MCN Columnists

Digital Nation

The DVD Wrapup

Murph the Protector, Ukulele Live, Runner, Badges of Fury, Dreamworld, Godard’s Hail Mary, Killing Fields, Following and more.

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In “Oconomowoc,” living in the shadow of the ‘Wizard’ isn’t such a bad place to be

Seventy-four years ago, come this August 12, MGM executives beat a path to the Strand Theater in the tranquil lakeside town of Oconomowoc, Wisconsin, to stage the first publicized showing of the final, edited version of The Wizard of Oz. Although no one is quite sure why it was chosen for the honor – perhaps, because composer Herbert Stothart and Munchkin coroner Meinhardt Raabe were local lads — it’s still recognized as one of the most exciting events in Oconomowoc history.

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TV-to-DVD Wrapup: Revenge, Homeland, 2 Girls, Walking Dead, Sons of Anarchy … More

Now that the flow of TV-to-DVD compilations has grown from a trickle to a flood, it’s time for those titles to escape ghetto-status in DVD Wrapup, if only occasionally, and find their own place in the MCN world. Normally, there aren’t enough to fill a standalone column, but, rather than wait for the shows to enter the syndication market, the networks hope to boost interest in returning series and keep newcomers and fans, alike, up to date. Collections of episodes from vintage series, including next week’s “Kojak: Season Five,” make wonderful gifts for those convinced that everything has gotten worse since they turned 30. There’s even a market for shows that were canceled before completing a full season.

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Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott