Press Releases Archive for January, 2019

Oscar-Nominated Minding The Gap Debuts On POV February 18

POV DOCUMENTARY ‘MINDING THE GAP’ RECEIVES ACADEMY AWARD NOMINATION FOR BEST DOCUMENTARY FEATURE ‘MINDING THE GAP’ WILL HAVE ITS NATIONAL TELEVISION DEBUT ON PBS DOCUMENTARY SERIES POV ON MONDAY, FEBRUARY 18 AT 9PM New York, N.Y.  — This morning the critically acclaimed coming-of-age story Minding the Gap received an Oscar nomination for Best Documentary Feature for the…

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Specialized SVOD Streaming OVID.TV Launches in March

[PR] (New York, January 2019)  Jonathan Miller, of Icarus Films, announced today an unprecedented collaborative effort between six of the most noteworthy independent film distributors in the U.S., each respected for the depth of their industry experience and the vitality of their collections. Together, they are supporting the launch of OVID.TV, an innovative new video-on-demand subscription…

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Academy Sets Nomination Announcement Times

1st Oscars® Nominations Announcement Tuesday, January 22, 2019 5:20 a.m. PST/8:20 a.m. EST/1:20 p.m. GMT/9:20 p.m. CST FORMAT The 91st Academy Awards® nominations in all 24 Oscar® categories will be announced in a two-part live presentation on Tuesday, January 22, via global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms – Twitter, YouTube, Facebook – a satellite feed and local broadcasters. 5:20:00 a.m….

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Sundance 2019 Juries Set

Los Angeles, CA — Sundance Institute will gather 20 celebrated and revered expert voices across film, art, culture and science to award feature-length and short films shown at the 2019 Sundance Film Festival with 12 prizes, announced at a ceremony February 2 that will be livestreamed at sundance.org and on YouTube. Short Film Awards will be announced at a…

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Film Independent Backs 30 Filmmakers Through Project Involve 2019

FILM INDEPENDENT SELECTS 30 FILMMAKERS FOR PROJECT INVOLVE 2019   LOS ANGELES (January 15, 2019) — Film Independent, the nonprofit arts organization that produces the Spirit Awards, has selected 30 filmmakers for Project Involve, the organization’s signature diversity mentorship program. Now in its 26th year, the Project Involve program fosters the careers of talented filmmakers from communities traditionally…

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2019 Writers Guild Awards Nominees

SCREENPLAY NOMINEES ORIGINAL SCREENPLAY Eighth Grade, Written by Bo Burnham; A24 Green Book, Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures A Quiet Place, Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures Roma, Written by Alfonso Cuarón; Netflix Vice, Written by Adam McKay; Annapurna Pictures ADAPTED SCREENPLAY…

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NOMINEES ANNOUNCED FOR THE  69TH ANNUAL ACE EDDIE AWARDS  RECOGNIZING BEST EDITING OF 2018  IN FILM, TELEVISION AND DOCUMENTARIES

Winners to be announced at the 69th Annual ACE Eddie Awards presented by American Cinema Editors (ACE) on Feb. 1 at the Beverly Hilton Hotel Los Angeles, Jan. 7, 2019 — American Cinema Editors (ACE), the honorary society of the world’s top film editors, today announced nominations for the 69th Annual ACE Eddie Awards recognizing outstanding editing…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott