Press Releases Archive for January, 2018

Sundance Director of Programmer Trevor Groth Joins 30WEST

[pr] 30WEST HIRES SUNDANCE FILM FESTIVAL PROGRAMMING CHIEF TREVOR GROTH LOS ANGELES (January 29, 2018) – 30WEST has hired the Director of Programming of the Sundance Film Festival, Trevor Groth, who will join the company in February. Groth first joined the programming staff of the Sundance Film Festival in 1993, was named Senior Programmer in 2003 and Director in…

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Nat’l Hispanic Media Coalition Targets Oscar

[pr] ACADEMY AWARDS TO BE TARGETED BY NATIONAL HISPANIC MEDIA COALITION ACTION NETWORK Feb. 5 and March 3 demonstrations launch nationwide campaign protesting “institutionalized racism” against Latinos by major movie studios PASADENA, CALIF., Jan. 23, 2018 – The National Hispanic Media Coalition (NHMC) Action Network today announced it will hold two demonstrations targeting the 2018 Academy Awards® that will…

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Easterseals; Wal-Mart And Coca-Cola’s Bentonville Film Festival; AT&T And DirecTv Join In “Disability Film Challenge” at Sundance

[PR] Easterseals Disability Film Challenge & Bentonville Film Festival to Announce Alliance at Sundance Together, Celebrities & Entertainment Industry Professionals are Changing the Way the World Views & Defines Disability PARK CITY, Utah — Jan. 20, 2018 — For Immediate Release — Easterseals Southern California (ESSC) – which assists more than 10,000 people with disabilities throughout…

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30WEST CONTINUES HOLLYWOOD EXPANSION TAKING MAJORITY STAKE IN FILM STUDIO NEON

LOS ANGELES (January 19, 2018) – 30WEST, a leading-edge investment and advisory company focused on film, media and other areas of popular culture, is continuing its Hollywood expansion, acquiring majority ownership in NEON, one of the most coveted theatrical marketing and distribution companies in the independent film space.  Both companies collaborated successfully on the theatrical release, I, TONYA, starring…

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The Producers Guild’s Anti-Sexual Harassment Guidelines In Full

PRODUCERS GUILD OF AMERICA ANTI-SEXUAL HARASSMENT GUIDELINES 1/19/18 The Producers Guild is an organization that represents, protects, and promotes the interests of all members of the producing team and is committed to fostering work environments free from sexual harassment. We are in a transitional moment as a society, in which we are re-evaluating behavior in the…

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Dolby Donates Atmos Sound System To The Ray, New, Permanent 500-Seat Theater to Sundance

[pr] Dolby Atmos Elevates the 2018 Sundance Film Festival at The Ray, New 500-Seat Theatre Dolby Sound Fellowship Awarded to I Think We’re Alone Now and Blindspotting, Sundance Film Festival’s Opening Night Film SAN FRANCISCO, Jan. 17, 2018  — Sundance Institute and the Dolby Institute, along with the Ray and Dagmar Dolby Family Fund, announced…

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Sundance Sets Juries

Sundance Film Festival: Juries, Awards Night Host Announced 24 Jurors to Award NUMBER Prizes, Including New NEXT Innovator’s Award Los Angeles, CA — Sundance Institute will convene 24 experts in film, art, culture and science to award feature-length work shown at the 2018 Sundance Film Festival with 28 prizes, announced at a ceremony January 27 that will be…

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TRUE/FALSE & THE CROSSING TO ANNOUNCE THE 2018 TRUE LIFE FUND FILM AND NEW TRAVELING DOCUMENTARY SERIES.

Columbia, Missouri – True/False and The Crossing invite members of the press and community to The Crossing on Wednesday, January 17th at 9:00AM CST when they will announce the 2018 True Life Fund Film along with a new outgrowth of the partnership, the Alethea Project: a 10-week traveling documentary screening series that will take place…

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GENE SISKEL FILM CENTER KICKS OFF AWARDS SEASON WITH 90TH ANNUAL OSCAR NOMINATIONS PANEL, JANUARY 23, 2018

GENE SISKEL FILM CENTER KICKS OFF AWARDS SEASON WITH 90TH ANNUAL OSCAR NOMINATIONS PANEL, JANUARY 23, 2018 Panel Discussion Features Top Chicago Film Critics J.R. Jones, Sergio Mims, Michael Phillips, Pamela Powell and Ray Pride CHICAGO — The Gene Siskel Film Center (GSFC) of the School of the Art Institute of Chicago (SAIC) presents the 90th Academy Awards® Nominations Panel Tuesday,…

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Press Releases

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott