Press Releases Archive for January, 2018

Sundance Director of Programmer Trevor Groth Joins 30WEST

[pr] 30WEST HIRES SUNDANCE FILM FESTIVAL PROGRAMMING CHIEF TREVOR GROTH LOS ANGELES (January 29, 2018) – 30WEST has hired the Director of Programming of the Sundance Film Festival, Trevor Groth, who will join the company in February. Groth first joined the programming staff of the Sundance Film Festival in 1993, was named Senior Programmer in 2003 and Director in…

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Nat’l Hispanic Media Coalition Targets Oscar

[pr] ACADEMY AWARDS TO BE TARGETED BY NATIONAL HISPANIC MEDIA COALITION ACTION NETWORK Feb. 5 and March 3 demonstrations launch nationwide campaign protesting “institutionalized racism” against Latinos by major movie studios PASADENA, CALIF., Jan. 23, 2018 – The National Hispanic Media Coalition (NHMC) Action Network today announced it will hold two demonstrations targeting the 2018 Academy Awards® that will…

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Easterseals; Wal-Mart And Coca-Cola’s Bentonville Film Festival; AT&T And DirecTv Join In “Disability Film Challenge” at Sundance

[PR] Easterseals Disability Film Challenge & Bentonville Film Festival to Announce Alliance at Sundance Together, Celebrities & Entertainment Industry Professionals are Changing the Way the World Views & Defines Disability PARK CITY, Utah — Jan. 20, 2018 — For Immediate Release — Easterseals Southern California (ESSC) – which assists more than 10,000 people with disabilities throughout…

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30WEST CONTINUES HOLLYWOOD EXPANSION TAKING MAJORITY STAKE IN FILM STUDIO NEON

LOS ANGELES (January 19, 2018) – 30WEST, a leading-edge investment and advisory company focused on film, media and other areas of popular culture, is continuing its Hollywood expansion, acquiring majority ownership in NEON, one of the most coveted theatrical marketing and distribution companies in the independent film space.  Both companies collaborated successfully on the theatrical release, I, TONYA, starring…

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The Producers Guild’s Anti-Sexual Harassment Guidelines In Full

PRODUCERS GUILD OF AMERICA ANTI-SEXUAL HARASSMENT GUIDELINES 1/19/18 The Producers Guild is an organization that represents, protects, and promotes the interests of all members of the producing team and is committed to fostering work environments free from sexual harassment. We are in a transitional moment as a society, in which we are re-evaluating behavior in the…

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Dolby Donates Atmos Sound System To The Ray, New, Permanent 500-Seat Theater to Sundance

[pr] Dolby Atmos Elevates the 2018 Sundance Film Festival at The Ray, New 500-Seat Theatre Dolby Sound Fellowship Awarded to I Think We’re Alone Now and Blindspotting, Sundance Film Festival’s Opening Night Film SAN FRANCISCO, Jan. 17, 2018  — Sundance Institute and the Dolby Institute, along with the Ray and Dagmar Dolby Family Fund, announced…

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Sundance Sets Juries

Sundance Film Festival: Juries, Awards Night Host Announced 24 Jurors to Award NUMBER Prizes, Including New NEXT Innovator’s Award Los Angeles, CA — Sundance Institute will convene 24 experts in film, art, culture and science to award feature-length work shown at the 2018 Sundance Film Festival with 28 prizes, announced at a ceremony January 27 that will be…

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TRUE/FALSE & THE CROSSING TO ANNOUNCE THE 2018 TRUE LIFE FUND FILM AND NEW TRAVELING DOCUMENTARY SERIES.

Columbia, Missouri – True/False and The Crossing invite members of the press and community to The Crossing on Wednesday, January 17th at 9:00AM CST when they will announce the 2018 True Life Fund Film along with a new outgrowth of the partnership, the Alethea Project: a 10-week traveling documentary screening series that will take place…

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GENE SISKEL FILM CENTER KICKS OFF AWARDS SEASON WITH 90TH ANNUAL OSCAR NOMINATIONS PANEL, JANUARY 23, 2018

GENE SISKEL FILM CENTER KICKS OFF AWARDS SEASON WITH 90TH ANNUAL OSCAR NOMINATIONS PANEL, JANUARY 23, 2018 Panel Discussion Features Top Chicago Film Critics J.R. Jones, Sergio Mims, Michael Phillips, Pamela Powell and Ray Pride CHICAGO — The Gene Siskel Film Center (GSFC) of the School of the Art Institute of Chicago (SAIC) presents the 90th Academy Awards® Nominations Panel Tuesday,…

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Press Releases

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima