
20
New
Namastey London
Eros
578,224
-
65
578,224
1
21
14
Night at the Museum
Fox
563,540
-33%
427
246,926,396
14
22
13
Breach
Uni
505,095
-66%
457
32,427,985
6
23
19
Happy Feet
WB
395,313
-36%
405
197,207,309
19
24
11
The Number 23
New Line
335,403
-84%
505
35,063,732
5
25
28
The Host
Magnolia
269,884
10%
94
1,057,280
3
26
22
Pan's Labyrinth
Picturehouse
251,003
-45%
207
36,673,437
13
27
29
La Vie en Rose
TVA
230,071
-6%
42
632,564
2
28
32
Deep Sea 3-D
WB
211,166
2%
35
25,208,963
56
29
27
The Pursuit of Happyness
Sony
196,518
-22%
283
163,872,868
15
30
16
The Ultimate Gift
Bigger Picture
191,399
-76%
183
3,018,257
3
31
39
The Wind That Shakes the Barley
IFC/Christal
158,537
59%
39
398,703
2
32
30
The Messengers
Sony
155,094
-32%
255
35,585,820
9
33
23
The Last King of Scotland
Fox Searchlight
152,661
-58%
136
17,170,865
26
34
34
Miss Potter
MGM
149,791
-20%
77
1,669,927
13
35
31
Charlotte's Web
Par
134,416
-39%
251
82,734,184
15
36
33
Blood Diamond
WB
132,669
-31%
195
57,194,978
16
37
20
Daddy's Little Girls
Lions Gate
130,318
-78%
152
31,339,647
6
38
New
Sharkwater
Alliance
124,167
-
25
124,167
1
39
21
The Astronaut Farmer
WB
117,543
-78%
225
10,682,489
5
40
26
The Queen
Miramax
117,419
-63%
143
56,002,774
26
41
40
Avenue Montaigne (Orchestra Seats)
Thinkfilm/Seville
107,685
14%
29
806,557
26
42
18
Black Snake Moan
Par Vantage
102,206
-85%
136
9,188,883
4
43
24
Because I Said So
Uni
93,540
-73%
152
42,544,915
8
44
New
Journey from the Fall
ImaginAsia
87,442
-
4
87,442
1
45
43
Epic Movie 
Fox
74,265
-11%
122
39,598,585
9
46
36
Stomp the Yard
Sony
70,114
-48%
135
61,466,753
11
47
42
The Painted Veil
WIP
68,350
-24%
81
7,848,366
14
48
44
Volver
Sony Class/Seville
61,227
-23%
70
13,698,504
21
49
41
Fido
TVA
60,740
-34%
48
181,481
2
50
35
Dreamgirls
Par  
60,710
-65%
103
103,011,182
15
51
25
Reno 911!: Miami
Fox
60,183
-82%
126
20,216,440
5
52
52
Roving Mars
BV
51,837
-13%
14
6,512,872
61
53
38
Notes on a Scandal
Fox Searchlight
48,105
-53%
65
17,333,306
13
54
45
Ma Fille, Mon Ange
Alliance
40,721
-48%
40
2,265,476
6
55
51
Eragon
Fox
40,402
-33%
71
74,989,944
15
56
49
Breaking and Entering
Weinstein Co.
39,178
-42%
50
880,510
9