Press Releases Archive for January, 2019

Oscar-Nominated Minding The Gap Debuts On POV February 18

POV DOCUMENTARY ‘MINDING THE GAP’ RECEIVES ACADEMY AWARD NOMINATION FOR BEST DOCUMENTARY FEATURE ‘MINDING THE GAP’ WILL HAVE ITS NATIONAL TELEVISION DEBUT ON PBS DOCUMENTARY SERIES POV ON MONDAY, FEBRUARY 18 AT 9PM New York, N.Y.  — This morning the critically acclaimed coming-of-age story Minding the Gap received an Oscar nomination for Best Documentary Feature for the…

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Specialized SVOD Streaming OVID.TV Launches in March

[PR] (New York, January 2019)  Jonathan Miller, of Icarus Films, announced today an unprecedented collaborative effort between six of the most noteworthy independent film distributors in the U.S., each respected for the depth of their industry experience and the vitality of their collections. Together, they are supporting the launch of OVID.TV, an innovative new video-on-demand subscription…

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Academy Sets Nomination Announcement Times

1st Oscars® Nominations Announcement Tuesday, January 22, 2019 5:20 a.m. PST/8:20 a.m. EST/1:20 p.m. GMT/9:20 p.m. CST FORMAT The 91st Academy Awards® nominations in all 24 Oscar® categories will be announced in a two-part live presentation on Tuesday, January 22, via global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms – Twitter, YouTube, Facebook – a satellite feed and local broadcasters. 5:20:00 a.m….

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Sundance 2019 Juries Set

Los Angeles, CA — Sundance Institute will gather 20 celebrated and revered expert voices across film, art, culture and science to award feature-length and short films shown at the 2019 Sundance Film Festival with 12 prizes, announced at a ceremony February 2 that will be livestreamed at sundance.org and on YouTube. Short Film Awards will be announced at a…

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Film Independent Backs 30 Filmmakers Through Project Involve 2019

FILM INDEPENDENT SELECTS 30 FILMMAKERS FOR PROJECT INVOLVE 2019   LOS ANGELES (January 15, 2019) — Film Independent, the nonprofit arts organization that produces the Spirit Awards, has selected 30 filmmakers for Project Involve, the organization’s signature diversity mentorship program. Now in its 26th year, the Project Involve program fosters the careers of talented filmmakers from communities traditionally…

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2019 Writers Guild Awards Nominees

SCREENPLAY NOMINEES ORIGINAL SCREENPLAY Eighth Grade, Written by Bo Burnham; A24 Green Book, Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures A Quiet Place, Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures Roma, Written by Alfonso Cuarón; Netflix Vice, Written by Adam McKay; Annapurna Pictures ADAPTED SCREENPLAY…

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NOMINEES ANNOUNCED FOR THE  69TH ANNUAL ACE EDDIE AWARDS  RECOGNIZING BEST EDITING OF 2018  IN FILM, TELEVISION AND DOCUMENTARIES

Winners to be announced at the 69th Annual ACE Eddie Awards presented by American Cinema Editors (ACE) on Feb. 1 at the Beverly Hilton Hotel Los Angeles, Jan. 7, 2019 — American Cinema Editors (ACE), the honorary society of the world’s top film editors, today announced nominations for the 69th Annual ACE Eddie Awards recognizing outstanding editing…

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima