Reviews Archive for February, 2013

The DVD Wrapup

The Master, Holy Motors, Kid With a Bike, Loneliest Planet, Silent Souls, Chicken With Plums, How to Survive a Plague and more.

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Wilmington on DVDs: The Master

    PICK OF THE WEEK: NEW THE MASTER (Also Blu-ray) (Two Discs)  (Four Stars) U.S.: Paul Thomas Anderson, 2012 (Starz/Anchor Bay)   No, I won’t call it a masterpiece — though it’s certainly a brilliant and beautiful movie, better than any other American film I saw last year. Better than Argo. Better than Lincoln. (Not by much,…

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Wilmington on Movies: Snitch

As for The Artist Formerly Known as The Rock, Johnson is unusually good here at projecting vulnerability and a good-guy likeability, qualities he didn’t necessarily need in his earlier action movies, but which were the only saving graces of comedy dreck like The Tooth Fairy—and which could now lead him to better roles.

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Wilmington on DVDs: Argo

Though based on fact, Argo plays like a mad combo of mixed genres: Spy Games espionage stuff, Wag the Dog government trickery, Close-Up Iranian street film and The Sting, an intricate con game, except that this time the picture puts the CIA in a favorable light, instead of tapping into the usual Three Days of the Condor Company nightmare.

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The DVD Wrapup

Bullet Collector, Argo, Thief of Bagdad, Deadfall, Sushi Girl, Undefeated, Laura, Naked City, Bath Salt Zombies… and more.

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Wilmington on DVDs: Two-Lane Blacktop

All three of these existential car dudes (they’ve got no past, they’ve got no future, and what little there is of either was probably something made up by Warren Oates), get together for an outlaw car race — the Chevy against the GTO, for the pink slips. They head out from California through Santa Fe and up to Little Rock, to Tennessee and North Carolina — by which time the race and these people have changed a little — including the hitch-hiker, who comes in, grabs a ride and messes everybody up. She’s called The Girl (Laurie Bird) and she adds sex or potential sex to the equation.

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Wilmington on DVDs: Monsters, Inc. 3D; Sinister; Top Gun; Twilight’s Last Gleaming; Grand Hotel..

    Monsters, Inc. 3D  (Five Disc Ultimate Collector’s Edition or Three Disc 3D/Blu-ray Combo) (Three Stars) U.S.; Pete Docter,  2001-2012 (Disney)   More good, funny, beautifully crafted, heartfelt stuff from Pixar, set in the scream-powered factory of Monstropolis among all the most horrible or brainy toy monsters — notably big, scary Sulley (John Goodman)…

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Wilmington on Movies: Safe Haven

Safe Haven, directed by that estimable Swedish-born filmmaker Lasse Hallström and produced by the author himself, is the eighth movie to be derived from a Nicholas Sparks novel, and like the others, including Message in a Bottle (where Kevin Costner found undying love), The Notebook (where Ryan Gosling and Rachel McAdams found undying love) it’s a romantic fantasy delivered with maximum efficiency and apparently just the right amounts of warmth, coolness, poignancy, picturesque scenery, sex appeal, niceness and (let’s face it), undying love.

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Wilmington on Movies: A Good Day to Die Hard

A Good Day to Die Hard is the fifth of the Bruce Willis Die Hard movies — and it’s obviously, irretrievably, die-hardishly one too many.

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Wilmington on DVDs: Skyfall

    PICK OF THE WEEK: NEW SKYFALL (Also Blu-ray/DVD/Digital Copy) (Two Discs) (Three and a Half Stars) U.K.-U.S.: Sam Mendes, 2012 (MGM) Skyfall may be a James Bond movie for both the masses and the cognoscenti, but it begins with something as old as The Perils of Pauline — a chase and a battle…

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The DVD Wrapup

Skyfall, Bully, Wallflower, Thieves, Mimesis, Serena, Jedi Junkies, Coalition, Gossip Girl… and more.

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Wilmington on Movies: Identity Thief

Up to that point, Identity Thief actually looks as if it might be a good movie, or at least a bad funny one. I was actually looking forward to it. (The more fool me.) But then, in a bewildering, mind-numbing plot twist that bewilders and mind-numbs me still…

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Wilmington on Movies: Side Effects

Mara has another role that, like her Girl with the Dragon Tattoo (which paled next to the original by Noomi Rapace), may be a little too dark for her — though her Emily is enough of a cipher to let the story work.

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The DVD Wrapup

House of Cards, Flight, Peter Pan, Cabaret, Narayama, Hello I Must Be Going, PA4, Vreeland, Side By Side and more…

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Wilmington on DVDs: Flight

Flight is also a very entertaining movie, and its very mutability and changeability — the way it hops from genre to genre, mood to mood, from high action and high entertainment to high seriousness, is a large part of what makes it so compellingly enjoyable.

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Wilmington on Movies: Bullet to the Head

Stallone and Hill both came in at the end of the ‘70s, they both hit their commercial peaks in the ‘80s. But I don’t think a lot of their latter movies in that decade did them much good, however rich those shows might have made them. In Bullet to the Head which shouldn’t be confused with John Woo’s Hong Kong 1990 bone-crusher, or with the German movie Knife in the Head by Reinhard Hauff, or with “Bullet in the Schnozzola,” which I just made up), they’re both back to fantasizing.

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Wilmington on DVDs: Farewell, My Queen; Ten Best Movies, 2012

We know she is doomed. Much of the tension of the film comes from our own wonderment at when the Queen and the King and the court will realize it too. Instead they act, in the few days (July 14-17, 1789) that we and Sidonie watch them, as if only a temporary disturbance—a tempest in a pastry shop—were underway, not the end of the world.

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Reviews

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Quote Unquotesee all »

“The sad and painful truth is that pretty much everyone in this town knew who Harvey was. I have had long talks with my most liberal friends. Did we know he was a rapist? We didn’t. But did we know that for decades he has been offering actresses big careers in exchange for sexual favors? Yes, we did — and make no mistake, that is its own kind of rape. And did we all — or did any of us — refuse to do business with him on moral grounds? No. We ALL STAYED IN BUSINESS WITH HIM. I have never done business with Harvey but I can tell you with certainty that I would have — because I was recently approached by a film festival he sponsors. They asked me to submit my short film for their consideration and I did it without thinking twice. I am a dyed-in-the-wool feminist and a vocal one at that. So why didn’t I think twice? Because this entire town is built on the ugly principals that Harvey takes to an horrific extreme. If I didn’t work with people whose behavior I find reprehensible, I wouldn’t have a career.”
~ Showrunner Krista Vernoff

From AMPAS president John Bailey:

Dear Fellow Academy Members,

Danish director Carl Dreyer’s 1928 film “The Passion of Joan of Arc” is not only one of the visual landmarks of the silent era, but is a deeply disturbing portrait of a young woman’s persecution in the face of the male judges and priests of the ruling order. The actress Maria Falconetti gave one of the most profoundly affecting performances in the history of cinema as the Maid of Orleans.

Since the decision of the Academy’s Board of Governors on Saturday October 14 to expel producer Harvey Weinstein from its membership, I have been haunted not only by the recurring image of Falconetti and the sad arc of her career (dying in Argentina in 1946, reputedly from a crash diet) but of Joan’s refusal to submit to an auto de fe recantation of her beliefs.

Recent public testimonies by some of filmdom’s most recognized women regarding sexual intimidation, predation, and physical force is, clearly, a turning point in the film industry—and hopefully in our country, where what happens in the world of movies becomes a marker of societal Zeitgeist. Their decision to stand up against a powerful, abusive male not only parallels the cinema courage of Falconetti’s Joan but gives all women courage to speak up.

After Saturday’s Board of Governors meeting, the Academy issued a passionately worded statement, expressing not only our concern about harassment in the film industry, but our intention to be a strong voice in changing the culture of sexual exploitation in the movie business, already common well before the founding of the Academy 90 years ago. It is up to all of us Academy members to more clearly define for ourselves the parameters of proper conduct, of sexual equality, and respect for our fellow artists throughout our industry. The Academy cannot, and will not, be an inquisitorial court, but we can be part of a larger initiative to define standards of behavior, and to support the vulnerable women and men who may be at personal and career risk because of violations of ethical standards by their peers.

Yours,
John