Press Releases Archive for March, 2018

Michael Schlesinger’s “Vintage” Comedy Shorts With “The World’s Favorite Fake 1930s Comedy Team” Hit The Bricks

KINO LORBER ACQUIRES ALL NORTH AMERICAN RIGHTS TO RETRO COMEDY BIFFLE AND SHOOSTERz Collection of New “Vintage” Comedy Shorts Starring “The World’s Favorite Fake 1930s Comedy Team” Available on DVD May 22, 2018 Feature-Length Compilation To Be Released on Major Digital Platforms including iTunes, Amazon, Google Play and Vudu on May 22, 2018 March 30, 2018 –  Kino Lorber has acquired all North American rights to BIFFLE AND SHOOSTER,…

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VETERAN MEDIA & BRAND MANAGEMENT EXECUTIVE LISA HALLIDAY JOINS ID AS CHIEF COMMUNICATIONS OFFICER

  Former Harpo Head of Comms Comes Aboard as ID Sets to Celebrate 25th Anniversary LOS ANGELES & NEW YORK, MARCH 27, 2018 – Respected media, entertainment and brand management executive Lisa Halliday is joining ID as Chief Communications Officer. Halliday brings with her extensive expertise in corporate and crisis communications, media strategy and branddevelopment as well as a long history…

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The Full Time’s Up Call For Investigation On Alleged Negligence By NY District Attorney Cy Vance, Jr. In Handing Harvey Weinstein

TIME’S UP, a global organization dedicated to ending workplace sexual harassment and abuse, calls on the Governor of New York, Andrew Cuomo today to launch an independent investigation of the New York County District Attorney, Cyrus Vance, and the office of the District Attorney to determine the facts related to the decision not to prosecute…

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Matt Dillon, Kyle MacLachlan, Linda Cardellini, Kathrine Narducci And Tom Hardy Join Josh Trank Written-and-Directed Al Capone Biopic

Principal Photography to Begin April 2 on Josh Trank Written and Directed Bio-Pic BRON announced today that Linda Cardellini, Academy Award nominee Matt Dillon, Golden Globe winner Kyle MacLachlan and Kathrine Narducci will join Academy Award nominee Tom Hardy in the Al Capone bio-pic Fonzo, written and to be directed by Josh Trank (Chronicle).BRON Studios, in association with Creative…

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Paul Feig Goes After Digital Content From Female, LGBTQ and Creators of Color

PAUL FEIG GOES DIGITAL TO CONTINUE TO CHAMPION NEW VOICES FROM UNDERSERVED/UNTAPPED VOICES  Feig launches digital content company Powderkeg to be run by Laura Fischer Filmmaker Paul Feig is launching a new company to create digital content that champions new voices with a special commitment to female, LGBTQ, and filmmakers of color. “It has long been a…

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Press Releases

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier