MCN Columnists

Digital Nation

In Victorian England, good vibrations trump ‘Hysteria’ every time

All kidding aside, the prohibition on vibrators in Alabama — and, until recently, other several states – harkens to the 1920s, when a sharp-eyed publisher noticed that the same therapeutic gizmos being advertised in their periodicals were being used in stag films to accomplish paroxysms of a less clinical nature.

Read the full article »

Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

Read the full article »

Frenzy On Column

Frenzy on the Wall: If I Had a Ballot 2011

I’m going to give my picks for the Oscars in the major awards, as if I had an actual ballot. Since the Academy cannot be trusted to make the right decisions and will probably make the safe choice whenever possible, it’s fun to give my perspective. Needless to say, I don’t see the Academy sending me a ballot anytime soon.

Read the full article »

Gross Behavior Column

GROSS BEHAVIOR: Sound and Fury…

Movie going is unquestionably destined to become the opera of the future. By that I mean that the 18th century’s favorite form of entertainment still exists but it long ago ceded its vaunted position. The movies today cannot compete with television and that diversion abetted by home entertainment has had the biggest impact on the Seventh Art since its debut circa 1896.

Read the full article »

The Weekend Report

The Weekend Report: Shipwreck!

No one expected the trio of new national releases to unseat “The Avengers” … they just expected them to be more competitive. “The Avengers”‘ third weekend prevailed with an estimated $55.2 million with “Battleship” not quite right behind with $25.3 million. Third spot went to “The Dictator” with $16.7 million and the third freshman, “What to Expect When You’re Expecting,” slotted fifth with $10.5 million.

Read the full article »

20 Weeks to Oscar

6 Days To Oscar: You Might Be An Asshole If…

YOU MIGHT BE AN OSCAR ASSHOLE IF… you write about how this filmmaker or that filmmaker was too busy chasing Oscar to make the movie they should have made.

As someone who actually has fairly lengthy conversations with almost every filmmaker who has made an Oscar nominated picture in the last five years or more, I am particularly conscious how stupid and self-serving this notion is.

Read the full article »


The Hot Blog

Cannes: After Lucia (Despues de Lucia)

I still can’t quite catch my breath. It is the ultimate nightmare of a parent – even of a 2 year old – to think they will be victims, victimizers, or perhaps worse, silent witnesses to the abuse of others when standing up for honor is only dangerous as a social abstraction.

Read the full article »

The Ultimate DVD Geek

DVD Geek: The Magnificent Ambersons

Exactly 15 years after DVDs were introduced to the home video market place, Warner Home Video has finally released the last significantly important, classic motion picture in the format, “The Magnificent Ambersons,” and like the opinions of the townspeople on the fates of the characters at the end of the film, no one cares.

Read the full article »

Film Essent

SIFF 2012 Dispatch: Opening Gala, Tibetan Protesters … and Oh Yes, Some Films

The Seattle International Film Festival kicked off last week, with a schedule that looks to be maybe the best overall I’ve seen for this fest — which is saying quite a lot. One of the recurrent themes of this year’s fest is the Washington state film initiative, which the film community here united en masse…

Read the full article »

Voynaristic

Voynaristic: The Kids Are (Not Quite) All Right

I realize it’s not the popular thing to say, but I’m going to go out on a limb and tell you that I finally got around to seeing The Kids Are All Right and it was just … all right. Look, it’s not a bad film, by any means. In fact, it may even be a pretty good film. But the best film of the year? Or even in the top ten best films of the year? Not quite.

Read the full article »

Wilmington

Wilmington on Movies: The Dictator

Of course the Marx Brothers were partial to non sequiturs too, and several crtics have compared this film to both Chaplin’s The Great Dictator, and the Marx Brothers’ “Duck Soup.” But in their greatest films, Groucho, Chico and Harpo made their comedy work through sheer brazenness, through adroit asides and clever playing to the audience. That kind of wacky genius isn’t really a Cohen forte.

Read the full article »

Voices

The Gronvall Files: JENNIFER WESTFELDT ON FRIENDS WITH KIDS

What’s a gifted actress to do when Hollywood continues to bypass projects featuring strong roles for women, in favor of cookie-cutter productions kowtowing to that coveted 18-35 male demographic? In the case of Jennifer Westfeldt, you fight back, writing and producing indie vehicles to star in.

Read the full article »
Z

Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Z Z