Press Releases Archive for November, 2018

SLAMDANCE ANNOUNCES 2019 FEATURE FILM COMPETITION LINEUP 

  11 Narrative and 9 Documentary Features To Be Showcased in Competition During 25th Annual Festival, Including 18 World, North American, and U.S. Premieres Festival Also Announces Inaugural Breakouts Section Lineup NOVEMBER 26, 2018 (Los Angeles)– The Slamdance Film Festival  today announced the Narrative and Documentary Feature Film Competition programs, as well as the lineup for its…

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Sundance 2019

[PR] Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2019 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 – February 3, 2019. The Festival is the Institute’s…

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BLACK PANTHER COMES TO ART HOUSE THEATERS NATIONWIDE WITH FREE SCREENINGS AND A LIVE Q&A WITH DIRECTOR RYAN COOGLER,  NOVEMBER 27

  PRESENTED BY FILM COMMENT MAGAZINE WITH SUPPORT FROM THE ART HOUSE CONVERGENCE NEW YORK, NY (November 16, 2018) – Black Panther returns to the big screen with free screenings at nonprofit art house theaters nationwide on Tuesday, November 27 at 4:00pm PT/7:00pm ET. Presented by Film Comment, a publication of the Film Society of Lincoln Center, and supported by the Art…

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ISRAEL FILM FESTIVAL STATEMENT

FOR IMMEDIATE RELEASE 7 November 2018 ISRAEL FILM FESTIVAL STATEMENT For 32 years, the Israel Film Festival in Los Angeles has presented more than 1,000 feature films, documentaries, television dramas and short films to close to one million filmgoers and brought hundreds of Israeli filmmakers to the U.S. to share their art. Last night, at…

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima