Reviews Archive for November, 2017

DVD Gift Guide II: Red Skelton, Bob Hope, Der Bingle, Hitchcock, Homicide, Agatha Christie, Jean Rouch, MST3K, Curtiz, Logan Lucky, Animal Factory, Woodshock and more

Because our grandparents and great-grandparents already seem to have everything they need, they get shorted when gifts are being handed out around the Christmas tree. The challenge of picking out presents grows greater every year, it seems. After all, how many sweaters, robes and slippers can a person possibly own? Why not give the gift that never gets older that it already is: nostalgia. No matter how many channels there are, the ones dedicated to shows seniors might recall with fondness are limited to TCM, PBS and niche services on premium networks.

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The DVD Wrapup: Good Time, Hitman’s Bodyguard, Tavernier’s Journey, Valerion, Lemon, Jabberwocky, Mick Ronson, Harmonium and more

Robert Pattison has come a long way from his tenure as Edward Cullen.

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The DVD Wrapup: Wind River, Unlocked, In This Corner of the World, Funeral Parade of Roses, Zoology, Romero Redux, Indiscretion and more

What makes Wind River compelling is how Sheridan integrates it into the depiction of life above the tree line both for humans and animals.

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The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Even if Olive Films weren’t presenting its Blu-ray release of The Madness of King George as a cautionary tale, it would be difficult for any American – Republicans included – not to draw parallels to our current political predicament.

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The DVD Wrapup and Gift Guide I: Fellini, Ernie Kovacs, Green Acres, Carol Burnett, Person-to-Person and more

It’s difficult to imagine discovering a movie by Federico Fellini that lovers of foreign films haven’t seen at least once. In the case of Arrow Academy’s “The Voice of the Moon: Special Edition” Blu-ray, “discovery” might not be the right term. The Maestro’s final feature has been sitting around in plain sight for more than a quarter-century, just waiting for some distributor to give it a whirl. Better late than never.

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch