Reviews Archive for March, 2018

The DVD Wrapup: Last Jedi, Behind the Mask, Executioners, King of Jazz, Sacha Guitry, 1:54, Nicholas, Peyton Place and more

Whew. I’m exhausted just trying to summarize the first 20 minutes.

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The DVD Wrapup: Downsizing, Small Town Crime, Baal, The Church, Images, Daughter of the Nile, Ichi, ’Burbs… and more

Downsizing doesn’t get more involving than a final choice between survival and love, and the solution to that dilemma is preordained. The humor is mostly invested in the excellent visual effects, but, at a certain point, our eyes reflect the reality that these are normal-sized characters in a fabricated environment. The novelty of the conceit wears out by the time we reach the fjord, whose majesty isn’t amplified by the optical gag.

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The DVD Wrapup: I Tonya, Serpico, Assistant, Pastor Paul, Children of Corn, Starlight Ends, Birdboy, Sensitivity Training and more

If Nancy Kerrigan hadn’t been assaulted by members of Jeff Gillooly’s posse before the 1994 U.S. figure-skating championships, it’s likely the tabloid press would have invented a rivalry between Kerrigan and Tonya Harding, leading into the Lillehammer Winter Games. The perceived difference in their economic backgrounds would have been too tempting to avoid.

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The DVD Wrapup: Thor, Gintama, Novitiate, White Sun, Faces Places, Voyage, Paris Opera, Strangers, Moveable Feast and more

Comic books are said to have existed in America since the publication of the hardcover book, “The Adventures of Mr. Obadiah Oldbuck,” in 1842. Newspaper comic strips and panels became a phenomenon in New York at the end of the 1890s, with “The Katzenjammer Kids” and “The Yellow Kid.” It wasn’t until the 1930s that comics in the print and visual media came of age, with Jerry Siegel and Joe Shuster’s “Superman,” which opened the door for a legion of superheroes to come. It’s been something of roller-coaster ride for comic books, strips and movies, ever since. Anyone born since the advent of the digital age might think that studios have always been buoyed by the fortunes of their comic-book franchises. Until recently, though, they’ve been anything but a sure thing. Expensive to make and subject to the whims of fickle fan bases, comic-book movies now flourish commercially because of the extraordinary emergence of modern theaters in foreign markets and audiences hungry for CGI thrills. Unlike comics, storylines are incidental to a movie’s performance.

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The DVD Wrapup: Darkest Hour, Coco, Tom Jones, Basket Case, Hangman, Godard+Gorin, Hallelujah Trail, Tyrus … More

Oldman shines throughout, delivering inspirational oratory, displaying an unexpected sense of humor and the tenacity required to rally the nation in its, yes, darkest hour. The picture is further enhanced by key performances in supporting roles by Kristin Scott Thomas, Lily James, Ronald Pickup and Stephen Dillane. Of six nominations, the other likely winner is in the Best Achievement in Makeup and Hairstyling category.

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch