Old MCN Blogs

Film Fatale

DOOMSDAY: Neil Marshall Interview

Marshall’s action-movie fandom shows up in spades in the movie’s climactic chase, a ten-minute free for all that owes as much to Roadrunner cartoons as it does to Mad Max. (Though the writer-director admits that he “annoyed” his music composer by using John Carpenter’s film music as a temporary score, he had only one track in mind for the movie’s finale: Frankie Goes To Hollywood’s “War.”)

Read the full article »

TERMINATOR Time Loops

I’m not the only one who’s bewildered by the criss crossing time lines (loops?) of THE SARAH CONNOR CHRONICLES and the first two TERMINATOR movies. (I guess we’re supposed to put T3 out of our minds, as though it didn’t happen. But it did: I saw it.) Todd Seavey leaps into the the whole time…

Read the full article »

What '24' Would Have Looked Like in '94

If Fox runs out of episodes of 24, the network can run this top secret, never before seen pilot: what the deadly game of spies vs. terrorists would have looked like in 1994. Produced by College Humor (Thanks to Andrew Hearst of Panopticist for the link)

Read the full article »

Quoted

We are big. It’s the Advertising that got small.

“With 100 million daily readers, newspapers are a tremendous scoring opportunity” – A group called the “Newspaper Project” making the case that news on the printed page is not on the verge of extinction.

Read the full article »

I will find you. And I will Kill You.

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people…

Read the full article »

Reeler

Coming Soon: The Reeler Wanders Off On Its Own

Dear readers, When I started The Reeler in June 2005, my primary goal was to establish a one-stop shop for everything you need to know about New York City cinema. If you are even a casual reader of this site, you will know that I have a ways to go before achieving that not-quite-modest aim….

Read the full article »

Mad at 'Marie,' Jumping for 'Joy': Film Blog Comment Chaos

For reasons I shall disclose to you sooner or later, this is going to be a short day for me. In the meantime, I’d like to refer you over to a pair of interesting discussions that should unfold on the blogosphere for a while to come: –Over at Hollywood Elsewhere, editor Jeffrey Wells has once…

Read the full article »

"Dream Job," "Arts Reporting" Unironically Paired At Hunter College Panel

OK, so maybe this has something to do with the Reeler Karma I was talking about last week, or maybe, again, it is just the the rich getting richer: Lewis Beale, whose essay last month on cinema’s Jewish babe renaissance is the most popular post ever published on this site, is slated to take part…

Read the full article »

Shrinking Film Critic

Seinfeld's doc-diss

The doc-maker who disses Seinfeld back has a point, but it’s not the one he thinks it is …

Read the full article »

Eddie Murphy wuz robbed

I mean, I’ve always loved Alan Arkin, but his performance in Little Miss Sunshine was pretty much what we’ve come to expect of him, his patented, deadpan codger. Whereas Murphy tried something wholly new in his career, and it was quite sensational, not only for being unexpected. Meanwhile, Peter O’Toole’s badly lifted face seemed to…

Read the full article »

Monday-morning quarterbacking on Oscars

I especially enjoyed when Pilobolus formed itself into Ellen DeGeneres’ crimson velour tracksuit. Other trenchant observations: Helen Mirren is sexier at any age than any woman with a facelift. Jack Nicholson is starting to look like Marlon Brando in Apocalypse Now. The actresses all seemed to have strangely symmetrical, erect nipples. Big attempt to make…

Read the full article »

Old MCN Blogs

Quote Unquotesee all »

“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho