Press Releases Archive for February, 2019

Wolfgang Puck Marks Twenty-Fifth Year Feeding Oscars Governors Ball

91ST OSCARS® GOVERNORS BALL CREATIVE TEAM ANNOUNCED LOS ANGELES, CA – Academy governor Lois Burwell, event producer Cheryl Cecchetto and master chef Wolfgang Puck will team to create this year’s Governors Bal, the Academy of Motion Picture Arts and Sciences’ official post-Oscars celebration, which will immediately follow the 91st Oscars ceremony on Sunday, February 24….

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Paul Feig’s Powderkeg launches Break the Room, company based on a development process to empower underrepresented voices

[PR] Paul Feig’s production company, Powderkeg has launched an innovative development company called Break the Room (BTR) with writer/producer Sameer Gardezi.  BTR is a writers room development process originally piloted by Gardezi in partnership with MuslimArc, and with support from the Pop Culture Collaborative, that approaches the creation of diverse content by bringing writers of color together with…

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True/False Slates 2019

Columbia, Missouri — The True/False Film Fest is proud to announce its 2019 slate of 36 new feature films and 18 new short films. These films were selected from roughly 1,100 submissions and hundreds more scouted from festivals around the world. Unfolding from Feb. 28-March 3, 2019, in Columbia, Missouri, the festival highlights works demonstrating…

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Press Releases

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima