Press Releases Archive for March, 2017

Ebertfest Sets First Slate Of Attractions

“HAIR” SET AS OPENING NIGHT FILM OF EBERTFEST 2017 INITIAL SLATE OF FILMS AND SPECIAL GUESTS ANNOUNCED 19th Annual Roger Ebert’s Film Festival to take place April 19-23, 2017 in Champaign, IL CHAMPAIGN, ILL – March 23, 2017 – The 19th Annual Roger Ebert’s Film Festival co-founded and hosted by Chaz Ebert, also known as…

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The Int’l Doc Association On Funding From CPB, NEH, NEA

The Int’l Doc Association On Funding From CPB, NEH, NEA

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Veteran Publicist Adriene Bowles Joins Annapurna Pictures As President Of Publicity

[PR] Adriene Bowles has joined Annapurna Pictures as President of Publicity, it was announced today. Bolstering the company’s new marketing and distribution operation, Bowles will spearhead publicity and awards campaigns on behalf of Annapurna’s future releases as well communication initiatives for the company. Bowles joins Annapurna from Focus Features where she served as President of Worldwide Publicity…

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Tribeca Closes Out 2017 Programming Roster

[PR] – The reunion of talent and creators from iconic films and musical acts will be showcased at the 2017 Tribeca Film Festival, presented by AT&T. The 16th edition of the annual cultural festival today announced the program’s Closing Night, Galas, Special Screenings, as well as the titles premiering under the Tribeca/ESPN Sports Film Festival banner. The…

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Tribeca Announces Shorts

[PR] – The 16th annual Tribeca Film Festival, presented by AT&T, today announced its lineup of 57 thought-provoking and diverse short films in competition, including 36 world premieres. The selected shorts, 40% of which were directed by women, and include filmmakers from every corner of the globe, were curated from a record 4,385 submissions. They will…

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Cohen Media Group’s Renovated Quad Cinema Opens April 14

  Welcome back. Look forward. New York, NY (March 6, 2017) — Cohen Media Group (CMG) announced today that New York City’s  original multi-screen theatre, the Quad Cinema, will officially reopen to audiences this spring on Friday, April 14, 2017.  Helmed by its new owner, Cohen Brothers Realty Corporation president, Charles S. Cohen, the theater…

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Tribeca Sets Feature Film Lineup

[PR] An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor…

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Scorsese Announces Film Foundation Partnership With FEPACI And UNESCO To Locate, Restore And Preserve Films Made In Africa

  THE FILM FOUNDATION’S WORLD CINEMA PROJECT, THE PAN AFRICAN FEDERATION OF FILMMAKERS (FEPACI), AND UNESCO ANNOUNCE PARTNERSHIP TO RESTORE AFRICAN CINEMA NEW YORK, NY (March 2, 2017) – The Film Foundation founder and chair, Martin Scorsese, announced today a partnership with the Pan African Federation of Filmmakers (FEPACI) and UNESCO to launch a long-term…

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Int’l Documentary Association Appoints Clair Aguilar Director Of Programming And Policy

[PR] The IDA is thrilled to announce the appointment of Claire Aguilar as Director of Programming & Policy.  Aguilar will oversee IDA’s professional development, education, mentorship and training initiatives. Aguilar will work in tandem with IDA’s Filmmaker Services team and the recently announced Enterprise Documentary Fund to build a suite of support services for documentary makers….

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Press Releases

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“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas