MCN Columnists

Digital Nation

The DVD Wrapup

Murph the Protector, Ukulele Live, Runner, Badges of Fury, Dreamworld, Godard’s Hail Mary, Killing Fields, Following and more.

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In “Oconomowoc,” living in the shadow of the ‘Wizard’ isn’t such a bad place to be

Seventy-four years ago, come this August 12, MGM executives beat a path to the Strand Theater in the tranquil lakeside town of Oconomowoc, Wisconsin, to stage the first publicized showing of the final, edited version of The Wizard of Oz. Although no one is quite sure why it was chosen for the honor – perhaps, because composer Herbert Stothart and Munchkin coroner Meinhardt Raabe were local lads — it’s still recognized as one of the most exciting events in Oconomowoc history.

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TV-to-DVD Wrapup: Revenge, Homeland, 2 Girls, Walking Dead, Sons of Anarchy … More

Now that the flow of TV-to-DVD compilations has grown from a trickle to a flood, it’s time for those titles to escape ghetto-status in DVD Wrapup, if only occasionally, and find their own place in the MCN world. Normally, there aren’t enough to fill a standalone column, but, rather than wait for the shows to enter the syndication market, the networks hope to boost interest in returning series and keep newcomers and fans, alike, up to date. Collections of episodes from vintage series, including next week’s “Kojak: Season Five,” make wonderful gifts for those convinced that everything has gotten worse since they turned 30. There’s even a market for shows that were canceled before completing a full season.

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Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima