Press Releases Archive for October, 2016

145 Documentary Features Submitted For Oscar

One hundred forty-five features have been submitted for consideration in the Documentary Feature category for the 89th Academy Awards®. The submitted films, listed in alphabetical order, are: “The Abolitionists” “Abortion: Stories Women Tell” “All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone” “Almost Holy” “Amanda Knox” “Among the Believers” “Anne Frank Then and…

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Chicago In’tl Names Audience Awards

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Sun Valley Film Fest Goes Deep On Film Funding And Mentorship

With a mission to serve as “a filmmakers’ festival.”

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STX Entertainment To Co-Produce Short Content

Builds on Strategy to Become the Best Home for Storytellers

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Academy Shortlists Ten Documentary Shorts

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SAG-AFTRA Members Declare Video Game Actors’ Strike

Members Want Decades-Old Interactive Contract Modernized.

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Film Society Of Lincoln Center Goes Total Verhoeven

“Surviving in a world populated by assholes.”

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Penn Jillette To Host First Critics’ Choice Doc Nods

. . .

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Robert De Niro To Receive FSLC’s 44th Annual Chaplin Award

[PR] The Film Society of Lincoln Center is pleased to announce that Academy Award–winning actor Robert De Niro will be honored at the 44th Chaplin Award Gala on Monday, May 8, 2017. The annual event will be attended by a host of notable guests and presenters and will include movie and interview clips, culminating in…

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STX On The Launch of DESIERTO

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ASC To Honor Ed Lachman, Ron Garcia, Philippe Rousselot, Nancy Schreiber

[PR] –  The American Society of Cinematographers (ASC) has announced the honorees for the 31st annual ASC Awards for Outstanding Achievement. Edward Lachman, ASC; Ron Garcia, ASC; Philippe Rousselot, ASC, AFC; and Nancy Schreiber, ASC will be recognized for their contributions to the art of cinematography at the organization’s awards gala on February 4, 2017, at…

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85 Countries Submit For Foreign Language Oscar

60th anniversary of the Foreign Language Film Category.

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Reykjavik International Film Festival Presents Its Awards

“Godless” winner of the Golden Puffin 2016.

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NATO CEO John Fithian Reacts To Netflix/iPic Simultaneous Release Push

NATO President & CEO John Fithian’s Statement on Netflix/iPic Simultaneous Release Plan As always, individual companies make their own decisions about the appropriate release window for movies. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the…

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Press Releases

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott