MCN Columnists

Digital Nation

The DVD Wrapup

Murph the Protector, Ukulele Live, Runner, Badges of Fury, Dreamworld, Godard’s Hail Mary, Killing Fields, Following and more.

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Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

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Frenzy On Column

Frenzy on the Wall: If I Had a Ballot 2011

I’m going to give my picks for the Oscars in the major awards, as if I had an actual ballot. Since the Academy cannot be trusted to make the right decisions and will probably make the safe choice whenever possible, it’s fun to give my perspective. Needless to say, I don’t see the Academy sending me a ballot anytime soon.

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Gross Behavior Column

The Gronvall Report: Michaël Dudok de Wit On THE RED TURTLE

There are many animals among this year’s contenders for the Best Animated Film Academy Award, including Finding Dory, The Secret Life of Pets and Zootopia, but none as mysterious as the title character in the hauntingly beautiful The Red Turtle. This wordless fable shows how a man shipwrecked on an uninhabited island, far from any other land mass, copes with loneliness and his sometimes hostile environment. The arrival of a giant red sea turtle changes his life in ways he never could have foreseen.

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20 Weeks to Oscar

20 Weeks To Oscar: A Week To Go

Every one of the five films that is considered to have a real chance of winning Best Picture has a position of strength and a soft underbelly.

Do you want to go through them all again?

I don’t either.

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The Hot Blog

RIP Leonard Klady

Len Klady, a long-long-time veteran reporter and critic on the Hollywood beat, has passed away. He was with us at Movie City News for 18 years. Variety for a long while before that. And elsewhere. He was a rough-edged guy, but his well of passion for film and filmmakers was deep. — David Poland (@DavidPoland)…

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Movie City Indie

Thirty-Seven 2018 Screenplay PDFs

All is True. Beautiful Boy BlacKkKlansman. Boy Erased. Can You Ever Forgive Me? Capernaum. Colette. Crazy Rich Asians. Destroyer. Disobedience. Eighth Grade. First Man. First Reformed. The Front Runner. The Happy Prince. If Beale Street Could Talk. Leave No Trace. Mary Poppins Returns. Mary Queen of Scots. Never Look Away. Old Man & The Gun….

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Pride

BOOM FOR REAL: Sara Driver On A Moment Whose Moment Has Come

“Everybody was going to see bands, going to see peoples’ shows. We were all in the same area… I think Luc [Sante in the film] describes him as “impish,” and, yeah, sort of everywhere.”

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Film Essent

Wilmington on Movies: The Purge: Election Year

Back in the 1970s, when the paradigms for shows like this were being set down — by Roger Corman and other ballsy independent producers — this kind of picture would have been a low- budget job, and it probably would have been better for it. If they were going to spend more money on The Purge: Election Year, they might at least have played around more with the idea of an entire nation plunged into chaos.

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Voynaristic

Sundance 2015 Review: The Second Mother

The intelligent, sometimes biting social commentary woven throughout the film is somewhat reminiscent of Lucretia Martel’s 2008 Cannes entry The Headless Woman, but where that film relied on ethereal cinematography and wove its social commentary enigmatically and almost abstractly, The Second Mother tackles similar issues of class division and human dignity primarily through humor and studies in contrast: Val’s unquestioning acceptance of the social construct versus her smart, modern daughter’s questioning of “the way things are.”

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Wilmington

Wilmington On Movies: Paterson

A confession. I love Jarmusch’s movies — or most of them anyway, because, like Jerry Seinfeld‘s TV show, they’re so resolutely and unblushingly about nothing or nothing much, or, to be succinct, about the poetry of nothing.

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Voices

Only Nic Forgives: Gilchrist Talks Style And The Future With Refn

We sat down with Refn at the recent Los Angeles press day for Only God Forgives to get a snapshot of the budding auteur’s creative process. In addition to talking about his ongoing collaboration with fellow on-the-riser Ryan Gosling, he reveals the intuitive process by which he combines personal experiences, psychological themes and conventional stories to create something entirely unique—and often provocative—but always interesting.

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Quote Unquotesee all »

“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady

“You know how in postproduction you are supposed to color-correct the picture so everything is smooth and even? Jean-Luc wants the opposite. He wants the rupture. Color and then black and white, or different intensities of color. Or how in this film, sometimes you see the ratio of the frame change after the image begins. That happens when he records from his TV onto his old DVCAM analog machine, which is so old we can’t even find parts when it needs to be repaired. The TV takes time to recognize and adjust to the format on the DVD or the Blu-ray. Whether it’s 1:33 or 1:85. And one of the TVs he uses is slower than the other. He wants to keep all that. I could correct it, but he doesn’t want me to. See, here’s an image from War and Peace. He did the overlays of color—red, white, and blue—using an old analog video effects machine. That’s why you have the blur. When I tried to redo it in digital, I couldn’t. The edges were too sharp. And why the image jitters—I don’t know how he did that. Playing with the cable maybe. Handmade. He wants to see that. It’s a gift from his old machine.”
~ Fabrice Aragno