Reviews Archive for April, 2012

Wilmington on Movies: The Raven

But wait a minute. This isn’t the kind of horror that puts money in your pockets. A loser roaming the streets and expiring in a hospital? Not in our bottom-line, money-obsessed, failure-hating age. Let’s imagine something more horrible — and certainly more modern, more suitable to contemporary tastes.

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The DVD Wrapup: Contraband, Camelot, Return, Young Goethe, Innkeepers, Hollis Frampton … More

Like JFK’s legacy, the movie version of “Camelot” hasn’t aged well in the succeeding nearly 50 years. In fact, after knocking ’em dead on Broadway in the early 1960s, the movie version failed to overwhelm Oscar voters or attract nearly the same number of fans as “My Fair Lady.”

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Wilmington on Movies: Headhunters

Slick and fast and gorgeously shot—if sometimes almost criminally over-the-top.

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Wilmington on DVDs. Godzilla

I’ve never visited Japan, and probably I never will. But if I get there, I know I’ll dream of seeing several things, all of which, to me, signify “Japanese cinema“ and “Japan.” A furious Kurosawa swordfight caught by three cameras. Two Ozu characters sitting on tatami mats, musing on the sadness of life. A geisha or wife suffering while Mizoguchi’s camera tracks slowly and beautifully around her. Something tragic or transgressive caught lucidly by Ichikawa or Imamura. And, rising up from the ocean, while the sun sets, Honda’s Godzilla (excuse me, Gojira), staring toward Tokyo and licking his chops.

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Wilmington on DVDs. The Innkeepers

Ti West’s movie is loaded with seedy atmosphere and cracked wacko personality, and I much preferred it to the over-expensive blood-drenched massacres they usually give us. Paxton’s Claire and Healy’s Luke are engagingly scarable protagonists. The cellar is a doozy.

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Wilmington on Movies: Darling Companion

The movie has its flaws — that outlandishly implausible ending chiefly among them — but compared to most of the un-naturalistic, unfunny, unserious, totally phony and sometimes obnoxiously ageist and condescendingly smart-ass gloppy stuff that often passes for American movie comedy-drama these days (and that sometimes gets a pass from the same people who pile on movies like “Darling Companion”), it’s a movie that deserves some encouragement.

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The DVD Wrapup: Ghost Protocol, Shame, Last Rites of Joe May… More

Even if “Shame” doesn’t offer many answers and fewer resolutions, it can’t be said that we don’t know these people after 101 minutes in their presence. It feels like a fully realized short story or novella. The acting is terrific and McQueen’s direction delivers a real punch. It’s not an easy movie to watch, though, so viewers not looking for a challenge may want to think twice before renting it.

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Wilmington on DVDs. A Streetcar Named Desire

The young Adonis-like Brando was the actor whom critics and Britons believed would be the American stage and screen’s great Hamlet. (But he never even tried.) He was the player for whom Tennessee Williams wrote play after play year after year. (But Brando turned them all down, except for the Sidney Lumet movie of “Orpheus Descending,” retitled “The Fugitive Kind)”.

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Wilmington on DVDs. Shame

I can’t recall a single smile crossing Brandon’s mouth, or a single joke passing his lips (if there were, they were lonely), or much tenderness at all, during the course of the movie.

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Wilmington on DVDs. Mission Impossible: Ghost Protocol

This is the best action movie out this year not just because it has the best action, but because the characters are interesting too.

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The DVD Wrapup: Iron Lady, Conquest, Sleeping Beauty, Streetcar, Dark Shadows … More

In the mid-’60s, the demographics of daytime TV were significantly different than those associated with prime-time sitcoms. Fewer women worked in full-time jobs and they tended to control buying patterns at the supermarket. Romance in the afternoon was blooming and it didn’t include fangs and capes. Even so, Dan Curtis’ brainstorm would enjoy a six-year run, thanks, in large part, to support from teenagers who rushed home from school – or, so we’re told – to enjoy the kinky storylines and handsome undead characters. “Dark Shadows” was as different from “The Guiding Light” and “The Days of Our Lives” as “American Bandstand” was to “Lawrence Welk.”

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Wilmington on DVDs. Casablanca

You think Michael Curtiz is a hack? It‘s only because he made so many movies. But his list of hundreds includes two or three dozen genuine classics. And the other several hundred aren’t bad either. In fact, director-movie-lover Rainer Werner Fassbinder ranked Curtiz at the top of his list, next to Luchino Visconti and Douglas Sirk.

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Wilmington on DVDs. Chinatown.

It‘s a picture that seems close to perfect of its kind and one of the ‘70s films I love best. Gorgeous and terrifying and sometimes funny as hell, Chinatown tells a romantic/tragic/murder mystery tale of official crimes and personal corruption raging around the real-life L. A. Water scandal, with private sin and public swindles steadily stripped bare by J. J. Gittes (one of Jack Nicholson‘s signature roles), a cynical, natty, smart-ass Hammetesque shamus, with a nose for corruption and a hot-trigger temper

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Wilmington on DVDs. The Iron Lady

Meryl Streep, the American movie star who plays/ impersonates/ inhabits/ incarnates Thatcher in “The Iron Lady,” is not only one of the greatest movie actresses of the 20th and 21st centuries, an artist of confounding competence, flawless mimicry and consistent brilliance, but a smart student of life and humanity who who can vanish into her parts totally. And here, she’s giving what is certainly one of her most impressive performances.

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Wilmington on Movies: American Reunion

Just the reintroduction of Jim‘s pop and The Stiffmeister alone is enough to raise a litle indecent notalgia in this movie. Or bonhomie, maybe. Not enough to make it a good movie, but at least enough to avoid it being an irredeemably bad one.

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Wilmington on DVDs. A Trip to the Moon; Melies, First Wizard of Cinema (1896-1913)

Méliès’ great little show was first released in the black-and-white prints most of us know, but also in an original hand-tinted color version that was missing for nearly a century. But that second version, discovered in a Spanish film library in 1995, has now been definitively restored in colors as radiant and luscious as ice cream melting in a silver tureen.

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Wilmington on DVDs. We Bought a Zoo, No Man of Her Own

If only “We Bought a Zoo” could do for zoos what “Sideways” did for wine, we’d all be in clover and up to our knees in humane enclosures. Although I’m a big fan of zoos myself (especially San Diego’s and the giraffe and bear enclosures at the Lincoln Park Zoo) and though this is a likable movie, full of likable people, and likable animals and though star Matt Damon is a very paragon of likeability, the movie just vanishes out of your mind (or mine at least) after you leave.

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Wilmington on DVDs. Pick of the Week: New. War Horse.

The script of “War Horse,” a heart-crusher, is rife with coincidence, pulsing with melodrama. Violence and tragedy are often close to overwhelming it. But it’s also a good story, an often gripping one.

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The DVD Wrapup: War Horse, Zoo, Miss Bala, Chinatown, Tyrannosaur…

Gerardo Naranjo’s “Miss Bala” describes how weird things can get when the trajectories of a violent drug gang and contestants in a beauty pageant cross paths in Tijuana, one of the world’s most dangerous cities. “Miss Bala” is an extremely violent movie, as befits the times in Mexico’s drug war, but Lino’s determination to give Laura her shot at stardom borders on the hilarious. By the time she gets to the interview stage, Laura can barely remember her name. Naranjo uses Tijuana as well as Steven Soderbergh did in “Traffic” and the cruelty of the perpetrators of the violence is palpable throughout the movie.

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Reviews

Gary Dretzka on: The DVD Wrapup: Eighth Grade, No. 1 Fan, Jeannette, Moe Berg, 12th Man, La Familia, Molly, Sarno, Making a Killing, All Styles … More

David Pearce on: The DVD Wrapup: Eighth Grade, No. 1 Fan, Jeannette, Moe Berg, 12th Man, La Familia, Molly, Sarno, Making a Killing, All Styles … More

Trevor T. Trujillo on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Steven DeGennaro on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Gary J Dretzka on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Steven DeGennaro on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Gary Dretzka on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Andre on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Steven DeGennaro on: The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

The DVD Wrap: Ant-Man/Wasp, Whitney, Boundaries, BuyBust, Down a Dark Hall, Reprisal, Gen Wealth, 8 Hours Don’t Make a Day … More

The DVD Wrapup: Prayer Before Dawn, Don’t Worry, He Won’t Get Far, Angels Wear White, Rodin, Schiele, Witch Files, 3rd Night, Official Story, Iron Mask … More

The DVD Wrapup: Eighth Grade, No. 1 Fan, Jeannette, Moe Berg, 12th Man, La Familia, Molly, Sarno, Making a Killing, All Styles … More

The DVD Wrapup: Solo, Izzy, Mountain, Uncle Drew, Gotti, The Row, Sumer Nights, Seagull, Mountain, American Psycho, Day of Jackal, The Baby, Freaky Friday, Human Body … More

The DVD Wrapup: Damsel, Hired Hand, Siberia, Toybox, Guardians, Cold Water, Lost Child, Rock HofF, Pyjama Girl, Miniaturist … More

The DVD Wrapup: Goldstone, Westwood, That Summer, Irish Surf, Wyeth, Barbershop, Jess Franco, Mambo Cool, Watcher, Rolling Stone at 50 … More

The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

The DVD Wrapup: American Animals, Book Club, Woman Walks Ahead, Bound, Mind Game, Shadowbuilder, Poetic Trilogy, Boss N-word, Crazy Six, My Life With James Dean … More

The DVD Wrapup: 1st Reformed, Bleeding Steel, Higher Power, Black Water, Porcupine Lake, Tingler, Strait-Jacket, Tideland, Wild at Heart, Jack Ryan, Terror, Hillary, Outback, Blacklist, Walking Dead … More

The DVD Wrapup: Avengers, Ninko, Escape, Aim for the Heart, Yellow Birds, Affairs of State, Gregorio Cortez, 200 Motels, Done to Your Daughters?, S.F. Brownrigg, Muppet Babies, BBC Earth … More

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch