Reviews Archive for December, 2008

The Top Ten DVDs and BDs of 2008

With the elimination of a competing format, 2008 saw the establishment of the backwards compatible Blu-ray (BD) system as the high-end subset of the DVD format. While it is less flexible and does not offer significant improvements in supplementary features (except enhanced interactivity and an ability to connect with other fans of a title online),…

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Wilmington on Movies: The Curious Case of Benjamin Button plus reviews of Valkyrie, Bedtime Stories, and The Spirit

The Curious Case of Benjamin Button (Three-and-a-Half Stars) U. S.; David Fincher What a refreshingly “uncommercial” big-budget project! And what a surprisingly enjoyable movie.

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Wall-E

The lovely 2008 Pixar feature about a robot who rescues humanity, WALL-E, has been released by Walt Disney Studios Home Entertainment. With minimal dialog but plenty of sound effects and music, the 99-minute computer-animated film depicts the robot cleaning up the trash on Earth left after all of the people have long since departed (in Disney…

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The Wrestler plus reviews of Seven Pounds, Yes Man, Frost/Nixon, Amarcord and Moscow, Belgium

The Wrestler (Three-and-a-Half Stars) U.S.; Darren Aronofsky So the French were crazy for liking Mickey Rourke, huh?

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Wilmington on Movies: Gran Torino plus reviews of Doubt, Nothing Like the Holidays, The Day the Earth Stood Still and Dark Streets

Gran Torino (Four Stars) U.S.; Clint Eastwood Clint Eastwood plays a Dirty Harry grown old in his latest movie Gran Torino. And he makes us feel lucky … to be watching him simmer and explode on screen again.

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The Dark Knight

Every year, hundreds of movies are produced and twenty performers in a few of those movies are justifiably honored with Oscar nominations, but it is far less often that a film performance occurs which is so utterly spellbinding that it transcends the movie it is in to captivate the viewer with the sheer joy of…

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Wilmington on Movies: Cadillac Records plus reviews of Nobel Son and Punisher: War Zone

Cadillac Records (Three Stars) U.S.; Darnell Martin The renaissance of the movie musical — at least since 2001 and Moulin Rouge! — has been one real cause for joy in the last several cinematic years, and Darnell Martin‘s Cadillac Records is another shining example. A rockin’ dandy one too.

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Reviews

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch