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The
King is in His Counting House
There's little
doubt that Lord of the Rings: The Return of the King rules
as it added an estimated $51.3 million during the three-day Christmas
holiday weekend as part of the roughly $190 million in movie ticket
sold in North America. The finale to the popular trilogy could
well out perform the prior two chapters domestically and push
the trio's collective gross to $1 billion.
The more difficult
question is whether any of the new or recent yuletide entries
can touch the hem of the monarch.
The top freshman
entry was Fox's updated Cheaper by the Dozen with an estimated
$28.5 million weekend and $36.6 million since bowing Christmas
day to rank second. The lowbrow family hijinx definitely connected
with children and parents and swallowed up a sizeable slice of
that crowd to the detriment of other family themed movies. It
has excellent prospects for a $100 million domestic gross.
Cheaper's
solid debut came at the expense of Universal's Peter Pan
which slotted sixth with $11.7 million and $15.4 million for the
four day. Audiences elected for crass over class and the boy who
wouldn't grow up is in dire need of bodies rather than pixie dust
as it trudges into the New Year.
The highly
bally-hoed bow of Cold Mountain verged on the frosty with
a $14.4 million weekend and $18.8 million cume. Miramax had a
similar upscale challenge last year with The Gangs of New York
and may be able to climb slightly higher with the new film
pushing its romantic elements to a distaff crowd.
Also bowing
was the thriller Paycheck with a weekend tally of $13.6
million and $18.9 million to date. The Ben Affleck vehicle
appears headed toward a $60 million domestic gross that is likely
no better than had it elected to debut in the Spring. Its commercial
fate will largely be shaped by response in overseas markets.
Though holiday
ticket buying ballooned by 34% from last weekend, the portioning
out of dollars resulted in an equal share of treats and lumps
of coal. Business was also a slight 6% ahead of 2002 when the
box office leader was The Lord of the Rings: The Two Towers
at $48.9 million and the sole national debut Catch Me If You
Can ranked second with $30.1 million.
The die has
also been cast for a number of ongoing titles with early seasonal
casualties shaping up for Mona Lisa Smile and Stuck
on You. While Julia Roberts' Mona Lisa dipped just
1%, the period drama had a disappointing launch and is losing
its audience to other movies in the marketplace. Stuck is simply
hemorrhaging at a more accelerated rate and won't do much better
than a $30 million gross.
Conversely,
Something's Gotta Give is emerging as the adult film of
choice, rising 24% for a $14.1 million weekend and $56.3 million
cume. The Diane Keaton-Jack Nicholson romantic comedy is
beginning to see its appeal broaden and likely to sustain beyond
the holiday frame from Oscar and other award attention. There's
no need to overplay the obvious success of Elf and Bad
Santa or the commercial disappointment of The Last Samurai.
Several films
launched significant expansion but only Big Fish sustained
its initial momentum. The oddball human comedy went from six to
124 playdates and rang up $1.9 million and theater averages of
$15,700. The critically lauded House of Sand and Fog added
436 locations from its initial two theater run and grossed $1.8
million and a $4,100 average engagement and the addition of 200
plus theaters for 21 Grams resulted in a comparable $4,020
per location average. Softish results were also indicative for
In America.
A couple of
films were in the still too close to call column. Buena Vista
doubled its limited run on Calendar Girls and generated
a $9,260 per screen with prior runs going up by 50% on average.
The acid test for the uplifting comedy will occur with a New Year
expansion to 700 theaters. Similarly, Lions Gates' Girl with
the Pearl Earring bumped up nicely as it grew from eight to
25 venues and registered a $7,200 average. Again, greater hurdles
loom but the film shows signs of developing a solid buzz and growing
interest.
Christmas
also featured a few limited and specialized openers including
the Hindi-language L.O.C. (Kargil) with close to $300,000
from 61 circuit screens. There was strong response for Newmarket's
four screen launch of Monster that's been garnering tremendous
buzz for Charlize Theron as serial killer Aileen Wuronos.
It grossed just shy of $100,000 in its first four days of release.
Finally, Sony Classics' ballet-themed The Company had an
encouraging $130,000 box office from 11 engagements since its
Christmas day bow.
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- by Leonard
Klady
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