Reviews Archive for May, 2018

The DVD Wrapup: Annihilation, Kaurismäki, Borzage, Sweet Sweetback, Two of Us, Cold Turkey, Weinstein, Jackass and more

Alex Garland is a terrific writer-director who challenges the imagination and rewards viewers, for whom patience a virtue. Garland received sole screenwriter credit on 28 Days Later … (2002), Sunshine (2007), Never Let Me Go (2010) and Dredd (2012), while sharing the writing credit with Tameem Antoniades on the video games and “DmC: Devil May Cry” and “Enslaved: Odyssey to the West.” He also wrote the novels from which The Beach (2000) and The Tesseract (2003), were adapted. None of them enjoyed an easy stroll to the big screen. Those difficulties were a walk in the park compared to the difficulties the London-born author and filmmaker faced getting Ex Machina (2014) and Annihilation into theaters. Together, they represent two of the finest examples of Earth-bound science fiction — or, if you prefer, speculative fiction or cutting-edge fiction – to be produced sequentially, in memory.

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DVD Wrapup: Vazante, Early Man, Elis, Swung, Death Smiles, Of Unknown Origin, Swamp Thing 2, Little Women, MST3K Singles and more

Because historical fidelity was vital to her vision, Thomas employed a team of historians and tribal experts to reproduce the lifestyles and clothing of the era. This included a group of non-actors who are descendants of the region’s former slaves. Thomas’ commitment to a slow-burn narrative wouldn’t have worked if it weren’t for Inti Briones’s gorgeous monochromatic cinematography, whose every frame demands to be savored. The explosive final scene anticipates Brazil’s pluralistic society to come, even as it demonstrates how difficult it might be to achieve.

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The DVD Wrapup: Black Panther, Forgiven, Monkey King, Sweet Escape, Black Venus, It’s Alive and more

What were Stan Lee and Jack Kirby smoking when they named their new superhero after the militant organization founded by Bobby Seale and Huey P. Newton? Or… what were Seale and Newton smoking when they named the BPP after a comic-book superhero?

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The DVD Wrapup: La Belle Noiseuse, 50 Shades Freed, 4K Titles, Paradox, Manifesto, Dear White People, Butterflies and more

“Take My Word for It” might be a better title for this column, especially as it applies to movies that went to straight-to-video or streaming or are made by filmmakers yet to establish reputations. Jacques Rivette’s 1991 masterpiece, La Belle Noiseuse, doesn’t fit those categories, but, with its four-hour length and ready availability of an inferior 125-minute cut, La Belle Noiseuse: Divertimento, Cohen Media’s upgraded Blu-ray may benefit from any endorsement. La Belle Noiseuse (The Beautiful Troublemaker) won the Grand Prize of the Jury at Cannes and was nominated for a Palme d’Or. Roger Ebert called it “the best film I have ever seen about the physical creation of art, and about the painful bond between an artist and his muse.” The great Japanese director Akira Kurosawa named it one of his two favorite movies of the 1990s — with Takeshi Kitano’s Fireworks – calling it the best filmed display of a struggle of an artist doing his craft, as well as a movie he would have liked to have directed.

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The DVD Wrapup: In the Fade, Insult, In Between, Please Stand By, Kaleidoscope, Schlock, The Unwilling, Tremors, Capitalism and more

In Fatih Akin’s award-winning drama, In the Fade, we’re asked to share the grief of a woman whose husband and son are murdered in a racially motivated bombing so intense that police say they were burned beyond recognition. German-born Katja Sekerci (Diane Kruger) is married to a Turk – once convicted for selling hashish, not that it matters – whose business is in a part of Hamburg where the immigration community has been vulnerable to attacks by nationalist and anti-immigration groups. Just after she drops her son off at his dad’s office, Katja cautions a young woman against leaving her bicycle unlocked on the street. By the time she returns to pick them up, the bomb has already been detonated and the damage done.

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch