..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

July 30, 2006
July 23, 2006
July 16, 2006
July 9, 2006
July 2, 2006
June 25, 2006
June 18, 2006
June 11, 2006
June 4, 2006
May 29, 2006
May 21, 2006
May 14, 2006
May 7, 2006
April 30, 2006
April 23, 2006
April 16, 2006
April 9, 2006
April 2, 2006
March 26, 2006
March 19, 2006
March 12, 2006
March 5, 2006
Feb 26, 2006
Feb 20, 2006
Feb 10, 2006
Feb 4, 2006
Jan 29, 2006
Jan 22, 2006
Jan 16, 2006
Jan 8, 2006
Jan 2, 2006




July 30, 2006
Weekend Estimates
Domestic Market Share

Healthy, Wealthy and Vice ...

The box office pundits were on the money as the debut of Miami Vice emerged the weekend’s top draw with an estimated $25.1 million. The frame also included a passable $14.1 million bow for the teen comedy John Tucker Must Die and a very potent limited launch for the Sundance favorite Little Miss Sunshine. However, it was once again Casey at the Bat time for Warners as the animated entry Ant Bully fell way below expectations with an opening of $8.2 million.

While hardly a powerhouse, Miami Vice’s initial volley was precisely where studio and industry estimates had it pegged. Filmmaker Michael Mann has a history of soft openings and, perhaps ironically, this is his biggest weekend bow. Universal is crossing its fingers that the cool, brooding thriller will replicate the slow, steady business of his prior film Collateral that eventually grossed more than $100 million.

The Pirates of the Caribbean sequel dropped 42% and that was one of the frame’s better holds. It ranked second overall with $20.4 million and its cume of $358.3 million is a new all-time record for Disney movies. It currently ranks 11 th among domestic box office grosser.

Business at the multiplex rang up close to $135 million for a 15% dip from seven days earlier. It was however 4% higher than the comparable weekend of 2005 when the third frame of Wedding Crashers led with $20 million and the top new release was Sky High at $14.6 million.

Peer pressure gone ballistic was the allure of John Tucker Must Die that ranked third overall. Its performance met no better than industry low end expectations and was far below any possibility of becoming either a genre or seasonal breakout success. Nonetheless it proved more commercially potent than Ant Bully that was perceived to be right behind Vice and Pirates in the lineup at the multiplex.

Industry mavens questioned the wisdom of releasing yet another kid appeal movie in an already crowded market (and next week add Barnyard to the crush). So, Ant Bully was expected to disappoint with an opening round in the mid teens. Studio reps could barely disguise shock and felt it unnecessary to segment its gross from its 53 Imax engagements. The film split screens with Superman Returns in most Imax locales as well as in regular engagements. While it’s unusual but not unprecedented to split engagements during the first week of a commercial run, a Warner Bros. spokesman said it was only down on second or third screens of multiplex playdates.

An audience favorite at Sundance, Little Miss Sunshine departed the event with an eye-popping paycheck from Fox Searchlight. The hilarious saga of an ultra dysfunctional family got a jump on the weekend with a Wednesday opener that netted $128,000 from seven playdates. It added about $360,000 during the weekend that translated into a potent $51,000 per engagement. Minimally it has the earmarks of replicating such company acquisitions as Napoleon Dynamite and Thank You for Smoking.

Though unfavorably compared to Match Point, Woody Allen’s Scoop had a solid initial foray of $2.9 million from 538 locations. A more apt comparison would be Small Time Crooks or Hollywood Ending and by that measure the new comedy appears to be headed for an above par engagement.

Other niche activity was largely unexceptional including the latest Bollywood circuit entry Omkara with a $230,000 tally from 47 engagements that trailed recent successes Faana and Krrish. The political doc America: Freedom to Facism had an initial jolt of $64,200 from 10 bully pulpits and the somewhat tongue-in-cheek Another Gay Movie scored just shy of $30,000 from two outings. Single screen engagements for Brother of the Head and I Like Killing Flies were undistinguished.

- by Leonard Klady


Weekend Estimates - July 28-30, 2006

Title
Distributor
Gross (average)
% change
Theaters
Cume
Miami Vice
Uni
25.1 (8,300)
-
3021
25.1
Pirates of Caribbean: Dead Man's Chest
BV
20.4 (5,330)
-42%
3834
358.3
John Tucker Must Die
Fox
14.1 (5,500)
-
2560
14.1
Monster House
Sony
11.4 (3,220)
-49%
3553
43.8
Ant Bully
WB
8.2 (2,690)
-
3050
8.2
You, Me and Dupree
Uni
6.9 (2,460)
-46%
2820
58.9
Lady in the Water
WB
6.9 (2,130)
-62%
3235
31.9
Little Man
Sony
5.2 (2,370)
-53%
2175
50.2
The Devil Wears Prada
Fox
4.8 (2,690)
-35%
1778
106.7
My Super Ex-Girlfriend
Fox
3.8 (1,410)
-56%
2702
16.5
Superman Returns
WB
3.7 (1,830)
-50%
2005
185.7
Clerks II
MGM
3.6 (1,660)
-64%
2150
18.1
Scoop
Focus
2.9 (5,360)
538
2.9
Cars
BV
2.3 (1,480)
-53%
1556
234.5
Click
Sony
2.0 (1,500)
-51%
1326
132.5
An Inconvenient Truth
Par Classics
.79 (2,280)
-21%
346
20.2
A Scanner Darkly
WIP
.51 (1,940)
-25%
263
4.1
Weekend Total ($500,000+ Films)
$122.60
-
-
-
% Change (Last Year)
-
4%
-
-
-
% Change (Last Week)
-
-15%
-
-
-
Also debuting/expanding
Little Miss Sunshine
Fox Searchlight
.36 (51,040)
-
7
0.48
Omkara
Eros
.23 (4,950)
-
47
0.23
America: Freedom to Facism
Cinema Libre
64,200 (6,420)
-
10
0.06
Another Gay Movie
TLA
29,400 (14,700)
-
2
0.03
13 Tzameti
Palm
11,600 (11,600)
-
1
0.01
Brothers of the Head
IFC
5,600 (5,600)
-
1
0.01
I Like Killing Flies
Thinkfilm
5,500 (5,500)
-
1
0.01

Top Limited Releases: January 1 - July 27, 2006

Match Point DmWks 23,052,317
An Inconvenient Truth Par Classics 19,407,112
Deep Sea 3-D WB 15,185,979
Mrs. Henderson Presents Weinstein Co. 10,662,712
Transamerica Weinstein Co. 8,771,637
Good Night, and Good Luck WIP 8,203,593
Magnificent Desolation Imax 7,729,825
The World's Fastest Indian Magnolia 5,128,124
Three Burials of Melquiades Estrada Sony Classics 4,996,040
The Libertine Weinstein Co. 4,773,768
Keeping Up with the Steins Mrmx 4,307,112
Roving Mars BV 4,200,612
Cache (Hidden) Sony Class/Alliance 3,732,437
A Scanner Darkly WIP 3,618,318
Wild Safari 3-D nWave 3,533,634
Water Fox Searchlight 3,085,357
Tsotsi Mrmx 2,912,606
La Mujer de Mi Hermano Lions Gate 2,808,241
The Lost City Magnolia/Alliance 2,459,876
Wordplay IFC 2,399,606
* none greater than 545 theaters

Domestic Market Share: January 1 - July 27, 2006

Buena Vista (17) 966.1 17.70%
Sony (19) 922.1 16.90%
Fox (17) 920.2 16.80%
Universal (13) 576.3 10.50%
Warner Bros. (14) 565.4 10.30%
Paramount (9) 531.1 9.70%
Weinstein Co. (9) 192.3 3.50%
Lions Gate (12) 168.2 3.10%
Focus (8) 122.9 2.30%
New Line (7) 119.3 2.20%
Fox Searchlight (8) 96.9 1.80%
Sony Classics (14) 48.5 0.90%
MGM (2) 37.1 0.70%
Other * (175) 199.4 3.60%
* none greater than 0.45% 5465.8 100.00%

 

 

 


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