Press Releases Archive for November, 2018

SLAMDANCE ANNOUNCES 2019 FEATURE FILM COMPETITION LINEUP 

  11 Narrative and 9 Documentary Features To Be Showcased in Competition During 25th Annual Festival, Including 18 World, North American, and U.S. Premieres Festival Also Announces Inaugural Breakouts Section Lineup NOVEMBER 26, 2018 (Los Angeles)– The Slamdance Film Festival  today announced the Narrative and Documentary Feature Film Competition programs, as well as the lineup for its…

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Sundance 2019

[PR] Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2019 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 – February 3, 2019. The Festival is the Institute’s…

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BLACK PANTHER COMES TO ART HOUSE THEATERS NATIONWIDE WITH FREE SCREENINGS AND A LIVE Q&A WITH DIRECTOR RYAN COOGLER,  NOVEMBER 27

  PRESENTED BY FILM COMMENT MAGAZINE WITH SUPPORT FROM THE ART HOUSE CONVERGENCE NEW YORK, NY (November 16, 2018) – Black Panther returns to the big screen with free screenings at nonprofit art house theaters nationwide on Tuesday, November 27 at 4:00pm PT/7:00pm ET. Presented by Film Comment, a publication of the Film Society of Lincoln Center, and supported by the Art…

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ISRAEL FILM FESTIVAL STATEMENT

FOR IMMEDIATE RELEASE 7 November 2018 ISRAEL FILM FESTIVAL STATEMENT For 32 years, the Israel Film Festival in Los Angeles has presented more than 1,000 feature films, documentaries, television dramas and short films to close to one million filmgoers and brought hundreds of Israeli filmmakers to the U.S. to share their art. Last night, at…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott