Old MCN Blogs

Film Fatale

DOOMSDAY: Neil Marshall Interview

Marshall’s action-movie fandom shows up in spades in the movie’s climactic chase, a ten-minute free for all that owes as much to Roadrunner cartoons as it does to Mad Max. (Though the writer-director admits that he “annoyed” his music composer by using John Carpenter’s film music as a temporary score, he had only one track in mind for the movie’s finale: Frankie Goes To Hollywood’s “War.”)

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TERMINATOR Time Loops

I’m not the only one who’s bewildered by the criss crossing time lines (loops?) of THE SARAH CONNOR CHRONICLES and the first two TERMINATOR movies. (I guess we’re supposed to put T3 out of our minds, as though it didn’t happen. But it did: I saw it.) Todd Seavey leaps into the the whole time…

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What '24' Would Have Looked Like in '94

If Fox runs out of episodes of 24, the network can run this top secret, never before seen pilot: what the deadly game of spies vs. terrorists would have looked like in 1994. Produced by College Humor (Thanks to Andrew Hearst of Panopticist for the link)

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Quoted

We are big. It’s the Advertising that got small.

“With 100 million daily readers, newspapers are a tremendous scoring opportunity” – A group called the “Newspaper Project” making the case that news on the printed page is not on the verge of extinction.

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I will find you. And I will Kill You.

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people…

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Reeler

Coming Soon: The Reeler Wanders Off On Its Own

Dear readers, When I started The Reeler in June 2005, my primary goal was to establish a one-stop shop for everything you need to know about New York City cinema. If you are even a casual reader of this site, you will know that I have a ways to go before achieving that not-quite-modest aim….

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Mad at 'Marie,' Jumping for 'Joy': Film Blog Comment Chaos

For reasons I shall disclose to you sooner or later, this is going to be a short day for me. In the meantime, I’d like to refer you over to a pair of interesting discussions that should unfold on the blogosphere for a while to come: –Over at Hollywood Elsewhere, editor Jeffrey Wells has once…

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"Dream Job," "Arts Reporting" Unironically Paired At Hunter College Panel

OK, so maybe this has something to do with the Reeler Karma I was talking about last week, or maybe, again, it is just the the rich getting richer: Lewis Beale, whose essay last month on cinema’s Jewish babe renaissance is the most popular post ever published on this site, is slated to take part…

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Shrinking Film Critic

Seinfeld's doc-diss

The doc-maker who disses Seinfeld back has a point, but it’s not the one he thinks it is …

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Eddie Murphy wuz robbed

I mean, I’ve always loved Alan Arkin, but his performance in Little Miss Sunshine was pretty much what we’ve come to expect of him, his patented, deadpan codger. Whereas Murphy tried something wholly new in his career, and it was quite sensational, not only for being unexpected. Meanwhile, Peter O’Toole’s badly lifted face seemed to…

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Monday-morning quarterbacking on Oscars

I especially enjoyed when Pilobolus formed itself into Ellen DeGeneres’ crimson velour tracksuit. Other trenchant observations: Helen Mirren is sexier at any age than any woman with a facelift. Jack Nicholson is starting to look like Marlon Brando in Apocalypse Now. The actresses all seemed to have strangely symmetrical, erect nipples. Big attempt to make…

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Old MCN Blogs

Quote Unquotesee all »

“You can’t make films about something the audience knows nothing about. The trick is getting the audience to tell their own stories in the story so that they know what will happen. And then, just before they get bored, you must surprise them and move the story in a new direction.”
~ Mogens Rukov

“In some parts of the world, for instance among intellectuals in Italy, you do still feel the need to defend entertainment – where there is still a commitment to a certain traditional left realist project, or the ideas of Brecht or Godard and so on. But in Great Britain and North America and many parts of Europe, no, I don’t think there is a need. The question is: is there such a thing as entertainment anymore? That’s what I am not sure about. Entertainment is very much posited upon an idea of escape. When I started thinking about entertainment people would say things like ‘It takes you out of yourself’, or ‘It takes your mind off things’. And of course people still have problems, but there was very much the sense then that most of life was hard but you had entertainment to take you away from it for a bit. While now, because of all sorts of changes, you can listen to music anywhere you go all the time – and even choose the music, not just accept the music that is there. That sense of a gap between a bad life and something to escape into has disappeared or is greatly diminished. I don’t know whether that is a good or a bad thing but it changes the nature of entertainment. In that sense I would no longer know what I would then be defending. That despising of the popular, that despising of what is enjoyable, may still be there, but it is not a discourse that has so much weight anymore.”
~ Critic-Academic Richard Dyer On “Entertainment”

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