Reviews Archive for October, 2015

DVD Wrapup Gift Guide I: W.C. Fields, IndiePix, Grinchmas, Human Centipede, Flowers, Neon God, Home Fires … More

The Marx Brothers have stood the test of time, delighting every new generation of comedy lovers. I wonder if W.C. Fields has demonstrated the same resilience with kids whose only knowledge of gin blossoms comes from the rock band, not one of the most famous lushes in Hollywood history.

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The DVD Wrapup: Larry Fessenden, My Favorite Martian, Testament of Youth, A Special Day and more

Like Clint Howard, Larry Fessenden is a seemingly tireless supporting actor whose horror-perfect face is far better known than his name, at least outside of Hollywood and fan conventions. If they hadn’t found work in the pictures, both could easily be mistaken for carnies, roustabouts, road-crew workers and reprobates of all stripe. Fessenden’s background may smack of East Coast establishment, but he caught exploitation fever in his teens and hasn’t had time to look back since then. At 52, he has more than a dozen credits as an actor (84), director (22), producer (58), writer (13), editor (15) and cinematographer (14).

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The DVD Wrapup: Tomorrowland, Aladdin, Dope, Big Eden, Requiescant, Alleluia and ore

Despite releasing Tomorrowland and Aladdin on Blu-ray almost simultaneously, Disney may not be asking consumers to draw any conclusions about the company’s past, present and future, but, what the hell, what better time?

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The DVD Wrapup: Escobar, Manglehorn, People Places Things, Pee-wee… and more

In Andrea Di Stefano’s intense revisionist biopic, Escobar: Paradise Lost, we’re led to believe that his generosity toward the citizens of Medellin didn’t necessarily extend to a Canadian surfer dude who couldn’t help himself from falling in love with Escobar’s niece.

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The DVD Wrapup: The Connection, Aloft, Duke of Burgundy, Patricio Guzman and more

It probably would have been impossible for Cédric Jimenez and his writing partner, Audrey Diwan, to duplicate in The Connection all of the thrills and heart-pounding intrigue William Friedkin built into his groundbreaking police thriller, The French Connection, even though they’re based on the same series of events. Instead, they succeeded in telling the story of a major heroin bust, this time from the perspective of the French police and heroin traffickers.

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Reviews

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

gurley1986 on: The DVD Wrapup: Blood Simple, Cat People, Shallows, Neon Demon, Sirk X 2, Warcraft, Kamikaze '89 and more

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas