Press Releases Archive for March, 2017

Annapurna Adds Marketing And Distribution Hires

[PR] – As part of their growing marketing and distribution operation, Annapurna has hired a number of new executives to build out the division.  Annapurna’s inaugural release is Kathryn Bigelow’s UNTITLED DETROIT PROJECT on August 4, 2017. Reporting to President of Marketing, David Kaminow, Annapurna has expanded its marketing team with the hires of Anne Yoo, as…

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Ebertfest Fills Out Its Schedule

EBERTFEST ANNOUNCES FINAL SLATE OF FILMS AND SPECIAL GUESTS FOR THE 2017 FESTIVAL 19th Annual Roger Ebert’s Film Festival to take place April 19-23, 2017 in Champaign, IL CHAMPAIGN, ILL – March 30, 2017 – The 19th Annual Roger Ebert’s Film Festival co-founded and hosted by Chaz Ebert, also known as ‘Ebertfest,’ announced today the…

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Annapurna Pictures Partners With MGM For Some Int’l Distribution Of Theatrical Slate

ANNAPURNA PICTURES PARTNERS WITH METRO-GOLDWYN-MAYER ON SELECT INTERNATIONAL DISTRIBUTION OF FILM SLATE Los Angeles, CA (March 27, 2017) – Metro-Goldwyn-Mayer (MGM) is partnering with Annapurna to distribute all of Annapurna Pictures’ films in select international territories, it was announced today.  The multi-year partnership is set to begin this year with Annapurna’s first distribution title, Kathryn…

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Ebertfest Sets First Slate Of Attractions

“HAIR” SET AS OPENING NIGHT FILM OF EBERTFEST 2017 INITIAL SLATE OF FILMS AND SPECIAL GUESTS ANNOUNCED 19th Annual Roger Ebert’s Film Festival to take place April 19-23, 2017 in Champaign, IL CHAMPAIGN, ILL – March 23, 2017 – The 19th Annual Roger Ebert’s Film Festival co-founded and hosted by Chaz Ebert, also known as…

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The Int’l Doc Association On Funding From CPB, NEH, NEA

The Int’l Doc Association On Funding From CPB, NEH, NEA

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Veteran Publicist Adriene Bowles Joins Annapurna Pictures As President Of Publicity

[PR] Adriene Bowles has joined Annapurna Pictures as President of Publicity, it was announced today. Bolstering the company’s new marketing and distribution operation, Bowles will spearhead publicity and awards campaigns on behalf of Annapurna’s future releases as well communication initiatives for the company. Bowles joins Annapurna from Focus Features where she served as President of Worldwide Publicity…

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Tribeca Closes Out 2017 Programming Roster

[PR] – The reunion of talent and creators from iconic films and musical acts will be showcased at the 2017 Tribeca Film Festival, presented by AT&T. The 16th edition of the annual cultural festival today announced the program’s Closing Night, Galas, Special Screenings, as well as the titles premiering under the Tribeca/ESPN Sports Film Festival banner. The…

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Tribeca Announces Shorts

[PR] – The 16th annual Tribeca Film Festival, presented by AT&T, today announced its lineup of 57 thought-provoking and diverse short films in competition, including 36 world premieres. The selected shorts, 40% of which were directed by women, and include filmmakers from every corner of the globe, were curated from a record 4,385 submissions. They will…

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Cohen Media Group’s Renovated Quad Cinema Opens April 14

  Welcome back. Look forward. New York, NY (March 6, 2017) — Cohen Media Group (CMG) announced today that New York City’s  original multi-screen theatre, the Quad Cinema, will officially reopen to audiences this spring on Friday, April 14, 2017.  Helmed by its new owner, Cohen Brothers Realty Corporation president, Charles S. Cohen, the theater…

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Tribeca Sets Feature Film Lineup

[PR] An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor…

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Scorsese Announces Film Foundation Partnership With FEPACI And UNESCO To Locate, Restore And Preserve Films Made In Africa

  THE FILM FOUNDATION’S WORLD CINEMA PROJECT, THE PAN AFRICAN FEDERATION OF FILMMAKERS (FEPACI), AND UNESCO ANNOUNCE PARTNERSHIP TO RESTORE AFRICAN CINEMA NEW YORK, NY (March 2, 2017) – The Film Foundation founder and chair, Martin Scorsese, announced today a partnership with the Pan African Federation of Filmmakers (FEPACI) and UNESCO to launch a long-term…

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Int’l Documentary Association Appoints Clair Aguilar Director Of Programming And Policy

[PR] The IDA is thrilled to announce the appointment of Claire Aguilar as Director of Programming & Policy.  Aguilar will oversee IDA’s professional development, education, mentorship and training initiatives. Aguilar will work in tandem with IDA’s Filmmaker Services team and the recently announced Enterprise Documentary Fund to build a suite of support services for documentary makers….

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Press Releases

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch