Film Fatale Archive for December, 2007

What '24' Would Have Looked Like in '94

If Fox runs out of episodes of 24, the network can run this top secret, never before seen pilot: what the deadly game of spies vs. terrorists would have looked like in 1994.
Produced by College Humor
(Thanks to Andrew Hearst of Panopticist for the link)

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Horse-Happy Film Critic Rescues Racehorses

seabiscuit1.jpg

The Boston Globe reports today on one of its former film critics, Michael Blowen, whose post-reviewing life has taken a surprising turn. A horse lover, he learned that many retired racehorses were sold for slaughter. (He saw the practice firsthand as a volunteer stableman at Suffolk Downs, where older, losing thoroughbreds went to their doom for mere $500.)
So after Blowen left the Globe, he founded a nonprofit organization called Old Friends to fund retirement home for old racehorses.
Read about Old Friends, Dream Chase Farms, a true paradise for horses — and a truly standup guy, Michael Blowen.
“There’s even a movie star on the farm. Popcorn Deelites was one of eight horses who played Seabiscuit in the Academy Award-nominated movie. Pops – as Blowen calls him – is in every scene where Seabiscuit breaks from the gate.”

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”