Reviews Archive for November, 2010

MW on DVDs: Antichrist, Liverpool, Moonfleet, Fantasia/Fantasia 2000 … and more

CO-PICKS OF THE WEEK: NEW Antichrist (Two Discs) (Three and a Half Stars) Denmark/U.S.A.: Lars von Trier, 2009 (Criterion Collection) Lars von Trier strikes again. The beginning looks like a poor man’s Citizen Kane which segues into a disease-of-the-month teleplay that becomes a Sam Shepard two-character Gothic pop drama in the deep woods, and then…

Read the full article » 1 Comment »

The DVD Wrap: Fantasia/Fantasia 2000, The Sorcerer’s Apprentice, Knight and Day, Cairo Time, The Sicilian Girl, Vampires Suck … and more

Fantasia/Fantasia 2000: Blu-ray The Sorcerer’s Apprentice: Blu-ray According to Disney legend, Dopey the Dwarf was originally pushed for the role in Fantasia that went to Mickey Mouse. Instead, Uncle Walt went with the established star, hoping the role would maintain Mickey’s high profile in movies. Although Dopey might have been an inspired choice, there’s no…

Read the full article » No Comments »

MW on Movies: Tangled, Burlesque and White Material

Tangled (Three Stars) U.S.: Nathan Greno, Byron Howard, 2010 I don’t know: Maybe I’m going though my second childhood. But, these days, very often, the kids’ movies coming out of the big studios (and I mean mostly the cartoon features) seem and look to me so much brighter, funnier, more entertaining — hell, so much…

Read the full article » 2 Comments »

MW on DVDs: Metropolis, Flipped, Last of the Mohicans, The Bing Crosby Collection … and more

PICK OF THE WEEK: CLASSIC Metropolis (Most Complete Version) (Four Stars) Germany: Fritz Lang, 1927 Metropolis, Fritz Lang’s great, spellbinding science fiction epic about a futuristic city gone mad, has been regarded as a cinematic classic since almost the very hours of its premiere, in Berlin in 1927. At that first showing, German audiences and…

Read the full article » 2 Comments »

The DVD Wrap: Flipped, Cats & Dogs: The Revenge of Kitty Galore, The Six Million Dollar Man: The Complete Collection, Deadwood: The Complete Collection … and more

Flipped Anyone who lost faith in Rob Reiner after blowing their hard-earned dough on such star-studded duds as The Story of Us, Alex & Emma and Rumor Has It …, might want to give the filmmaker another chance. In the pre-pubescent romance Flipped, we meet a boy and girl who could have lived down the…

Read the full article » 1 Comment »

MW on Movies: Harry Potter and the Deathly Hallows, Pt. 1, The Next Three Days, and Client 9: The Rise and Fall of Eliot Spitzer

Harry Potter and the Deathly Hallows, Part One (Three Stars) U.S.; David Yates, 2010 The beginning of the end for a very long, mostly gratifying, often magical and sometimes splendiferous and surprising cinematic journey on a constantly twisting fantastical/literary road, Harry Potter and the Deathly Hallows, Part One splits the last of the J. K….

Read the full article » 3 Comments »

The DVD Wrap: The Kids Are All Right, Modern Times, Avatar Three-Disc Extended Collector’s Edition: Blu-ray, Cher: The Film Collection … and more

The Kids Are All Right It’s been 21 years since the publication of Heather Has Two Mommies, a book the mommies in The Kids Are All Right might have read to their own children. The controversy that little book sparked in 1989 had already turned into a giant shit storm when Lisa Cholodenko’s observant family…

Read the full article » No Comments »

MW on Movies: Avatar, Modern Times, The Bridge on the River Kwai, Spider-Man, Spider-Man 2, Apocalypse Now/Apocalypse Now Redux

   PICK OF THE WEEK: NEW Avatar (Three Disc Extended Edition Blu-ray Digital DVD Combo) (Four Stars) U. S.; James Cameron, 2009 (Fox) Avatar, James Cameron’s` planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It‘s a genre-movie knockout, a cinematic…

Read the full article » No Comments »

MW on Movies: Unstoppable and Saw 3D

Unstoppable (Four Stars) U.S.: Tony Scott, 2010 Unstoppable, a blow-you-out-of-your seat and slam-you-against-the-wall thriller about a runaway train — by Tony Scott, who knows how to make action movies, but rarely makes them this well — starts strong, hits the tracks fast, tears out the brakes, takes off like a shot, and then just keeps…

Read the full article » 4 Comments »

Review: Morning Glory

The heart of this film shoulda/coulda been McAdams, deeply connected to classic TV news, but forced to pander in Morning Show World because that is the only place she can get a job, a little lost in the pandering, perhaps forgetting what really makes her happy. Ford is the symbol of excellence and a lost generation of news thinkers. He’s lost his job and his sense of perspective as well. Paring the two up will be rocky, but they will fight and give up and fight some more to find a balance that allows him self-respect and raises her to the top of a generation that can barely remember when The News was THE NEWS.

But it’s not that.

Read the full article » 47 Comments »

The DVD Wrap: Antichrist, The Elia Kazan Collection, Scott Pilgrim Vs The World, Grown Ups … and more

Antichrist: The Criterion Collection Controversies that erupt at film festivals, Cannes especially, practically define what it means to stir “a tempest in a teapot.” For two weeks, the upper crust of the international film community – and way too many crusty critics – come together for the sole purpose of promoting cinema and themselves. The…

Read the full article » 3 Comments »

MW on DVDs: Scott Pilgrim vs. The World, Chaplin at Keystone, Moulin Rouge … and more

PICK OF THE WEEK: NEW Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices and saps running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the whole canon from…

Read the full article » No Comments »

Review: Unstoppable

It’s just this simple. Ethan Suplee… funny fat guy… has to move a really long train a really short distance. He gets in the engine, starts it rolling, realizes he hasn’t switched the track and if he gets past the switch, it will take hours to fix the mistake. He jumps out of the slow-moving…

Read the full article » 52 Comments »

Review: Megamind

Let’s get this out of the way right up front: You don’t really need to pay the premium to see Megamind in 3-D. It’s a sharp, nice looking film as it is, but I didn’t find the 3-D elements, though relatively seamless and painless, to be anything I couldn’t live without.

Read the full article » No Comments »

MW on Movies: Due Date, Megamind and Fair Game

Due Date (Two and a Half Stars) U. S.; Todd Phillips, 2010 An odd-couple road trip comedy about a wired-tight middle class architect (Robert Downey, Jr.) and an effete but slobby Hollywood-bound wanna be actor (Zach Galifianakis), thrown together on an impromptu cross-country drive from Atlanta to L.A., Due Date isn’t up to the best…

Read the full article » 6 Comments »

The DVD Wrap: Toy Story 3, The Pacific, Please Give, Don’t Let Me Drown, V: The Complete First Season … and more

Toy Story 3: Blu-ray The third edition of the Toy Story saga will resonate more with parents, I think, than their children. Youngsters will enjoy it, of course, but most of them won’t be able to appreciate the melancholy that informs the underlying themes: separation and loss. Now 18, Andy is about to leave for…

Read the full article »

Wilmington on DVDs: Toy Story 3, The Toy Story Trilogy, The Magician, Centurion, Winnebago Man … and more

PICK OF THE WEEK: NEW Toy Story 3 (Four Stars) U. S.: Lee Unkrich, 2010 Toy Story 3 is just what we’ve come to expect from Pixar: a brilliantly conceived and immaculately animated knockout of a family show: witty and scrumptious, moving and marvelous, and something that parents can enjoy every bit as much as…

Read the full article » 2 Comments »

Reviews

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé