Reviews Archive for November, 2016

The DVD Wrapup: BFG, Pete’s Dragon, Baked in Brooklyn, Weng Weng, T.A.M.I./T.N.T. and more

With great numbers already recorded for Disney’s Moana, it’s difficult to look back at the last two years and imagine studio executives not being completely thrilled about what they’ve accomplished. Several releases have exceeded or threatened to hit the billion-dollar barrier and critical response has generally been friendly, even for those titles with lower financial expectations.

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DVD Geek: Valley of the Dolls, Beyond The Valley Of The Dolls, Vamp

There is bad, and then there is really bad. Valley of the Dolls is a bad movie. The histrionics of the characters pass for drama, while simplified progressions of successes and failures, both in careers and in romance, pass for narrative. But the plot is coherent, and the acting, although pushing the edges of sensibility, is valid. Dolls is appealing as high camp, with its most indulgent performances and importune dialog being accepted after the fact as a comical alternative to the real world, especially because of its show business milieu.

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The DVD Wrapup and Gift Guide: One-Eyed Jacks, Hell or High Water, Kubo, Mia Madre, The Land, Holiday Horror, Poldark and much more

Brando delivers a performance so distinctively nuanced –it runs the gamut from bizarre to brilliant – that it’s been indelibly etched into the memories of everyone who’s seen it. Ditto, his delivery of the lines, “Get up you scum-sucking pig! I want you standing when I open you up,” “You may be a one-eyed jack around here, but I’ve seen the other side of your face” and “Get up, you big tub of guts!”

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The DVD Wrapup: Finding Dory, Jungle Book, Shirley Clarke 4, Better Call Saul, Christmas Stuff and more

The only critical knocks I’ve seen against Finding Dory were prompted by a perceived diminishment, however slight, in Pixar’s trademark gags and a story that bears too much resemblance to the original. Even so, the aggregate score on Metacritic.com stands at a lofty 77 and, last month, the worldwide box-office tally passed the billion-dollar barrier.

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The DVD Wrapup: Star Trek/Wars, Indignation, Private Property, Morris From America, Viktoria, Mes Aynak, Initiation and more

If these holiday-ready set demonstrate anything conclusively, it’s that distributors of DVD/Blu-ray/VOD titles are way ahead of consumers and equipment manufacturers on the technological curve, at least when it comes to promoting the visual and audio potential for home theaters. Unlike Ultra High Def and Blu-ray 3D units, technologically advanced pictures, like Star Trek Beyond and the upgraded edition of Star Wars: Episode VII: The Force Awakens, are priced to sell right now.

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The DVD Wrapup: Sea of Trees, Uncle Nick, Imperium, Men & Chicken, Judge Archer, IT Team and more

To be fair to Van Sant, dozens of inarguably worse movies have been released by Hollywood and indie distributors already this year, with some even finding their way to major international film festivals. In The Sea of Trees, an American man, Arthur Brennan (McConaughey), travels to the Suicide Forest to relieve himself of extreme guilt feelings related to his failing marriage to Joan (Watts) and her possibly terminal illness. After finding a suitable place to die, he encounters a disheveled Japanese man (Watanabe), who wants to kill himself as well, and both men begin a journey of self-reflection and survival. The movie’s biggest problem, I think, is that the grandeur of the setting frequently overwhelms the melodramatic handling of the Brennan’s marital woes.

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch