Outreach and Education

If Manipulative Marketing Keeps Making Money… Why Stop Making Bad Movies?

I recently sat through over two hours of cheesy one-liners, and I’m left wondering whether the 92% favorable rating given to The Avengers by critics on Rotten Tomatoes means they’re all on the studio’s payroll or just didn’t think critically enough. I’m also beyond confused as to why Marvel didn’t hire Jon Favreau, Kenneth Branagh,…

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Spotlight: Outreach and Education at the Sarasota Film Festival

I’ve been meaning to check out the Sarasota Film Festival for a long time now, and it looks like this year I’ll finally be heading to Florida (my first time ever to set foot in that state, believe it or not) to check it out and serve on a jury for the fest. One of…

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“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama