Reviews Archive for September, 2008

How The West Was Won

When it was made, the story in How the West Was Won concluded at a point that reached the lifetime of some of the 1963 MGM film’s oldest viewers (and background extras), so that its own narrative span, depicting in an episodic fashion, the gradual settlement of western America during the Nineteenth Century, could present a…

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Birds of Prey

Too comic booky for the masses, or even the WB subset thereof, the short-lived Birds of Prey TV series, about female crime fighters in ‘New Gotham City,’ has finally been delivered to the medium where it can be the most appreciated, as Warner Home Video has released Birds of Prey The Complete Series, a four platter set…

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The Secret Life of Bees Directed by Gina Prince-Bythewood

Fox Searchlight’s The Secret Lives Of Bees actually plays… and not just for girls. It’s in the spirit of Sounder and the Toomer story in The Great Santini and To Kill a Mockingbird. It’s clearly Dakota Fanning’s coming out party as a young woman, a stark contrast fromHounddog, which smelled of her exploitation by a well-intended by overreaching writer/director….

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Confessions of a Festival Junkie: Dayzzzzzz

Following the flood of weekend movie junkets, it seemed an apt time for some serious business. There had been speculation that Steven Soderbergh’s Cannes premiered Che had finally made a deal for North American distribution rights but all players involved kept their cards very close to their chests. There were other murmurings and speculative questions that…

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Blindness Directed by Fernando Meirelles

There’s something a bit daunting about the fact that two of the most acclaimed films coming into the Toronto International Film Festival are titled Hunger andBlindness. Both premiered at Cannes with Blindnessreceiving the prestigious opening night slot and Hungerwinning the Camera d’or award for best first feature. I prefer Blindness, at least the type one encounters cinematically. Based…

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Lovely, Still

There have been some good films so far, but with the talent involved, good shouldn’t be a surprise. But the first “wow, didn’t see that coming” for me is Nik Fackler’s Lovely, Still… a tiny movie about age and love and family, small in scope, but movie stylized, with two home run performances by Martin Landauand Ellen Burstyn. I…

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Rachel Getting Married Directed by Jonathan Demme

Rachel Getting Married is the best Altman movie in 15 years. Of course, this film is not by Robert Altman, but byJonathan Demme, one of America’s great filmmakers, of a generation that came up behind the Altmans and others of the early 70s, who made his first high profile film, Melvin and Howard, one decade after…

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Tears For Sale Directed by Uros Stovanovic

Mike Leigh’s advice was well taken, as Uros Stovanovic has the kind of visual muscle to make him one of the next hot candidates for a Hollywood slot. The film is, essentially, a fairy tale filled with dark jokes, estrogen, sex, and explosions. Simplifying the story is probably a mistake, but I will offer the broadest…

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Reviews

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott