..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

July 30, 2006
July 23, 2006
July 16, 2006
July 9, 2006
July 2, 2006
June 25, 2006
June 18, 2006
June 11, 2006
June 4, 2006
May 29, 2006
May 21, 2006
May 14, 2006
May 7, 2006
April 30, 2006
April 23, 2006
April 16, 2006
April 9, 2006
April 2, 2006
March 26, 2006
March 19, 2006
March 12, 2006
March 5, 2006
Feb 26, 2006
Feb 20, 2006
Feb 10, 2006
Feb 4, 2006
Jan 29, 2006
Jan 22, 2006
Jan 16, 2006
Jan 8, 2006
Jan 2, 2006




August 6, 2006
Weekend Estimates
Domestic Market Share

No Tale-a-de-gating ...

Talladega Nights The Ballad of Ricky Bobby lapped the competition for a commanding lead estimated at $47.6 million at the weekend box office. That left the rest of the field in the dust with the kidtoon Barnyard a distant second milking $15.7 million and The Descent scaled back with $8.6 million. The frame also featured excellent bows for the thriller Bon Cop Bad Cop in Quebec and, in limited release, the Sundance award winner Quinceanera.

There was no denying the ascendancy of Will Ferrell's fictional NASCAR racer as he took to the track Friday. By Talladega matinee it was clear that the hijinx would exceed industry estimates that pegged it no higher than $35 million. It was easily the performer's most potent opening and clearly the shameless promotional huckstering translated into rich rewards. The race to see it opening day could however be seen in an 11% drop in Saturday's business.

Considering the dire prognostications for yet another animated animal movie in the multiplex, Barnyard's bow was also slightly better than expected … but hardly a commercial stampede. The strains of competition in family viewing were evident in the picture's barely discernable 4% upturn from Friday to Saturday. Still if there was anyone that believed there were no limits to movie toons in the marketplace, the current marketplace dispelled that notion.

Last weekend's freshmen all took substantive hits including Miami Vice with a 62% drop and The Ant Bully declining by 55%. In the current frame it was the exception to find a holdover that sustained less than 50% erosion.

Revenues climbed to close to $145 million and for the immediate future August is shaping up as a stronger than usual period. Box office improved by 8% from the prior weekend and was up 25% from 2005 when the premiere of The Dukes of Hazzard led with a $30.7 million gross. Next weekend's eclectic mix of World Trade Center and Snakes on a Plane plus the second Talladega lap should be very formidable.

In international release for more than a year, the chilling The Descent arrived on these shores with impressive genre appeal. Lionsgate is rapidly taking over the indie mantle held by New Line prior to its acquisition by Castle Rock that led to being part of the Time Warner family.

Sundance grads provided mixed results as they entered into commercial play. The eerie suspenser The Night Listener had no better than passable response of $3.5 million from 1,367 locations. However, Quinceanera, a drama of remarkable power, translated well in its initial foray in eight theaters. It generated a screen average of $10,800 and critical response as well as positive word-of-mouth should bode well for expansion over the next two months. While Quinceanera is well positioned for niche success, the Sundance premiered comedy Little Miss Sunshine is demonstrating signs of crossover appeal. It expanded from seven to 58 engagements and maintained a very healthy $25,700 theater average.

Setting records in its Quebec bow, the policier Bon Cop Bad Cop blew away the competition with an estimated $1.8 million. The release was timed to a Canadian holiday long weekend and its dynamic opening salvo has already prompted talk of a more aggressive than usual plan for English Canadian theaters. Also in specialized venues, Bollywood's Anthony Kaun Hai registered tepid results of $42,300 from 18 circuit playdates.

In exclusives there was good response of $8,650 to the French thriller The Bridesmaid in a single locale. My Country, My Country was indifferent in a $3,900 solo flight and few bit at two Jailbait screens that generated a $2,300 gross.

- by Leonard Klady


Weekend Estimates - August 4-6, 2006

Title
Distributor
Gross (average)
% change
Theaters
Cume
Talladega Nights
Sony
47.6 (12,520)
-
3803
47.6
Barnyard
Par
15.7 (4,740)
-
3311
15.7
Pirates of Caribbean: Dead Man's Chest
BV
11.0 (3,190)
-47%
3436
379.7
Miami Vice
Uni
9.7 (3,190)
-62%
3026
45.7
The Descent
Lions Gate
8.6 (4,120)
-
2095
8.6
John Tucker Must Die
Fox
6.0 (2,320)
-58%
2566
28.5
Monster House
Sony
5.9 (1,960)
-49%
3029
56.9
Ant Bully
WB
3.8 (1,240)
-55%
3050
18
You, Me and Dupree
Uni
3.7 (1,620)
-48%
2266
66.9
The Night Listener
Miramax
3.5 (2,590)
-
1367
3.5
The Devil Wears Prada
Fox
3.1 (2,120)
-34%
1453
112.7
Lady in the Water
WB
2.7 (1,020)
-62%
2670
38.6
Little Man
Sony
2.6 (1,650)
-50%
1561
55.1
Superman Returns
WB
2.1 (1,250)
-44%
1710
190.2
Scoop
Focus
1.8 (3,250)
-42%
541
6.2
Bon Cop Bad Cop
Alliance
1.8 (13,610)
-
132
1.8
Little Miss Sunshine
Fox Searchlight
1.5 (25,690)
302%
58
2.2
Clerks II
MGM
1.4 (920)
-66%
1496
22.4
My Super Ex-Girlfriend
Fox
1.1 (1,000)
-73%
1093
20.2
Cars
BV
1.0 (1,040)
-63%
942
237.4
Click
Sony
.82 (1,260)
-57%
651
134.4
An Inconvenient Truth
Par Classics
.58 (1,810)
-22%
346
21.2
Weekend Total ($500,000+ Films)
-
$136.00
-
-
-
% Change (Last Year)
-
25%
-
-
-
% Change (Last Week)
-
8%
-
-
-
Also debuting/expanding
Quinceanera
Sony Classics
86,500 (10,820)
-
8
0.09
Anthony Kuan Hai
Adlabs
42,300 (2,350)
-
18
0.04
The Bridesmaid
First Run
8,650 (8,650)
-
1
0.01
My Country, My Country
Zeitgeist
3,900 (3,900)
-
1
0.01
Jailbait
Kindred
2,300 (1,650)
-
2
0.01

Top Domestic Grosses: January 1 - August 3, 2006

Pirates of the Caribbean: Dead Man's Chest
BV
368,697,958
Cars
BV
236,432,622
X-Men: The Last Stand
Fox
233,524,650
The Da Vinci Code
Sony
216,543,915
Ice Age: The Meltdown
Fox
195,122,952
Superman Returns
WB
188,018,343
Over the Hedge
Par
152,995,450
Mission: Impossible III
Par
133,829,520
Click
Sony
133,593,836
The Break-Up
Uni
117,788,940
The Devil Wears Prada
Fox
109,660,935
Scary Movie 4
Weinstein Co.
90,710,620
Failure to Launch
Par
88,915,704
Inside Man
Uni
88,593,474
The Pink Panther
Sony
83,137,123
The Chronicles of Narnia *
BV
82,270,870
Eight Below
BV
81,612,565
Nacho Libre
Par
79,170,942
Brokeback Mountain *
Focus
70,615,735
RV
Sony
70,603,417
* does not include 2005 box office

Domestic Market Share: January 1 - July 27, 2006

Buena Vista (17) 1001.5 17.70%
Fox (18) 957.9 16.90%
Sony (19) 952.1 16.80%
Universal (14) 624.4 11.00%
Warner Bros. (15) 597.7 10.50%
Paramount (9) 532.5 9.40%
Weinstein Co. (9) 192.3 3.40%
Lions Gate (12) 168.5 3.00%
Focus (9) 127.4 2.20%
New Line (7) 119.3 2.10%
Fox Searchlight (8) 97.7 1.70%
Sony Classics (14) 48.7 0.90%
MGM (2) 43.5 0.80%
Other * (181) 205.2 3.60%
* none greater than 0.45% 5668.7 100.00%

 

 

 


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