Reviews Archive for November, 2008

Quo Vadis

As the pool of epic movies yet to be released on DVD diminishes, each release that does appear seems to become all the more significant. Warner Home Video has issued an impressive Two-Disc Special Edition of the 1951 MGM production, Quo Vadis. 1951, remember, was before widescreen or stereo sound was utilized to make such movies…

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Not Quite Hollywood The Wild, Untold Story of Ozploitation! Directed by Mark Hartley

Not Quite Hollywood may be my favorite talking-heads-and-clips movie ever. (That’s Entertainment is not really a doc, but just a series of great clips from great musicals… different animal.) It is complete, and informative. But mostly, it’s very, very entertaining. From the very beginnings of the Aussie film business to the sexual exploitation and self-mockery…

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Che Directed by Steven Soderbergh

My first reaction to Steven Soderbergh’s Che was absolute shock at the idiocy and arrogance of it all… that is to say, the idiocy and the arrogance of the response from Cannes. This is one reason why I hate seeing a movie “after the fact.” It is a real challenge to all critics – and any one…

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What to Catch the Second Half of AFI Fest

AFI Fest, which kicked off last Thursday, is a different sort of fest than Sundance or Cannes or Toronto. Many of the films on the schedule are what I would consider more mainstream-friendly fare (which is not at all to say they aren’t good films). Much of the schedule here is kind of a “best…

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Hunger

Hunger focuses on the Irish prison hunger strike led by Bobby Sands in 1981. The depiction of the squalor these predominantly political prisoners live in and the endless beatings they undergo from jailers is vividly and unflinchingly portrayed. Written and directed by the acclaimed installation artist Steve McQueen, it’s an accomplished first film and, at the same…

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Hurt Locker

The best Iraq movie so far (closely nipping Nick Broomfield’s Battle For Haditha) and the best new American film at TIFF that I have seen this year is Kathryn Bigelow’s Hurt Locker, which really isn’t so much an Iraq War film as it is a war film that happens to be in Iraq. Mark Boal’s screenplay does what so…

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Reviews

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

estes1963 on: The DVD Wrapup: Drive Angry, Once Upon a Time in the West, Adua & Her Friends, A Clockwork Orange, Undertow, The Joke, Passion Play, Kaboom, Harvest ...

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Quote Unquotesee all »

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant

“To say I knew exactly what I was doing at the outset — what’s that called? I think that would be a lie. Wormwood is something that was figured out as we went along. There was a kind of plan. My sales pitch to Netflix was, ‘I’m going to create the cinematic version of the everything bagel, except no raisins. I don’t like them in bagels. I think raisins are wrong, at least as far as bagels are concerned. But I told them I wanted to do something that combines straight drama, reenactments, archival research, various diverse graphics elements, and on and on and on. It wasn’t going to be documentary business as usual. It was going to be something different. I have suffered for years this idea that interviews aren’t directing and that there’s something really different about real people and actors. Whereas I’ve always believed that it’s really about performance — eliciting a performance, creating a performance on film. That’s true of interviews, it’s true of scripted material, it’s true of reenactments, it’s true of everything. It’s all direction.”
~ Errol Morris