Press Releases Archive for March, 2018

Michael Schlesinger’s “Vintage” Comedy Shorts With “The World’s Favorite Fake 1930s Comedy Team” Hit The Bricks

KINO LORBER ACQUIRES ALL NORTH AMERICAN RIGHTS TO RETRO COMEDY BIFFLE AND SHOOSTERz Collection of New “Vintage” Comedy Shorts Starring “The World’s Favorite Fake 1930s Comedy Team” Available on DVD May 22, 2018 Feature-Length Compilation To Be Released on Major Digital Platforms including iTunes, Amazon, Google Play and Vudu on May 22, 2018 March 30, 2018 –  Kino Lorber has acquired all North American rights to BIFFLE AND SHOOSTER,…

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VETERAN MEDIA & BRAND MANAGEMENT EXECUTIVE LISA HALLIDAY JOINS ID AS CHIEF COMMUNICATIONS OFFICER

  Former Harpo Head of Comms Comes Aboard as ID Sets to Celebrate 25th Anniversary LOS ANGELES & NEW YORK, MARCH 27, 2018 – Respected media, entertainment and brand management executive Lisa Halliday is joining ID as Chief Communications Officer. Halliday brings with her extensive expertise in corporate and crisis communications, media strategy and branddevelopment as well as a long history…

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The Full Time’s Up Call For Investigation On Alleged Negligence By NY District Attorney Cy Vance, Jr. In Handing Harvey Weinstein

TIME’S UP, a global organization dedicated to ending workplace sexual harassment and abuse, calls on the Governor of New York, Andrew Cuomo today to launch an independent investigation of the New York County District Attorney, Cyrus Vance, and the office of the District Attorney to determine the facts related to the decision not to prosecute…

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Matt Dillon, Kyle MacLachlan, Linda Cardellini, Kathrine Narducci And Tom Hardy Join Josh Trank Written-and-Directed Al Capone Biopic

Principal Photography to Begin April 2 on Josh Trank Written and Directed Bio-Pic BRON announced today that Linda Cardellini, Academy Award nominee Matt Dillon, Golden Globe winner Kyle MacLachlan and Kathrine Narducci will join Academy Award nominee Tom Hardy in the Al Capone bio-pic Fonzo, written and to be directed by Josh Trank (Chronicle).BRON Studios, in association with Creative…

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Paul Feig Goes After Digital Content From Female, LGBTQ and Creators of Color

PAUL FEIG GOES DIGITAL TO CONTINUE TO CHAMPION NEW VOICES FROM UNDERSERVED/UNTAPPED VOICES  Feig launches digital content company Powderkeg to be run by Laura Fischer Filmmaker Paul Feig is launching a new company to create digital content that champions new voices with a special commitment to female, LGBTQ, and filmmakers of color. “It has long been a…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott