Dec 17, 2006
Dec 10, 2006
Dec 3, 2006
Nov 27, 2006
Nov 19, 2006
Nov 12, 2006
Nov 5, 2006
October 29, 2006
October 22, 2006
October 15, 2006
October 8, 2006
October 1, 2006
Sept 24, 2006
Sept 17, 2006
Sept 4, 2006
August 27, 2006
August 20, 2006
August 13, 2006
August 6, 2006
July 30, 2006
July 23, 2006
July 16, 2006
July 9, 2006
July 2, 2006
June 25, 2006
June 18, 2006
June 11, 2006
June 4, 2006
May 29, 2006
May 21, 2006
May 14, 2006
May 7, 2006
April 30, 2006
April 23, 2006
April 16, 2006
April 9, 2006
April 2, 2006
March 26, 2006
March 19, 2006
March 12, 2006
March 5, 2006
Feb 26, 2006
Feb 20, 2006
Feb 10, 2006
Feb 4, 2006
Jan 29, 2006
Jan 22, 2006
Jan 16, 2006
Jan 8, 2006
Jan 2, 2006


..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..R.J. Matson
..David Poland
..Douglas Pratt
..Ray Pride
..Michael Wilmington






January 1, 2007
Weekend Estimates
Top Domestic Releases
Domestic Market Share

Night at the Museum remained the top draw for the New Year's weekend with an estimated four-day gross of $46.6 million. The year ended with a surge, abetted by the holiday's Sunday placement. It marked about a 7% hike from revenues on the last weekend of 2005 with final figures of approximately $208 million.

Museum emerged as the holiday offering that plays to all ages. A funhouse ride of slightly more than 100 minutes it almost doubled the box office its closest competition; charging to $100 million in its ninth day of release.

The Will Smith vehicle The Pursuit of Happyness ranked second with $24.7 million. It also exceeded $100 million domestically on New Year's Day.

Dreamgirls is playing both the entertainment and prestige cards with aplomb. It finished third with $18.3 million and an impressive theater average of roughly $21,500. The other year end award contenders are either just entering the marketplace or remain in limited release.

While the hectic holiday frame skirted outright catastrophe, the lineup nonetheless had its fair share of surprises and disappointments. Overall the lack of sequels or franchise titles coupled with improved attendance has to be seen as a positive sign for the industry.

The flip side is that there remain too many films in the marketplace. That's best typified by We Are Marshall, a film that's received top marks from the critics but continues to be a third or fourth choice for viewers. It shows all the signs of disappearing theatrically before audiences get around to seeing it.

Among the surprises is The Good Shepherd which has become the "serious" movie of choice. It's enjoying the sort of business that was anticipated for Blood Diamond, a more obvious candidate for popular crossover. Other unexpectedly potent titles include Rocky Balboa and Charlotte's Web. The latter was a slow starter that was written off early by pundits but continues to play well with the family crowd.

The box office passed 2005 levels on Christmas day and should finish out at approximately $9.21 billion. That translates into a 3.5% boost from last year and, possibly, a marginal increase in admissions. The National Association of Theater Owners is already claiming a 1% boost in ticket sales but sources at several major chains say they expect admissions to be on par with last year.

The only title to open wide in the final week was a remake of the 1974 thriller Black Christmas. It grossed an OK $4.6 million after collecting about $7.1 million prior to the weekend.

The session also provided lots of encouraging news for a trio of limited release freshmen that are hoping to benefit from award season fervor. Both the Spanish-language Pan's Labyrinth and the science-fiction allegory Children of Men recorded $40,000 plus averages from 17 and 16 screens respectively and the psychological drama Notes on a Scandal posted close to $26,000 average from 22 venues. Other year end offering in under the wire included Perfume: Story of a Murderer with $48,300 from three theaters; Miss Potter ringing up $12,800 from two screens and The Dead Girl grossing $8,100 from two sites.

Vying for awards and translating prestige for lucre is looking to be quite daunting entering the New Year. Both Little Children and The Last King of Scotland put aside fall expansions, confident that early awards and notice on top 10 lists would be better served by going wide in January. Add to the list Letters from Iwo Jima, Venus, The Painted Veil, Curse of the Golden Flower and The Good German and there's little doubt that some of these films will get lost in the shuffle.

- Leonard Klady


Weekend Estimates - Dec 29, 2006- January 1, 2007

Title
Distributor
Gross (average)
% change
Theaters
Cume
Night at the Museum
Fox
46.6 (12,360)
10%
3768
125.6
The Pursuit of Happyness
Sony
24.7 (8,610)
10%
2870
103.8
Dreamgirls
Par
18.3 (21,510)
105%
852
41.3
Charlotte's Web
Par
14.8 (3,960)
55%
3745
55.7
The Good Shepherd
Uni
14.2 (6,400)
0%
2218
38.2
Rocky Balboa
MGM
13.6 (4,490)
-20%
3019
51.1
Eragon
Fox
10.7 (3,570)
14%
2985
58.9
We Are Marshall
WB
10.3 (3,960)
20%
2606
27.4
Happy Feet
WB
9.6 (3,760)
47%
2565
163.6
The Holiday
Sony
8.4 (3,130)
23%
2698
51.7
Blood Diamond
WB
6.4 (3,350)
35%
1920
37.3
Casino Royale
Sony
6.2 (4,040)
43%
1543
155.1
Black Christmas
MGM
4.6 (3,000)
-
1544
11.8
Apocalypto
BV
4.4 (2,150)
-3%
2034
43.8
The Nativity Story
New Line
1.8 (1,380)
-72%
1327
38.8
Unaccompanied Minors
WB
1.3 (1,240)
19%
1021
15.3
The Queen
Miramax
1.2 (4,070)
103%
302
28.5
Déjà vu
BV
1.1 (1,730)
2%
655
60.2
Borat
Fox
.96 (2,410)
20%
399
126
Volver
Sony Classics
.87 (6,960)
37%
125
5
Pan's Labyrinth
Picturehouse
.73 (42,940)
-
17
0.73
Children of Men
Uni
.66 (41,250)
-
16
1.2
The Santa Clause 3
BV
.62 (1,010)
-53%
611
81.7
Curse of the Golden Flower
Sony Classics
.59 (9,830)
-17%
60
1.7
Notes on a Scandal
Searchlight
.57 (25,910)
-
22
0.77
Weekend Total ($500,000+ Films)
$203.20
-
-
-
% Change (Last Year)
-
7%
-
-
-
% Change (Last Week)
-
15%
-
-
-
Also debuting/expanding
The Painted Veil
WIP
.47 (12,780)
557%
37
0.61
Little Children
New Line 
.17 (5,220)
59%
32
2.5
The Good German
WB
.15 (7,950)
12%
19
0.49
Letter from Iwo Jima
WB
.11 (22,800)
-7%
5
0.34
Perfume
Par
48,300 (16,100)
-
3
0.07
Venus
Miramax
45,600 (15,200)
-7%
3
0.12
Miss Potter
MGM
12,800 (6,400)
-
2
0.01
The Dead Girl
First Look
8,100 (4,050)
-
2
0.01
The Tiger and the Snow
Strand
4,400 (1,100)
-
4
0.01

Top Domestic Grossers: Jan 1 - Dec 28, 2006

Title
Distributor
Gross
Pirates of the Caribbean: Dead Man's Chest
BVI
423,526,320
Cars
BVI
224,308,950
X-Men: The Last Stand
Fox
234,362,462
The Da Vinci Code
Sony
217,988,137
Superman Returns
WB
200,166,555
Ice Age: The Meltdown
Fox
195,330,621
Happy Feet
WB
168,317,446
Over the Hedge
Par
155,562,848
Talladega Nights: Legend of Ricky Bobby
Sony
149,082,501
Casino Royale
Sony
148,924,817
Click
Sony
137,791,464
Mission: Impossible III
Par
133,930,344
Borat 
Fox
125,030,670
The Devil Wears Prada
Fox
124,740,460
The Departed
WB
120,016,826
The Break-Up
Uni
118,778,358
Scary Movie 4
Weinstein Co.
90,710,620
Failure to Launch
Par
88,915,704
Inside Man
Uni
88,593,474
Open Season
Sony
85,186,009

Domestic Market Share: To December 28, 2006

Distributor (releases)
Gross
Percentage
Sony (33)
1686.9
18.60%
Buena Vista (25)
1468.6
16.20%
Fox (28)
1352.2
14.90%
Warner Bros. (25)
1043.4
11.50%
Pararmount (17)
923.1
10.20%
Universal (21)
805.1
8.90%
Lions Gate (18)
333.6
3.70%
New Line (13)
253.7
2.80%
Weinstein Co. (14)
226.5
2.50%
Focus (13)
184.8
2.00%
Fox Searchlight (14)
164.7
1.80%
MGM (11)
152.6
1.70%
FreeStyle (9)
57.7
0.60%
Sony Classics (23)
55.9
0.60%
Other * (273)
353
3.90%
* none greater than 0.5%
9061.8
100.00%

 

 

 


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