Old MCN Blogs

Film Fatale

DOOMSDAY: Neil Marshall Interview

Marshall’s action-movie fandom shows up in spades in the movie’s climactic chase, a ten-minute free for all that owes as much to Roadrunner cartoons as it does to Mad Max. (Though the writer-director admits that he “annoyed” his music composer by using John Carpenter’s film music as a temporary score, he had only one track in mind for the movie’s finale: Frankie Goes To Hollywood’s “War.”)

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TERMINATOR Time Loops

I’m not the only one who’s bewildered by the criss crossing time lines (loops?) of THE SARAH CONNOR CHRONICLES and the first two TERMINATOR movies. (I guess we’re supposed to put T3 out of our minds, as though it didn’t happen. But it did: I saw it.) Todd Seavey leaps into the the whole time…

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What '24' Would Have Looked Like in '94

If Fox runs out of episodes of 24, the network can run this top secret, never before seen pilot: what the deadly game of spies vs. terrorists would have looked like in 1994. Produced by College Humor (Thanks to Andrew Hearst of Panopticist for the link)

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Quoted

We are big. It’s the Advertising that got small.

“With 100 million daily readers, newspapers are a tremendous scoring opportunity” – A group called the “Newspaper Project” making the case that news on the printed page is not on the verge of extinction.

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I will find you. And I will Kill You.

“I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills; skills I have acquired over a very long career. Skills that make me a nightmare for people…

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Reeler

Coming Soon: The Reeler Wanders Off On Its Own

Dear readers, When I started The Reeler in June 2005, my primary goal was to establish a one-stop shop for everything you need to know about New York City cinema. If you are even a casual reader of this site, you will know that I have a ways to go before achieving that not-quite-modest aim….

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Mad at 'Marie,' Jumping for 'Joy': Film Blog Comment Chaos

For reasons I shall disclose to you sooner or later, this is going to be a short day for me. In the meantime, I’d like to refer you over to a pair of interesting discussions that should unfold on the blogosphere for a while to come: –Over at Hollywood Elsewhere, editor Jeffrey Wells has once…

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"Dream Job," "Arts Reporting" Unironically Paired At Hunter College Panel

OK, so maybe this has something to do with the Reeler Karma I was talking about last week, or maybe, again, it is just the the rich getting richer: Lewis Beale, whose essay last month on cinema’s Jewish babe renaissance is the most popular post ever published on this site, is slated to take part…

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Shrinking Film Critic

Seinfeld's doc-diss

The doc-maker who disses Seinfeld back has a point, but it’s not the one he thinks it is …

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Eddie Murphy wuz robbed

I mean, I’ve always loved Alan Arkin, but his performance in Little Miss Sunshine was pretty much what we’ve come to expect of him, his patented, deadpan codger. Whereas Murphy tried something wholly new in his career, and it was quite sensational, not only for being unexpected. Meanwhile, Peter O’Toole’s badly lifted face seemed to…

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Monday-morning quarterbacking on Oscars

I especially enjoyed when Pilobolus formed itself into Ellen DeGeneres’ crimson velour tracksuit. Other trenchant observations: Helen Mirren is sexier at any age than any woman with a facelift. Jack Nicholson is starting to look like Marlon Brando in Apocalypse Now. The actresses all seemed to have strangely symmetrical, erect nipples. Big attempt to make…

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Old MCN Blogs

Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook