Press Releases Archive for November, 2016

Sundance 2017 Competition And NEXT Announced

Sundance Institute convenes a full slate of provocative and agenda-setting independent films at the 2017 Sundance Film Festival, beginning with today’s announcement of the 66 films selected for U.S. Competition, World Competition and NEXT, as well as a slate of environmentally focused programming under the Festival’s New Climate program. The Festival hosts screenings in Park…

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Slamdance Announces 2017 Competition

Festival to Showcase 11 Narrative and 8 Documentary Features Lineup Spotlights 8 Directorial Debuts From Women Filmmakers The Slamdance Film Festival announced today their Narrative and Documentary Feature Film Competition programs for its 23rd Festival edition, taking place in Park City from January 20-26, 2017. Driven by a dedication to emerging artists, Slamdance continues to…

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Showtime Showing First Two Seasons Of “Twin Peaks” For The Horrordays

SHOWTIME CELEBRATES THE HOLIDAYS BY OFFERING ITS SUBSCRIBERS THE FIRST TWO SEASONS OF TWIN PEAKS The Groundbreaking Original Series TWIN PEAKS Will Be Available On December 26 On The SHOWTIME Streaming Service, SHOWTIME On Demand® and SHOWTIME ANYTIME® The Oscar® and Golden Globe®-Nominated Film Blue Velvet Directed By David Lynch Available Now Photo: Courtesy of…

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10 Animated Shorts Up For Oscar

  The Academy of Motion Picture Arts and Sciences today announced that 10 animated short films will advance in the voting process for the 89th Academy Awards®.  Sixty-nine pictures had originally qualified in the category. The 10 films are listed below in alphabetical order by title, with their production companies: “Blind Vaysha,” Theodore Ushev, director…

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Official Screen Credits Due December 1 For 2016 Oscars

[PR] Thursday, December 1, is the deadline to submit Official Screen Credits (OSC) forms to the Academy of Motion Picture Arts and Sciences for 89th Academy Awards® consideration. For a feature film to be considered for the 2016 Awards, the film’s distributor or producer must either send a scanned, signed copy of the OSC form…

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Seventh Annual H’wd Music In Media Awards Announced

(PR)  The Hollywood Music in Media Awards (HMMA) announced today its winners in film, TV, videogames, commercials and trailers. This year’s theme recognized trail blazers and trend setters within the music industry. The event was at capacity and virtually every winner was in attendance. Justin Timberlake delivered a tapped acceptance speech from the airport in…

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ANNAPURNA INTERNATIONAL AND SACHA BARON COHEN’S “KLOWN” REMAKE SELLS OUT WORLDWIDE AT AMERICAN FILM MARKET

  Los Angeles, CA (November 17, 2016) – Annapurna Pictures and Sacha Baron Cohen’s Four By Two Films’ English-language remake of the hit Danish film KLOWN is the highest performer out of AFM, it was announced today. The title was the only new property on the market to sell-out in all international territories. Annapurna Pictures…

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LEADING CANADIAN DISTRIBUTOR ELEVATION PICTURES LAUNCHES PRODUCTION ARM

[PR] Leading Canadian distributor Elevation Pictures has announced the launch of a production division as Canada’s production business continues to grow at an unprecedented rate.  Canadian film production veteran Christina Piovesan will partner with Elevation on the new division, which will build on Elevation’s existing distribution business by providing best-in-class production services to all types…

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Collaborative Releasing Partners Hybrid Distribution Initiative With Multiple Players

[PR] WILL PARTNER WITH: ALEXANDER STREET, COLLECTIVE EYE FILMS, FILM SPROUT, GRAVITAS VENTURES, KANOPY, OUTCAST FILMS, PASSION RIVER,  RIGHTS STUFF, RO*CO FILMS EDUCATIONAL, RO*CO FILMSINTERNATIONAL, TUGG and JON REISS/HYBRID CINEMA In service to its ongoing commitment to mentor filmmakers and provide them with the most filmmaker-friendly, sustainable and successful distribution, The Film Collaborative (TFC) announces COLLABORATIVE RELEASING, a new soup-to-nuts…

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A Record 27 Animated Features Submitted For Oscar

A record 27 features have been submitted for consideration in the Animated Feature Film category for the 89th Academy Awards®. The submitted features, listed in alphabetical order, are: “The Angry Birds Movie” “April and the Extraordinary World” “Bilal” “Finding Dory” “Ice Age: Collision Course” “Kingsglaive Final Fantasy XV” “Kubo and the Two Strings” “Kung Fu…

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Academy Appoints Director Of Talent Development And Inclusion

The Academy of Motion Picture Arts and Sciences announced today the appointment of Edgar Aguirre as its Director, Talent Development and Inclusion. Beginning November 21, Aguirre will become an integral member of the Academy’s education and outreach team and play a critical role in driving diversity awareness, inclusion and outreach efforts with stakeholders in the…

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89th Oscar A De Luca-Todd Production

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Tenth Cinema Eye Honors Document Nominees

CINEMA EYE HONORS ANNOUNCES NOMINEES FOR 10th ANNUAL AWARDS Feature Film Nominees | Cameraperson, Fire at Sea, I Am Not Your Negro, OJ: Made in America and Weiner  I Am Not Your Negro and OJ: Made in America Lead With 5 nominations Cameraperson and Fire at Sea receive 4 nominations Weiner, The Eagle Huntress and…

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7th Annual Hollywood Music in Media Awards Announces Nominees in Film, TV, & Video Games

[PR] The Hollywood Music in Media Awards (HMMA) announced today the nominees for music in film, TV, videogames, commercials and trailers. The HMMA nominations have historically been representative of the nominees of key awards shows that are announced months later.  Music nominees are chosen in specific genres for films including dramatic feature, Sci-Fi Fantasy, documentary…

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AMIA Conference Offers Diverse Look at Media Preservation

 [PR]  The Association of Moving Image Archivists (AMIA) will bring new breadth and depth to the discussion about the complexities of moving image preservation and access by focusing on the need for diversity in every aspect of the field. Not only through panels, but in a special day devoted to the diverse collections in Pittsburgh…

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Sofia Coppola’s “The Beguiled” Begins

Shot on 35mm by Philippe Le Sourd.

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SPC Sees Happy End For Michael Haneke

Fourth collaboration with Sony Classics.

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And The Nominees For The 32nd Annual Int’l Documentary Awards Are…

And The Nominees For The 32nd Annual Int’l Documentary Awards Are…

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Press Releases

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“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady

“You know how in postproduction you are supposed to color-correct the picture so everything is smooth and even? Jean-Luc wants the opposite. He wants the rupture. Color and then black and white, or different intensities of color. Or how in this film, sometimes you see the ratio of the frame change after the image begins. That happens when he records from his TV onto his old DVCAM analog machine, which is so old we can’t even find parts when it needs to be repaired. The TV takes time to recognize and adjust to the format on the DVD or the Blu-ray. Whether it’s 1:33 or 1:85. And one of the TVs he uses is slower than the other. He wants to keep all that. I could correct it, but he doesn’t want me to. See, here’s an image from War and Peace. He did the overlays of color—red, white, and blue—using an old analog video effects machine. That’s why you have the blur. When I tried to redo it in digital, I couldn’t. The edges were too sharp. And why the image jitters—I don’t know how he did that. Playing with the cable maybe. Handmade. He wants to see that. It’s a gift from his old machine.”
~ Fabrice Aragno