Quoted

Indy through the years

Indiana Jones. I always knew some day you’d come walking back through my door.
- Marion
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We do not follow maps to buried treasure and X never, ever marks the spot.
- Indiana Jones
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“Since I’ve met you I’ve nearly been incinerated, drowned, shot at and chopped into fishbait.
- Indiana Jones
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If you think I’m going to Delhi with you or anyplace else after all the trouble you’ve gotten me into, think again buster! I’m going home to Missouri where they never feed you to snakes before ripping your heart out and lowering you into hot pits! This is NOT my idea of a good time!
- Willie
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You know, for an old man you ain’t bad in a fight. What are you, like 80?
- Mutt

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Indy

“I can say that if you liked the other Indiana Jones movies, you will like this one, and that if you did not, there is no talking to you. ”
- Roger Ebert

High Spirits

It is better to be high-spirited even though one makes more mistakes,
than to be narrow-minded and all too prudent.
Do not quench your inspiration and your imagination;
do not become the slave of your model.
- Vincent van Gogh

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Shhhh …

Shhh … my common sense is tingling …
- Iron Man (comic book)

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Superheroes Speak

“With great power there must also come — great responsibility!”
– Spider Man
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“Wars are never won, regardless of who might be the victor. The very act of war is itself a horrible defeat.”
- Guardian of the Universe (Green Lantern)
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“In this world, there is right and there is wrong, and that distinction is not difficult to make.”
- Superman
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“Are arbitrary labels more important than the way we live our lives, what we’re supposed to be more important than what we actually are?”
- X-Men

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Educate

If you are planning for a year, sow rice
if you are planning for a decade, plant trees
if you are planning for a lifetime, educate people.
~ Chinese proverb

Gotta' speak to be heard ..

“People often say that, in a democracy, decisions are made by a majority of the people. Of course, that is not true. Decisions are made by a majority of those who make themselves heard and who vote – a very different thing.”
- Walter Judd

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Red Heads

“When red-headed people are above a certain social grade their hair is auburn.”
- Mark Twain

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One more time ..

“Success is the ability to go from one failure to another with no loss of enthusiasm.”
- Winston Churchill

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Joke's on us

“The gods too are fond of a joke.”
- Aristotle

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Bob Uecker Day

I didn’t get a lot of awards as a player. But they did have a Bob Uecker Day Off for me once in Philly.
- Bob Uecker

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It’s A Wonderful Oscar …

Every time an Oscar is given out, an agent gets his wings.
- Kathy Bates

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There Will Be Blood

“My favorite movie of the year was the one about the heartless con man who’s obsessed with finding oil. Its called No End In Sight.”
- Bill Maher

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The Oscar After-Glow …

“That was fantastic. I loved it. That was funny and smart. Isn’t it great when it’s all over?”
- Helen Mirren to Jon Stewart
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“Getting a text from Bono is the biggest thing that can happen to an Irishman.”
- Glen Hansard on congratulations from Bono
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“I’m totally overwhelmed with joy and then sparkles and fireworks and everything which goes like bam, bam, bam!”
- Marion Cotillard
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“I’m feeling tremendously relieved that I don’t have to go home and explain to all my friends and family about why it didn’t happen. Great joy, actually. It’s a lovely marker.”
- Daniel Day-Lewis, not going home empty-handed
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”I’m an absolute dummy with a computer…so I can’t speak to what’s happening today so much. But I do miss the community that we had then. People seemed to work together more in those days. They are more separate these days…. I think you have the tools now that you can do anything. Unfortunately, very often you do everything. Discipline in art is also very important. The things you don’t say are sometimes as important as what you do say. And if you do too much, you destroy the point you are trying to make.”
- Robert Boyle
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”He’s elderly and unhappy, probably not well.”
- Ethan Coen when asked about Roderick Jaynes

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BEST MOTION PICTURE OF THE YEAR

Scott Rudin:
This is an unbelievable honor and a complete surprise. So many people have a part of this, chief among them Cormac McCarthy, who wrote a wonderful book that it was an honor to make into a movie. The three men sitting down front, Josh Brolin, Tommy Lee Jones, Javier Bardem, without them there would be no movie.
These two gentlemen [to Joel and Ethan Coen], I can’t think of anybody I would rather be standing here with than the two of you. Thank you so much for this.
Everybody at Vantage and Miramax who financed the movie together. The entire team at Miramax who did a brilliant, brilliant job selling it. Thank you to all of them.
I want to thank Mark Roybal, It’s a pleasure to work with him every day.
I want to thank my friend, Sydney Pollack, who taught me that with the responsibility — with the opportunity to make movies comes the responsibility of making them good. This for him.
- Scott Rudin, Joel Coen and Ethan Coen on accepting the Oscar for “No Country for Old Men”

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Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

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