Reviews Archive for September, 2009

Wilmington on DVDs: The Wizard of Oz, Monsters vs. Aliens and more…

PICK OF THE WEEK: CLASSIC The Wizard of Oz (Four Stars) U. S.; Victor Fleming, King Vidor (Unc.), 1939 (Warner) Some movies appeal to just about everybody — like the heart-stoppingly entertaining and wonderful 1939 musical that MGM made out of L. Frank Baum’s American fairy tale, The Wizard of Oz (now released in a…

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Paul Blart: Mall Cop, Observe and Report

2009 turned out to be the year of the ‘shopping mall security person’ comedy, and it shows you how fast trends turn over these days that there were only three months between the theatrical release dates separating the point where the genre was established, with Paul Blart: Mall Cop, a Sony Pictures Home Entertainment release,…

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Wilmington on DVDs: X-Men Origins: Wolverine, That Hamilton Woman, O’Horten and more…

X-Men Origins: Wolverine (Two-and-a-Half Stars) U. S.; Gavin Hood (2009) The question of the day, in a world beset with war, pandemics, economic collapse, crazed cable news-slingers and

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X-Men Origins: Wolverine

A superficial but watchable comic book action film, X-Men Origins Wolverine, a summer of 2009 blockbuster hopeful that came up a hair or two short because of that superficiality, has been released by 20th Century Fox Home Entertainment. Since such films go down easier on home video, it probably won’t seem so bad and it really…

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Hotel Atlantico Directed by Suzana Amaral

At a fest like TIFF there are both small gems to uncover, and lumps of coal in the festival stocking to ponder, as in: why is this film even in this festival, and, more importantly, what better film did I miss while I was wasting two hours of my life waiting in vain for this…

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Dogtooth Directed by Yorgos Lanthimos

Dogtooth, the searing tale of suburban satire, familial horror, and political subversion that won the Un Certain Regard category at this years Cannes Film Festival, puts an extraordinary spin on the idea of twisted families. Iit’s brilliant in equal parts because the director, Yorgos Lanthimos, immerses us so completely in the crazy world he’s created and in part…

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Applause Directed by Martin Pieter Zandvliet

Danish powerhouse actress Paprika Steen (who had a directorial entry, the excellent With Your Permission, in the Toronto International Film Festival in 2007) turns in another excellent performance in Applause, the directorial debut of Martin Pieter Zandvliet. The film revolves around Thea, an alcoholic actress who, some time before the film starts, divorced her nice-guy husband Christian (Michael Falks)…

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An Education Directed by Lone Scherfig

An Education, Lone Scherfig’s much-anticipated film about Jenny (Carey Mulligan), a British schoolgirl in the 1960s who gets swept off her feet by an older man (Peter Saarsgard) is beautifully directed, smart and engaging — and one of the best films at Sundance thus far. Nick Hornby (author of the novels About a Boy andHigh Fidelity)…

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Creation Directed by Jon Amiel

Creation seems to be rather misunderstood already. It’s not really a Charles Darwin biopic or a period piece by its nature (though it is, in fact, period). It is, very surprisingly like the still-controversial Antichrist, a movie about the loss of a child and how the parents deal with it. In this case, however, it just…

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Fish Tank Directed by Andrea Arnold

Finally, Andrea Arnold’s Fish Tank, which is in the tradition of Ken Loach and Kieslowski… raw and real. (Interestingly, Samantha Morton’s first feature, The Unloved, here at the fest, walks down a similar road.) Here it is the story of Mia, a 15-year-old with a lot of anger, but some earnest dreams and a will of iron. She’s played…

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Nymph Directed by Pen-ek Ratanaruang

Screening in the “Visions” section of TIFF, Nymph, by Thai director Pen-Ek Ratanaruang (something of a name among the arthouse crowd) is a languid, meticulously paced tale of love, infidelity and betrayal that’s kept from being truly compelling by a dramatic structure that’s top-heavy with many moments of nothing leading up to a faster-paced final 30 minutes…

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Wilmington on DVDs: Easy Virtue, The Country Teacher, Wagon Master and more…

Easy Virtue (Three Stars) U. K.; Stephan Elliott, 2009 (Sony) Noel Coward’s blithe, spirited, sexy ’20s play, Easy Virtue, is not new to

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Review: The Imaginarium of Dr. Parnassus

MCN Review: It is not the very best Gilliam ever, but it does play like a kind of greatest hits combined with more innovation from a master filmmaker. The big thing here is CG matching Gilliam’s sizable imagination more powerfully than ever. Of course, his love of theatrical ideas – literally, from the theater –…

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Wilmington on DVDs: State of Play, Earth, Sin Nombre, Skin Game, M*A*S*H* and more…

State of Play (Three Stars) U. S.; Kevin Macdonald, 2009 (Universal) There’s stuff wrong with State of Play, director Kevin Macdonald’s would-be brainy newspaper thriller

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Reviews

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott