Reviews Archive for October, 2015

DVD Wrapup Gift Guide I: W.C. Fields, IndiePix, Grinchmas, Human Centipede, Flowers, Neon God, Home Fires … More

The Marx Brothers have stood the test of time, delighting every new generation of comedy lovers. I wonder if W.C. Fields has demonstrated the same resilience with kids whose only knowledge of gin blossoms comes from the rock band, not one of the most famous lushes in Hollywood history.

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The DVD Wrapup: Larry Fessenden, My Favorite Martian, Testament of Youth, A Special Day and more

Like Clint Howard, Larry Fessenden is a seemingly tireless supporting actor whose horror-perfect face is far better known than his name, at least outside of Hollywood and fan conventions. If they hadn’t found work in the pictures, both could easily be mistaken for carnies, roustabouts, road-crew workers and reprobates of all stripe. Fessenden’s background may smack of East Coast establishment, but he caught exploitation fever in his teens and hasn’t had time to look back since then. At 52, he has more than a dozen credits as an actor (84), director (22), producer (58), writer (13), editor (15) and cinematographer (14).

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The DVD Wrapup: Tomorrowland, Aladdin, Dope, Big Eden, Requiescant, Alleluia and ore

Despite releasing Tomorrowland and Aladdin on Blu-ray almost simultaneously, Disney may not be asking consumers to draw any conclusions about the company’s past, present and future, but, what the hell, what better time?

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The DVD Wrapup: Escobar, Manglehorn, People Places Things, Pee-wee… and more

In Andrea Di Stefano’s intense revisionist biopic, Escobar: Paradise Lost, we’re led to believe that his generosity toward the citizens of Medellin didn’t necessarily extend to a Canadian surfer dude who couldn’t help himself from falling in love with Escobar’s niece.

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The DVD Wrapup: The Connection, Aloft, Duke of Burgundy, Patricio Guzman and more

It probably would have been impossible for Cédric Jimenez and his writing partner, Audrey Diwan, to duplicate in The Connection all of the thrills and heart-pounding intrigue William Friedkin built into his groundbreaking police thriller, The French Connection, even though they’re based on the same series of events. Instead, they succeeded in telling the story of a major heroin bust, this time from the perspective of the French police and heroin traffickers.

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Reviews

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott