Reviews Archive for June, 2013

Wilmington on Movies: The Heat

The Heat is a crude, violent, often tasteless, clichéd and outrageously foul-mouthed buddy-buddy cop comedy that also happens to be funny—sometimes screamingly funny.

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Wilmington on Movies: White House Down

I hate to admit this, but I sort of enjoyed White House Down. This doesn‘t mean that I‘m ready to forgive producer -director Roland Emmerich and his latest landmark-basher all their cinematic sins (among them Emmerich’s last movie raid on Washington D. C., and the White House, the 1996 Independence Day) , or that I think that moviemakers with outlandishly big budgets at their disposal should keep attacking and blowing up the White House on screen until they get it right —which may never happen until they hire Seth Rogen, Jonah Hill and James Franco for the job — or that I‘m getting soft in my old age. It’s just that White House Down, defying all my expectations, made me laugh a little.

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Wilmington on DVDs: The Ballad of Narayama (1958 and 1983)

The 1958 film version of The Ballad of Narayama is one of the masterpieces of Keisuke Kinoshita, a great Japanese writer-director—peer and friend of Kurosawa and Ichikawa—who, these days, sometimes seems as unfairly marginalized as his main character in Narayama: Orin, the elderly woman who will be left alone on the mountain Narayama by her children.

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The DVD Wrapup

Black Pond, Burt Wonderstone, Phantom, Rambler, Supporting Characters, Lesser Blessed, Storming Juno, Place at Table… and so much more.

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Wilmington on DVDs: Gladiator; Hell’s Half Acre; The Incredible Burt Wonderstone

The Roman Empire falls for Russell Crowe. And Hollywood fell for his movie. Am I being too sarcastic? Well, to be finicky about it, Gladiator may not really have deserved the Best Picture Oscar.

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Wilmington on Movies: World War Z

A lot of the film’s quality, or at least its sometimes entertaining excess, is probably due to producer-star Brad Pitt, for whom this disaster epic was obviously a labor of zombie-love, as much as of zombie-commerce. Pitt is one actor whose good looks you tend not to hold against him. He’s a guy who, like Paul Newman and Robert Redford (two fathers of some of his performances) kids himself enough to remove what might be a taint of narcissism.

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Wilmington on Movies: Monsters University

That’s the problem: You can write most of it yourself, whereas you’d be hard-pressed to come up with half the humor and emotion, the twists and turns of Pixar’s Toy Story Trilogy, Wall-E, Finding Nemo, Up, and this movie‘s dazzling post-prequel Monsters Inc.

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Wilmington on DVDs: Things to Come

The two great Godfathers of literary science fiction were the fanciful Frenchman Jules Verne and the immensely-well-read Britisher H. G. Wells. But though both of them have been adapted endlessly for the movies, only one of them actually wrote a science-fiction screenplay, adapted from one of his own books.

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The DVD Wrapup

Jack the Giant Slayer, It’s a Disaster; Brass Teapot; Movie 43, Let My People Go, Come Out and Play, Rectify… And so much more.

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Wilmington on DVDs: Two Mules for Sister Sara; Of Human Bondage; Jack the Giant Slayer

Of Human Bondage is an important part of film history for several reasons. It’s director John Cromwell’s faithful, intelligent (if severely shortened) adaptation of W. Somerset Maugham’s best-selling and much-admired semi-autobiographical novel about the sad early life of a sensitive and idealistic London medical student named Philip Carey, who falls ruinously in love with a pretty, yet selfish and sadistic waitress named Mildred. The movie is a classic — not just because it’s a fine version of a powerful novel with a very moving lead performance by Leslie Howard in the Maugham-ish role of Philip—but because it’s the movie that made a star of the acrtess who played Mildred, 26-year-old Bette Davis.

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Wilmington on Movies: Man of Steel

Man of Steel is one of the loudest movies I’ve seen recently. Or maybe ever. In this almost constantly erupting show guns fire, buildings topple, planets explode. Watching the picture—which revives Superman for the movies on the 75th anniversary of his first appearance in Action Comics (April 1938)—I felt as if I were being continually blasted out of my seat, and it wasn’t always an enjoyable feeling. It’s got a lot going for it. It’s not a bad or indifferent movie. But it’s not a particularly good one either.

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Wilmington on Movies: The Bling Ring

They were a gang of four wannabe-fashionista girls, and one computer geek boy from the San Fernando Valley. Based on real life kids who were the subjects of a Vanity Fair article about their crimes, they became famous for going on joy-raids into the homes of the celebrity rich of Los Angeles-and-thereabouts, and stealing their bling: that is, their jewelry, shoes, objets d’art and fancy clothes and occasionally wads of dough the owners just leave lying around the place.

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Wilmington on Movies: This is the End

Just when I’d practically given up buddy-buddy movie comedy for dead, after the wipeouts of The Hangover III and The Internship, along comes This is the End, from writer-directors Seth Rogen and Evan Goldberg, to revive your faith in bad taste and arrested development.

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Wilmington on DVDs: Badlands

What really disturbed, and disturbs, some people about both these films are the ways that Malick and Penn make their deadly protagonists beautiful—make us like them, even get crushes on them. All four pretty miscreants—Bonnie, Clyde, Kit, Holly—are stunningly attractive, which gives them all the classic movie short-cut to sympathy, something we also see in other Bonnie and Clyde-inspired films like Gun Crazy. But they’re also almost cripplingly naïve and childlike—and that’s why we tend to like all of them, right up to the very last moments of their stories.

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The DVD Wrapup

The Great and Wonderful Oz, Hansel & Gretel, Taste of Money, Vivan Los Antipodans!, Manson, Clip, Labor of Love, Monk, House of Cards, Allen Ginsberg… And so much more.

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Wilmington on DVDs: The Enforcer; Les Visiteurs du Soir; Oz, the Great and Powerful; Snitch

The Enforcer, the last movie Humphrey Bogart made for Warner Brothers, begins with one of the grimmest scenes in all of film noir. It’s night, deadly night…

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Wilmington on Movies: The Internship

Vince Vaughn is an actor who tends to work better with partners—Jon Favreau in Swingers, for example. Still, when it came to 2005’s Wedding Crashers, he and Owen Wilson hit the motherlode of buddy-buddy comedy. It’s one of the funnier movies of the millennium, and Vaughn and Wilson, as two swinging young lawyers who crash weddings for the goodies and the women, had sizzling early-Martin & Lewis-style chemistry. Like all comedy teams that click, they were, are, a study in contrasts. Vaughn was fast-talking; Wilson was slow. Vaughn was tall and hunky; Wilson was average and clunky. Vaughn was tart; Wilson was sweet. Vaughn was something of a cynic; Wilson was something of a romantic. We liked Wilson; we were a little leery of Vaughn.

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Wilmington on Movies: The Purge

What happens on Purge night? The people, including everybody but some select national leaders (of course) are unrestrained but also unprotected. They can do anything, break any law—because for those 12 hours, no police will patrol the streets or make arrests or even gather and keep evidence, no doctors will tend the injured in the hospitals, and every violation of the law, no matter how heinous, will be forgiven automatically, in advance—including armed robbery, murder, rape and green-lighting violent movies with potentially terrific ideas that wind up making no sense and indulging the violent fantasies they seem to be criticizing.

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The DVD Wrapup

El Sicario, Warm Bodies, Identity Thief, Die Hard, In Old Arizona, Mosquita, James Dean, Last Ride, Mad Max and so much more.

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Wilmington on DVDs: The Odd Couple, Warm Bodies; A Good Day to Die Hard; Identity Thief

Nervous, punctilious white collar fussbudget Felix Ungar (Jack Lemmon) and wise-cracking slob sports writer Oscar Madison (Walter Matthau) are long time poker buddies thrown together as temporary roomies in Oscar’s N.Y.C. apartment, thanks to Felix’s marital troubles. Can these two mismatched friends, with several failed (or failing) relationships between them, survive their own semi-conjugal non-bliss together? Or will they clamor for a divorce, when the magnitude of Oscar’s laissez-faire housekeeping sinks in?

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Reviews

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier