Reviews Archive for May, 2017

The DVD Wrapup: World Cinema Project 2, Obsession, Pelle the Conqueror, Jacques Rivette, Dark Angel and more

It would be difficult for most of us to sustain the level of affection and enthusiasm Martin Scorsese displays in his introductions to the half-dozen films collected in World Cinema Project: No. 2. They are his godchildren. Scorsese has always been a key player in the film preservation movement and this is the second batch of movies the World Cinema Project has rescued for future generations to enjoy. Established in 2007 under the auspices of the Film Foundation, which, in 1990, Scorsese founded and now chairs, the project has thus far restored 30 marginalized, infrequently screened films from 21 regions generally unequipped to preserve their own cinema history. They have been made available for exhibition on various platforms. For its part, the foundation has helped restore more than 750 films, accessible to the public through programming at festivals, museums and educational i.nstitutions around the world. It easily qualifies as God’s work and Scorsese has a right to be expect a few plenary indulgences.

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The DVD Wrapup: Space Between Us, xXx, Starlight, Operation Mekong, Serial Mom, Brain Damage and more

There are exteriors in the largely Mars-based The Space Between Us that look as if they might have been ported over from The Martian. Its lack of success commercially and critically, however, probably can be traced to issues unrelated to space fatigue. Absent any of the bells and whistles that helped launch other recent sci-fi extravaganzas — 3D, IMAX, 3D IMAX — even The Martian faced an uphill climb. Neither were its chances enhanced by three release-date changes and a marketing campaign hobbled by mixed messages.

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The DVD Wrapup: Fifty Shades Darker, Things to Come, Chef’s Wife, Alena, Kiju Yoshida, Streets of Fire, Beaches and more

In less time than it takes for most folks to decide between fake butter and plain popcorn, they reconnect and he’s agreed to Anastasia’s list of demands. In another blink of the eye, she’s peeling off her britches in elevators and restaurants, and submitting to the tortuous pleasure of inserting beads into her hoohah for a night out on the town.

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The DVD Wrapup: Salesman, Gold, Red Turtle, Rings, Tunnel, Age of Shadows, Saving Banksy, Saturday Night Fever and more

It can be argued, I suppose, that Donald Trump’s decision to ban citizens of Iran and six other predominately Muslim countries gave Asghar Farhadi’s The Salesman an edge in the voting for this year’s Best Foreign Language Film Oscar.

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Reviews

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

gurley1986 on: The DVD Wrapup: Blood Simple, Cat People, Shallows, Neon Demon, Sirk X 2, Warcraft, Kamikaze '89 and more

Quote Unquotesee all »

“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook