Reviews Archive for August, 2013

The DVD Wrapup

The Great Gatsby, Pain & Gain, Shadow Dancer, Painting, Reluctant Fundamentalist, Smiley’s People, Me & My Gal and more.

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The DVD Wrapup

Amour, Floating City, Martin Bonner, Don’t Stop Believin’, Wither, Tortoise in Love, Q, Life of Muhammad… and more.

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Wilmington on Movies: Lee Daniels’ The Butler

The Butler is a stretch, and a sentimental exaggeration of course.

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Wilmington on Movies: Kick-Ass 2; Kick-Ass (DVD)

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The DVD Wrapup

Adele Blanc-Sec, Reality, Errors of Human Body, Odd Angry Shot, Guillotines, Seconds, Damned, Shane, Community and more.

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Wilmington on DVDs: To the Wonder

To the Wonder is one of those pictures that either knocks you out or irritates you—or maybe does a little of both.

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Wilmington on DVDs: Ran; Kagemusha

Akira Kurosawa’s lavish and violent epic Ran, inspired by “King Lear,” is one of the most famous and admired of all Shakespearean films. Most aficionados rank it at or near the top of the Bard’s film canon, even though Ran dispenses with the main element that makes Shakespeare so great and imperishable, jettisoning all of the bard’s British poetry (substituting a spare Japanese translation), along with a good deal of the play’s brilliant plot and unforgettable characters.

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Wilmington on Movies: Elysium

We are shown a future world where things have gone to hell and are about to get worse (maybe), due to the devastating consequences of greed, violence, brutality, authoritarian government, social and racial prejudice, and the insane selfishness of that era‘s one-percenters. It’s our world, of course, taken to extremes, Philip K. Dick or Robert Heinlein style.

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Wilmington on Movies: We’re the Millers

The disrobing of the legendary Rachel isn’t the epic sex fantasy scene one might imagine, but just another misjudged scene in a somewhat daring but basically lousy movie comedy—a forced, crude, often senseless show about a group of misfits or outsiders (played by Jennifer Aniston, Jason Sudeikis, Emma Roberts and Will Poulter), pretending to be a typical American suburban bourgeois family (called the Millers), while smuggling dope across the border from Mexico,

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Wilmington on Movies: Planes

In movies, especially movies intended for kids, originality isn’t everything. Adults are sometimes another story.

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Wilmington on DVDs: Guys and Dolls

If there was ever a part Frank Sinatra was born to play—and sing—it was Sky Masterson, the lady-killing, dice-rolling, high-living gambler who is the main man and big shooter of the classic New York-Broadway musical (and the Hollywood movie made from it) Guys and Dolls.

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The DVD Wrapup

To the Wonder, Oblivion, Magic Magic, Eddie, Swamp Thing, Thick of It, West of Memphis, Top Gear USA… And more.

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Wilmington on DVDs: Oblivion

Dunes out of Lawrence of Arabia, those cloud castles out of Up, those moody dreamy interiors out of Solaris: The way Oblivion looks is one of its main attractions.

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Wilmington on Movies: Heaven’s Gate (Director’s Cut)

The restored director’s cut of Heaven’s Gate has been released theatrically in the U.K.

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Wilmington on Movies: Blue Jasmine

Perhaps that’s because the performance is a kind of culmination of Allen’s attitudes toward the moneyed white culture Jasmine represents. Jasmine lives what seems a charmed life as a member of the Manhattan financial social elite whose vagaries Allen loves to have fun with — but then finds herself hurled into the chaos of the 2008 financial collapse, and turning into Woody’s version of Blanche DuBois, Tennessee Williams’ lady on the edge, wandering, desperate, talking to herself, at the end of the line.

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Wilmington on Movies: 2 Guns

It’s at the service of one of those stories that begins to crumble and fall apart when you start thinking about it. That’s okay if you‘re up for the ride. You can turn off your brain for most of the show, and have a fairly good time—even if, when you walk out afterwards, the story has gone up in flames.

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Wilmington on DVDs: Tristana; Mamma Mia! The Movie; Trance

Tristana is a masterpiece, but it’s also a grimmer, sadder, more psychologically wounding film than Belle de Jour, which was regarded as a great art film turn-on of the 1960s, during the somewhat frenzied romps of Sexual Revolution. But, if audiences thrilled to the whorehouse fear, desire and wayward beauty of Belle de Jour, what were they to make of Tristana, in which the most memorable erotic encounter occurs when a one-legged woman exposes herself to the lustful deaf-mute son of her guardian-husband’s house servant?

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch