Press Releases Archive for February, 2019

Wolfgang Puck Marks Twenty-Fifth Year Feeding Oscars Governors Ball

91ST OSCARS® GOVERNORS BALL CREATIVE TEAM ANNOUNCED LOS ANGELES, CA – Academy governor Lois Burwell, event producer Cheryl Cecchetto and master chef Wolfgang Puck will team to create this year’s Governors Bal, the Academy of Motion Picture Arts and Sciences’ official post-Oscars celebration, which will immediately follow the 91st Oscars ceremony on Sunday, February 24….

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Paul Feig’s Powderkeg launches Break the Room, company based on a development process to empower underrepresented voices

[PR] Paul Feig’s production company, Powderkeg has launched an innovative development company called Break the Room (BTR) with writer/producer Sameer Gardezi.  BTR is a writers room development process originally piloted by Gardezi in partnership with MuslimArc, and with support from the Pop Culture Collaborative, that approaches the creation of diverse content by bringing writers of color together with…

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True/False Slates 2019

Columbia, Missouri — The True/False Film Fest is proud to announce its 2019 slate of 36 new feature films and 18 new short films. These films were selected from roughly 1,100 submissions and hundreds more scouted from festivals around the world. Unfolding from Feb. 28-March 3, 2019, in Columbia, Missouri, the festival highlights works demonstrating…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott