MCN Columnists
Leonard Klady

Leonard Klady Klady@moviecitynews.com

Gross Behavior Column

The Gronvall Report: Michaël Dudok de Wit On THE RED TURTLE

There are many animals among this year’s contenders for the Best Animated Film Academy Award, including Finding Dory, The Secret Life of Pets and Zootopia, but none as mysterious as the title character in the hauntingly beautiful The Red Turtle. This wordless fable shows how a man shipwrecked on an uninhabited island, far from any other land mass, copes with loneliness and his sometimes hostile environment. The arrival of a giant red sea turtle changes his life in ways he never could have foreseen.

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Leonard Klady on Claude Sautet

Although he would occasionally return to the thriller format, it’s the sagas of the bourgeoisie that Sautet is most identified with and provides his legacy.

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Gross Behavior: Summer on Low Simmer

The preliminary numbers are in and summer season 2012 clocks in at approximately $4.04 billion at the box office. The figure represents roughly a 5% gross decline in gross revenues and an 8% decline in actual tickets bought during the period running from early May through the conclusion of Labor Day weekend.

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The Weekend Report

The Weekend Report

It was a Coco three-peat as the animation led weekend biz with an estimated $18.5 million in a not-terribly festive frame. In one of the lowest-attended weekends of 2017, the sole new national opener was Just Getting Started, at tenth with $3.2 million.

The national expansion of The Disaster Artist laughed up $6.4 million. Also continuing slow roll-outs were Lady Bird and Three Billboards Outside Ebbing, Missouri.  Among exclusives, I, Tonya pulled off the box office equivalent of a triple axel with a $248,000 debut from four rinks.

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The Weekend Report

Coco led the session with an estimated $26.2 million. The first weekend of December has traditionally been one of the lowest grossing of the calendar, so a lack of new national releases wasn’t unexpected.

Exclusive newcomers were ablaze, with Wonder Wheel, the latest from Woody Allen, circling $142,000 from five locales. The Disaster Artist laughed out a $1.2 million box office from 19 rooms. And Venice best-picture winner The Shape of Water flowed to $163,000 from just two movie palaces. Significant expansions of Three Billboards Outside Ebbing, Missouri and Lady Bird bolstered award campaigns for both.

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The Weekend Report

Coco prevailed at the Thanksgiving movie feast with an estimated $49.3 million for the weekend and a 5-day gross of $71.5 million. The session’s other national newcomer was the legal eagle Roman J. Israel, Esq. with $4.5 million that ranked ninth.

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Quote Unquotesee all »

What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris