Press Releases Archive for October, 2016

145 Documentary Features Submitted For Oscar

One hundred forty-five features have been submitted for consideration in the Documentary Feature category for the 89th Academy Awards®. The submitted films, listed in alphabetical order, are: “The Abolitionists” “Abortion: Stories Women Tell” “All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone” “Almost Holy” “Amanda Knox” “Among the Believers” “Anne Frank Then and…

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Chicago In’tl Names Audience Awards

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Sun Valley Film Fest Goes Deep On Film Funding And Mentorship

With a mission to serve as “a filmmakers’ festival.”

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STX Entertainment To Co-Produce Short Content

Builds on Strategy to Become the Best Home for Storytellers

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Academy Shortlists Ten Documentary Shorts

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SAG-AFTRA Members Declare Video Game Actors’ Strike

Members Want Decades-Old Interactive Contract Modernized.

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Film Society Of Lincoln Center Goes Total Verhoeven

“Surviving in a world populated by assholes.”

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Robert De Niro To Receive FSLC’s 44th Annual Chaplin Award

[PR] The Film Society of Lincoln Center is pleased to announce that Academy Award–winning actor Robert De Niro will be honored at the 44th Chaplin Award Gala on Monday, May 8, 2017. The annual event will be attended by a host of notable guests and presenters and will include movie and interview clips, culminating in…

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STX On The Launch of DESIERTO

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ASC To Honor Ed Lachman, Ron Garcia, Philippe Rousselot, Nancy Schreiber

[PR] –  The American Society of Cinematographers (ASC) has announced the honorees for the 31st annual ASC Awards for Outstanding Achievement. Edward Lachman, ASC; Ron Garcia, ASC; Philippe Rousselot, ASC, AFC; and Nancy Schreiber, ASC will be recognized for their contributions to the art of cinematography at the organization’s awards gala on February 4, 2017, at…

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85 Countries Submit For Foreign Language Oscar

60th anniversary of the Foreign Language Film Category.

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Reykjavik International Film Festival Presents Its Awards

“Godless” winner of the Golden Puffin 2016.

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NATO CEO John Fithian Reacts To Netflix/iPic Simultaneous Release Push

NATO President & CEO John Fithian’s Statement on Netflix/iPic Simultaneous Release Plan As always, individual companies make their own decisions about the appropriate release window for movies. The theatrical window is a longstanding industry practice that has benefited studios, theaters and moviegoers. We all should tread lightly and be mindful that over the years, the…

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Press Releases

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray