..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

The Summer Chart
Nov 12, 2006
Nov 5, 2006
October 29, 2006
October 22, 2006
October 15, 2006
October 8, 2006
October 1, 2006
Sept 24, 2006
Sept 17, 2006
Sept 4, 2006
August 27, 2006
August 20, 2006
August 13, 2006
August 6, 2006
July 30, 2006
July 23, 2006
July 16, 2006
July 9, 2006
July 2, 2006
June 25, 2006
June 18, 2006
June 11, 2006
June 4, 2006
May 29, 2006
May 21, 2006
May 14, 2006
May 7, 2006
April 30, 2006
April 23, 2006
April 16, 2006
April 9, 2006
April 2, 2006
March 26, 2006
March 19, 2006
March 12, 2006
March 5, 2006
Feb 26, 2006
Feb 20, 2006
Feb 10, 2006
Feb 4, 2006
Jan 29, 2006
Jan 22, 2006
Jan 16, 2006
Jan 8, 2006
Jan 2, 2006




November 12, 2006
Weekend Estimates
Domestic Market Share

Khazakh on Fire !

Something Borat but definitely not blue was elevated to an estimated $28.6 million to lead weekend movie options. Freshman entries however were on the soft side with the off center comedy Stranger Than Fiction proving best in show with a $14.2 million debut that ranked fourth overall. The genre entry The Return had no better than fair response of $4.7 million, A Good Year generated a less than vintage $3.8 million and Harsh Times had a prophetic $1.8 million tally.

Limited releases were also unremarkable with a 3-D version of Night of the Living Dead receiving chilling returns that translated in not much better than a $1,000 screen average.

Overall movie going was consistent with 2005 and a couple of points off last weekend’s attendance level.

The exploits of Khazkh journalist Borat Sardiyev in America continued to amuse its target audience as it expanded aggressively in the domestic marketplace and retained a vigorous $11,000 plus engagement average. While it’s generated a very impressive $67.4 million gross after 10 days in theaters, the debate continues whether the 11th hour decision to scale back on its opening was economically and strategically effective. From this vantage point, it appears to have cost its distributor several million dollars that likely won’t materialize on the back end.

Duking it out again for second spot were family fare titles The Santa Clause 3 and Flushed Away with the former a winner by a frigid nose. Both films held well and took significant chunks out of the box office for similar appeal movies. Next week’s bow of Happy Feet is likely to take the wind out of the two film’s commercial sails heading into the Thanksgiving holiday session.

Revenues for the frame should be in the vicinity of $127 million or about 3% off of last weekend’s pace. The result is a virtual carbon copy result from 2005 when the $31.6 million second weekend return of Chicken Little clucked loudest and tepid debuts of Zathara, Derailed and Get Rich or Die Tryin’ clustered between $12 million and $14 million.

None of the frame’s national debuts were expected to be potent performers and their respective results elicited no shock response of a positive or negative kind. Stranger Than Fiction with Will Farrell in an odd Charlie Kaufman-style existential comedy benefited from star power and appears to be the sole freshman capable of sustaining itsel in the marketplace with good word-of-mouth.

Conversely, A Good Year was not the Russell Crowe movie the public was ready to embrace. The light comic effort of a businessman that inherits a vineyard failed to ignite audience passion or mirth.

The supernatural thriller The Return had at best passable results and the gritty social thriller Harsh Times could at least lay claim to receiving commercial exposure following more than a year of delays in the theatrical maelstrom.

The moribund results for the newly reconceived Night of the Living Dead in 3-D indicate it arrived too late in the horror cycle or too far from Halloween on the calendar. Both the period drama Copying Beethoven and the American indie Come Early Morning could claim no better than OK commercial response in limited exposure while the truly bizarre biopic of photographer Diane Arbus - Fur - and the documentary F*ck had exclusive results that do not bode well for more than modest expansion.

- by Leonard Klady


Weekend Estimates - November 12, 2006

Title
Distributor
Gross (average)
% change
Theaters
Cume
Borat
Fox
28.6 (11,130)
8%
2566
67.4
The Santa Clause 3
BV
16.9 (4,890)
-13%
3458
41.1
Flushed Away
Par
16.7 (4,510)
-11%
3707
39.9
Stranger Than Fiction
Sony
14.2 (6,280)
-
2264
14.2
Saw III
Lions Gate
6.5 (2,170)
-56%
3013
69.8
Babel
Par Vantage
5.5 (4,420)
502%
1251
7.4
The Departed
WB
5.1 (2,310)
-34%
2210
109.6
The Prestige
BV
4.7 (2,090)
-38%
2236
46
The Return
Focus
4.7 (2,360)
-
1986
4.7
A Good Year
Fox
3.8 (1,850)
-
2066
3.8
Flags of Our Fathers
Par
2.8 (1,440)
-36%
1963
31
The Queen
Miramax
2.6 (5,430)
-10%
484
13.8
Harsh Times
MGM
1.8 (1,910)
-
956
1.8
Man of the Year
Uni
1.6 (1,000)
-57%
1568
36.5
Open Season
Sony
1.3 (1,180)
-55%
1122
83.4
Flicka
Fox
1.2 (990)
-55%
1235
19.5
Marie Antoinette
Sony
1.2 (1,670)
-47%
705
14.9
The Guardian
BV
.75 (1,200)
-54%
626
53.5
Facing the Giants
IDP
.67 (1,850)
-4%
363
8.2
Running with Scissors
Sony  
.61 (1,230)
-58%
497
6.4
One Night with the King
Gener8Xion
.57 (1,290)
-47%
440
12.7
Weekend Total ($500,000+ Films)
$121.80
-
-
-
% Change (Last Year)
-
0%
-
-
-
% Change (Last Week)
-
-3%
-
-
-
Also debuting/expanding
Night of the Living Dead 3D
Midnight
.21 (1,060)
-
200
0.21
Volver
Sony Classics
.17 (33,340)
-16%
5
0.46
Copying Beethoven
MGM
73,600 (2,830)
-
26
0.07
Shut Up & Sing
Weinstein Co.
67,300 (6,120)
-11%
11
0.24
Come Early Morning
IDP
49,400 (2,250)
-
22
0.05
Fur
Picturehouse
31,200 (7,800)
-
4
0.03
Iraq in Fragments
Typecast
23,400 (3,610)
-
7
0.02
F*ck
Thinkfilm
5,600 (2,800)
-
2
0.01

Top Limited Releases: To October 26, 2006

Title 
Distributor 
Gross
An Inconvenient Truth
Par Classics
23,802,206
Match Point
DmWks
23,052,317
Deep Sea 3-D
WB
20,168,478
Mrs. Henderson Presents
Weinstein Co.
10,662,712
Scoop
Focus
10,546,627
Bon Cop Bad Cop
Alliance
10,206,438
Magnificent Desolation
Imax
9,393,038
Transamerica
Weinstein Co.
8,771,637
A Scanner Darkly
WIP
5,501,616
Facing the Giants
IDP
5,500,301
The World's Fastest Indian
Magnolia
5,128,124
Three Burials of Melquiades Estrada
Sony Classics
4,996,040
Roving Mars
BV
4,906,041
Wild Safari 3-D
nWave
4,804,902
The Queen
Mrmx
4,380,802
Keeping Up with the Steins
Mrmx
4,354,174
The Science of Sleep
WIP/Seville
4,245,872
The Nightmare Before Christmas 3-D
BV
4,071,660
Cache (Hidden)
Sony Class/Alliance
3,732,437
Kahbi Alvida Naa Kehna
Yash Raj
3,275,443
* non greater than 565 playdates

Domestic Market Share: To October 26, 2006

Distributor
Gross
Mktshr
Sony (29)
1336.2
18.10%
Buena Vista (22)
1256.6
17.00%
Fox (22)
1033.9
14.00%
Paramount (14)
775.8
10.50%
Universal (18)
762.1
10.30%
Warner Bros. (18)
759.1
10.20%
Lions Gate (16)
248.4
3.40%
Weinstein Co. (13)
225.2
3.00%
New Line (11)
203.9
2.80%
Focus (11)
172.4
2.30%
Fox Searchlight (11)
158.5
2.10%
MGM (5)
88.2
1.20%
Sony Classics (20)
52.6
0.70%
FreeStyle (8)
51.6
0.70%
Other * (240)
275.1
3.70%
* none greater than 0.45%
7399.6
100.00%

 

 

 


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