Reviews Archive for September, 2014

Wilmington on Movies: The Skeleton Twins

Many American plays and movies about families are horror stories of a sort. That’s true of some of the masters of the form, like Tennessee Williams and Arthur Miller and Eugene O’Neill—and it also goes somewhat for Craig Johnson’s The Skeleton Twins, in which Bill Hader and Kristen Wiig, two brilliant comic actors taking a whirl at drama, play a pair of New York-born suburban twins, Milo and Maggie, who’ve been alienated for a decade (since their mid-‘20s) and are now drawn together by what was very nearly a double tragedy: near-simultaneous near-suicides of both because of unhappy love lives.

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Wilmington on Movies: Honeymoon

Suppose you drove off for a romantic rendezvous in your parent’s isolated cabin in the woods, and the honeymoon quickly degenerated from an idyll into something…else. Suppose you went off together to be alone and wild and erotically indulgent and your lover began behaving like someone or something….else.

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Wilmington on Movies — Frank Miller’s Sin City: A Dame to Kill For

The first movie was better. Or it played better. Based on Miller’s “Sin City” graphic novels–which took the tricks and tropes of film noir (both the literary and cinematic varieties) to a point of stylistic near-meltdown—the movie was a shadowy, violent, blisteringly cynical comic book rock ‘n roll parody-melodrama hoot: an orgy of movie lust and celluloid violence and pulpy eloquence that was all about the crooks, thugs, lonely men, strippers, whores, men with guns or hotly-pursued dames and femme fatales who hung out at Miller’s evil Neverland.

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DVD Geek: All That Jazz

Not only Bob Fosse but screenwriter Robert Alan Aurthur died too young, doubly reinforcing the vivid spiritual premonition of All That Jazz, Fosse’s transfixing 1979 show business musical that blatantly anticipated his own death (eight years later) and Aurthur’s, who died before the film was finished, with Roy Scheider (who died 31 years later but still much too soon) in the autobiographical role of the stage and film director who smokes too much, ingests too much and works until he drops, creating brilliant art every step of the way.

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Reviews

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant