Reviews Archive for August, 2015

Wilmington on Movies: Forbidden Games

Forbidden Gamesis one of the great black-and-white French films of the post-war, pre-New Wave cinema era. But it‘s also one of a group of initially admired French post-war films that were later radically underrated by the New Wave critic-directors, including Truffaut and Godard.

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The DVD Wrapup: Welcome to NYC, Falling Star, Elena, Riot Club, Runner, Citizenfour, Clive Barker, Walking Dead, Gene Autry … More

One thing DSK almost certainly won’t be able to live down is the damning portrayal of his behavior in Abel Ferrara’s caustic Welcome to New York. Although the character’s name has been changed simply to Devereaux, there’s no mistaking who Gérard Depardieu is channeling. The great French actor and onetime Oscar nominee has come under heavy criticism of late for renouncing his citizenship and cozying up to Russia’s Vladimir Putin. Still, there’s no denying the sheer audacity of his performance here. DSK may never be mistaken for Arnold Schwarzenegger, another politician who couldn’t control his impulses, but even he must have been embarrassed by the sight of an actor who looks as if he’d been mainlining foie gras and guzzling Big Gulps to bring up his weight.

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Wilmington on Movies: Sinister 2; Sinister

Sinister 2, one of the creepier horror movies I’ve seen recently, is an attempt to make an even more sinister sequel to the 2012 horror-sleeper. That earlier Sinister was a found-footage horror show that scared some audiences and grossed some dough back in 2012, and also inspired a lukewarm, semi-horrified response from, as Orson Welles was wont to say, your obedient servant. But this new Sinister is, like many mediocre and derivative gorefests so unengagingly gory and so unentertainingly sicko that it seems extremely unlikely that we’ll ever see a “Sinister 3.” For which we should all be grateful.

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The DVD Wrapup: 100-Year-Old Man, Strangerland, La Grande Bouffe, Troma’s War, Hackers, The Rebel, 17 and more

If Forrest Gump had an uncle living in Sweden, he might have provided the inspiration for novelist Jonas Jonasson and filmmaker Felix Herngren’s hilarious geezer comedy, The 100 Year-Old Man Who Climbed Out the Window and Disappeared. The similarities between the film’s protagonist, a half-wit pyromaniac named Allan and Tom Hanks’ most beloved character can hardly be disputed. That he also bears certain cursory resemblances to Leonard Zelig only adds to the fun.

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The DVD Wrapup: Chris Farley, Match, Treatment, Blues Cruise, Reminiscence, Soaked in Bleach, Police Story 6, Fury, Israeli Passion … More  

A more appropriate title for the sadly nostalgic bio-doc, I Am Chris Farley, might have been, “A Portrait of the Artist as a Young Goofball,” as it precisely describes the rise and fall of an attention-starved child of the American Midwest. The Madison, Wisconsin, native somehow knew from an early age that being fat, reckless and funny opened doors closed to kids who merely were overweight and willing to make themselves the butt of other people’s jokes.

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The DVD Wrapup: Madame Bovary, Adult Beginners, Descendants, Salvation, Wyrmwood, Seashore, Snow Girl, Flamenco, Bilko … More

In Sophie Barthes’ lushly mounted Madame Bovary, 25-year-old Aussie Mia Wasikowska convincingly plays the disillusioned wife of a country doctor whose unmet expectations and boredom are sated by material pleasures they can’t afford. If there isn’t anything wrong with the approach taken by Barthes, its bourgeois trappings and rural splendor are all too familiar in a marketplace filled with period adaptations of classic novels, however tragic or sexy.

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Reviews

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o