Reviews Archive for May, 2013

Wilmington on Movies: Now You See Me

This new cinematic magic show—in which four professional magicians join for a Las Vegas-style super-act that may also be a super-crime—is a movie so self-consciously clever, so intent on surprising the hell out of us, and so utterly, shamelessly, mind-numbingly preposterous that you may walk out of it feeling that your mental pockets have been picked.

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Wilmington on DVDs: Free Radicals, Side Effects

I’m not very find of abstract painting (which obviously helped inspire experimental filmmaking), so I can’t really explain my fondness for the movie avant-grade, ranging from the non-abstract surrealists Bunuel and Dali to largely non-narrative people like Hollis Frampton. to a splatter guy like Norman McLaren. Maybe I think, probably a superficial notion, that it’s too easy to fake an abstract painting, but to make an abstract film, even a bad one, you have to have at least some technical skill. Actually, you can fake a film too, or a film review. Maybe I‘m just still mad that my mother Edna, who was a brilliant realist artist, was treated like crap by the pretentious abstract artist/educators of her college and day.

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The DVD Wrapup

Beetlejuice, Lore, Shoot First, Dark Skies, Dorfman in Love, As Goes Janesville, Robert Mitchum Is Dead, Totoro, Longmire … and so much more.

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Wilmington on Movies: The Hangover Part III

Movies, like people, can sometimes display disastrous judgment. But hey, it’s a movie. Who gives a shit?

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Wilmington on Movies: Fast and Furious 6

If you’re looking for a slam-bang movie full of spectacular car chases and mindbending action, Fast & Furious 6—the latest installment in the tire-burning, dumbfounding Fast & Furious series—is obviously your pedal-to-the-metal hot ticket. It‘s the kind of movie where the only logical (or illogical) response from longtime fans may be ‘”Wowie,“ “yowie“ or “zowie.” But if you’re looking for a movie that makes a lick of sense, or has a line of dialogue worth repeating, or a character or situation that isn’t either a howling cliché or a howling absurdity—take your pick—you’ve come to the wrong pit stop.

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Wilmington on DVDs: Jubal, 3:10 to Yuma, Safe Haven, Parker

    Jubal (Also Blu-ray) (Three Stars) U.S.: Delmer Daves, 1956 (Criterion Collection) My grandma Marie Tulane, who was born in Sweden and died in Wisconsin, often said she liked Westerns because the scenery was so beautiful. I think she would have liked Delmer Daves’ 1956 Jubal, starring Glenn Ford, Ernest Borgnine and Rod Steiger…

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Wilmington on DVDs: Mrs. Miniver

Mrs. Miniver will probably never again look as good, or as inspiring, as it did in 1942, when it helped solidify the Anglo-American wartime bond. It’s a typically polished Wyler production, with pristine-looking black-and white cinematography by ace Joseph Ruttenberg.

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The DVD Wrapup

Beautiful Creatures, Cloud Atlas, Nightfall, Common Man, Love Sick Love, Rolling Thunder, Bad-Ass Girl, Ecstacyand so much more

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Wilmington on Movies: The Iceman

I tell you, Michael Shannon looks at you, or he looks at the camera, whatever, and the cold sweat just shoots right through you. I bet it spooks you almost as much as if you saw the real-life Iceman guy, the real Richie, ready to ice somebody

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Wilmington on Movies: Star Trek Into Darkness

In many ways, it’s a relief watching this picture. After a decade of Patrick Stewart and company, and then more than a decade of franchise silence, 2009’s Star Trek ingeniously brought the original seven Enterprise crew members back together—in the process, demonstrating a flair for matching the new younger actors playing the old characters with our memories of the original crew—and, as it turns out here, some others memories as well.

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Wilmington on DVDs: The Life and Death of Colonel Blimp

There are three Deborah Kerrs in Michael Powell & Emeric Pressburger’s strange and wonderful British war epic, The Life and Death of Colonel Blimp, and like many young male moviegoers, I fell in love with all of them the first time I saw the movie.

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Wilmington on DVDs: Starlet; Cloud Atlas

CO-PICKS OF THE WEEK: NEW — STARLET  (Three Stars) U.S.: Sean Baker, 2013 (Music Box) There’s ’at least one redeeming thing about the movies. Sometimes, they don’t really need hundreds of millions of dollars worth of superstars and special affects and expensive stuff to engage and move us.  Sometimes pretty much all they have to…

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The DVD Wrapup

Escape, Charles Swann III, Back to 1942, Frankie Go Boom, Face 2 Face, Last Stand, Eagles, Of Two Minds, Bletchley … and so much more.

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Wilmington on Movies: Sightseers

Maybe I’m getting cranky, but I found very little to laugh at in the alleged black British comedy, Sightseers — a terminally nasty love-on-the-run thriller in which a couple of strangely ordinary-looking British misfits named Chris and Tina take a caravan trip though the North, a vacation that eventually turns into a murder spree.

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Wilmington on Movies: The Great Gatsby

Ignore the bashers. Baz Luhrmann’s often dazzling, sometimes excessive, frequently fascinating film of novelist F. Scott Fitzgerald’s Jazz Age masterpiece, The Great Gatsby—a movie that has been trashed by a number of critics—is not only not a disaster. It’s one of the best movies of the still-young year.

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The DVD Wrapup

Jack Reacher, Upstream Color, Starlet, Oranges, Safe Haven, ID:A, Mama, Rabbi’s Cat, Gatsby, Henry Fonda, Zapata… and so much more.

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Wilmington on DVDs: Strictly Ballroom; Cloak and Dagger; The Guilt Trip; Mama

Strictly Ballroom, Cloak and Dagger, The Guilt Trip and Mama.

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Wilmington on DVDs: Silver Linings Playbook

Silver Linings Playbook is the strange name for what seems a sort of semi-screwball comedy for the new millennium: a smart and amusing movie felicitously co-starring Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Julia Stiles, and Chris Tucker in roles meatier than we expect and played probably as well as they could be, with great big dollops of joyous spontaneity, live-wire energy, bristling wit and just a touch of darkness.

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Wilmington on Movies: Pain and Gain

Pain & Gain is Michael Bay’s new picture, and, for him it‘s a departure. It’s a big, bright, violent movie, but it’s derived from fact this time, (or at least from allegedly factual newspaper articles).

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Wilmington on Movies: Iron Man Three

Iron Man Three may well be the last of the Iron Man series, but frankly, I was getting tired of those robo-duds by the end of the second (worst) one.

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Reviews

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier